Missing

'Missing' is a standalone sequel to the hugely successful 'Searching' from 2018. At the rate technology and social media is moving, I suppose this could be seen as an updated version of 'Searching'.

June is a young girl who still misses her Dad, who died when she was very young. The film's opening scenes depict a tragic story of a young girl who lost her Dad to cancer. Her Mom, Grace, now has a new boyfriend, Kevin Lin, and they're going away on vacation.

When the time comes for June to fetch them from the airport, they never arrive, and are soon reported missing. June then decides to make use of the Internet and social media to find out what might have happened, and discovers much more about her mom and Kevin than she anticipated.

'Missing' excellently incorporates the way we use the internet nowadays, and modern social media is perfectly utilized, making the film very relevant and relatable. Unfortunately, (older) people who don't use the Internet on a regular basis might be completely lost. They simply won't understand how the events can be possible.

Just like 'Searching' we're looking at a computer or phone screen for almost the entire film - without even realizing it. The film is incredibly realistic. But wait, there's more: around the halfway mark there's a shock twist. And if that wasn't enough, there's another shock reveal during the final act.

'Missing' had my attention from the very beginning. It is a very detailed and well written script, and the editing is incredible. I found the film fascinating and captivating. I must be honest, with the film being so realistic I did find the finale a bit too sensational - almost as if they wanted to give the film more edge. This ending, however, felt too much like a crime thriller with most of the realism gone. Despite this, though, 'Missing' is a well made film that deserves to be seen.

Directors Nicholas Johnson and Will Merrick return to the big screen with Missing, a similar albeit much improved rendition of their 2018 film Searching. This time around, they excel at building up tension, allowing the audience to breathe momentarily, and then plunging you right back into the drama with a new discovery. The script demanded plenty from Storm Reid, playing the protagonist June, but the lead actor holds her own, often able to dig deep for the emotionally rich scenes, which tend to come regularly in a movie depicting a voracious girl in a race against time to find her missing mother. But just as important as any actor on the silver screen is the score in the background, and Julian Scherle's score quickly caught my attention and brilliantly helped develop the atmosphere. Although there are aspects of the film that can be considered implausible, I find it difficult to hold that against it. The main character is virtually a Sherlock Holmes-level sleuth, not to mention her uncanny ability to operate a computer at the speed of light. Yet the movie requires those two plot devices in order to move forward. I went into this film with tempered expectations, but I think Johnson and Merrick are starting to get the hang of this fully computer-based movie subgenre.

June becomes concerned when her mother Grace doesn't return home from a trip to Colombia with her new partner Kevin.

First off, if you've seen Searching, you'll be very aware that it was made by the same people, I loved that, I loved this one.

What a clever plot, it's just a good old fashioned mystery, but one with a twist, this time it's the child searching for the parent, and instead of physically searching, she does it all with technology, makes a change to see tech given a positive spin.

Edge of the seat viewing, it is full of twists and surprises, you never know what is coming next, it doesn't follow any of the usual conventions. It didn't bore me for a second, what a triumph in writing.

Storm Reid was excellent as June I thought, a convincing performance, you really did get a sense of June's desperation and frustration.

9/10.

I genuinely enjoyed 90% of the film. The idea of having this young woman sleuthing through little more than the apps on her phone and laptop was quite well presented. So much so that, frankly, the scenes set outside that computer setting looked uninspired and slapdash, namely any of the cable news programming and police news conferences. The silly little things we all experience with the internet and social media were solidly, often amusingly, displayed (my favorite perhaps being the slight hesitation deciding whether a front edge of a bumper constitutes part of a yellow school bus in a CAPTCHA picture).

And sure, there are numerous plot holes, mainly due to trying to maintain the mystery (the who?, how?, why? Only come into question after the reveal). But all this can be ignored, as the movie was genuinely engrossing for the majority of the picture. Until... the reveal, which, no spoiler, is sadly predictable. And while I don't entirely object to the nature of the resolution itself, the movie oddly changes pace into a rather pedestrian imitation of an action-thriller. I really wish it had been able to maintain its core atmosphere, and not descend into the ordinary.

This is in the same vein as "Searching", a first person mystery/thriller, where almost every scene is of a person sitting at a computer or looking at a phone. If this alarms you, don't let it. It is very well put together, enough notes are put on the "screen" so even the very computer illiterate should be able to follow.

The story is a young girl, who loses her beloved father, and is raised by her now single mother without any other family. The mother disappears while on vacation and the daughter uses her computer skills to find clues. There are many twists and turns which will keep your interest. Not sure if all of the computer navigation is terribly realistic, but it's easy to suspend your disbelief, and I advise you to.