The Square - Ein tödlicher Plan

As one of those who saw the premiere of this film at the Sydney Film Festival, I can assure you if I was on the "edgerton" of my seat, it was in disbelief as implausibility piled upon implausibility until the film collapsed under their weight.

The film started well, and for a while I was happy to go along with the well-worn Noir formula of the small crime that goes wrong, and all attempts to cover it up only make things worse for the illicit lovers, and the crimes get bigger and bigger. But they also get stupider and stupider, until you just feel your intelligence is being insulted. If, as bilingizard seems to be suggesting, black humour of the order of the Coen Brothers was being attempted, then I suggest some wit (other than that involving the fate of the dogs) should have been attempted. Nor do I think David Roberts was an acceptable lead. The character was dour and unpleasant from the beginning (making it hard to care what happened to him and his paramour) and the performance added no light or shade or leavenings of humanity.

I agree it looks good, and the direction is stylish. But the plot is not just full of holes, but sinkholes that suddenly open up under the feet of the characters, and the audience.

One should always be aware of the Law of Unintended Consequences when they set out to commit a crime. You may have to live with more than you bargained for.

Lovers of Double Indemnity will find the story familiar. Raymond (David Roberts) and his lover Carla (Claire van der Boom) plan to steal money and leave their partners. Things, of course, do not go smoothly.

There are twists and turns aplenty in the noir film, and it keeps you wondering who is going to come up with the next one.

Roberts was excellent and the film was extremely well done.

One hopes Joel Edgerton writes more like this.

I really enjoyed this overlooked Aussie flick because it less than predictably shows you that no matter how carefully you plan something and whittle it down to it's simplest form, the universe is chaotic and the butterfly effect can put the screws to your carefully built house of card. And yes, the whole plot here is a house of cards with one lie covering up another and another until the two characters spiral downwards into a chasm of self destruction and loss of control. For our two cheating main characters, it gets a little Kafkaesque as the circle of poison and snowballing of deceit begins to collapse in on itself and destroys everyone around them. This story has been done before but I thought The Square did a good job of telling it from yet another angle.

What would be a fun find on cable one night isn't worth a trip to the theater. An expertly plotted story (with a particularly clever blackmail subplot) suffers from uninspired casting in the male lead. This actor embodies the film's fatal flaw: an almost total lack of humor.

Film noir is necessarily a downer genre but think how funny Body Heat and Chinatown are with their clever protagonists (and Chandler always has you laughing). The Square, however, features morose David Roberts who should be dancing with joy from his affair with the much younger, cuter, livelier Claire van der Bloom. But he's conflicted from the get-go and the director never lets us see what drew these two together in the first place. There's little chemistry between them and a few scenes between two dogs hold more joy than anything between the impassionate human lovers. The most interesting male actor is co-writer Joel Edgerton and the story might have had more sizzle if he'd been the lead.

But the plot does indeed generate some real tension and the film is watchable. Bodies pile up unexpectedly, there's a mystery inside a mystery with the strong subplot and the ending holds real surprises. The script works but the director, through his casting and tone choices, lets it and us down.

Aussies aren't known for their film making. After seeing "Not Quite Hollywood" I'm not surprised! But, they really do do some impressive films "Wolf Creek", "Storm Warning" to name a few. Now, "The Square" is another worthy film.

"The Square" ultimately has a moral in it. Don't have a bloody affair! It's simple and yet after affair related films such as "Fatal Attraction", "Dear Wife" we still get idiots doing the dirty on their poor faithful partners! (Always men as well, just an observation). Now down to The Square's realistic, raw directing it may just drill this idea into people with adultery on their minds.

The screenplay, although wildly in-your-face is actually presented as quite believable. the acting is also quite passable and the sub plot with the dogs is so romantic (I say sub-plot, more of a side dish). The Square can be quite shocking at times and the ending left me feeling quite flourished.

I don't think The Square should disappoint you, some might find the pacing a bit lazy but the sharp screenplay should keep you on edge. Give the Aussies a chance mate.