Chicago Overcoat

The action scenes were better than expected but surely not so realistic. Only the main actors have any agency.

Frank Vincent is excellent as the senior citizen hit man who volunteers for one last big job. The acting by all concerned is above average, and the photography quite creative. There is of course plenty of violence, but it is not gratuitous. My only objection to "Chicago Overcoat" would be that Armand Assante and Mike Starr really have small roles for being featured on the DVD cover. It is Frank Vincent who shines throughout and almost singlehandedly carries the film. The story flows nicely and has a couple of minor twists and turns. Character development is especially strong, and along with the compelling script, delivers a very enjoyable movie experience. - MERK

If you can relate to the great American author Arthur Miller who wrote the stage and theater play Death of a Salesman than you know the tragic life that Willy Loman the main character in Death of a salesman had. Frank Vincent plays Lou Marazano an aging mobster muscle who never makes captain of his crew. Now Lou's legacy is his daughter and his young grandson. Lou realizes that he has not always been the best father to his daughter during his lifetime of criminal activities. He wants to make things right in his waning years.

Lou's son-in-law is a low life criminal who would rather snort cocaine and hang out at the local strip club than spend any quality time with his wife and son. Lou takes it upon himself to just talk to his step son but this low life has little respect for an aging mobster who could never make captain in his crew. Lou needs to set this scumbag straight not on who he is as a man, but that his grandson needs his father and if his son-in-law does not want to fulfill his parental obligations Lou has an alternative plan.

To make some extra money Lou agrees to take on the contract hits of three local stool pigeons who are going to proceed to court against a mob boss. Lou's signature for completing a contract hit was to always send the widow a bunch of flowers minus the sympathy card. There is an old detective named Ralph Maloney played very well by character actor Danny Goldring who remembers this old mobster's signature calling card but he has to prove that Lou Marazano has come out of retirement after almost 30 years of staying silent with his gun.

So the chase is on and the story line I felt was not only appealing but intriguing and kept the audience guessing how this modern day Willy Loman copycat would end up. Actor Mike Starr plays mob boss Lorenzo Galante who is taking his instructions from the big boss Stefano D'Agnostino played by Armand Assante who orders the hit on the three witnesses that aging Lou Marazano pleads to take on as he really needs the money. We learn later that the assassination money is to be used for only good purposes which I don't want to spoil for anyone who has yet to see this good mobster film.

Lou also has a love interest in the attractive Lorraine Lionello played by the versatile actress Kathrine Narducci. I just loved her role in the Chazz Palminteri 1993 crime film "A Bronx Tale". She played the mother of a young boy named Calogero who was torn between his love for his bus driver dad played by Robert DeNiro and the local mob boss Chazz Palminteri. In my opinion, this is one of the best crime films I have ever seen and it ranks right up there with the Godfather.

As for Chicago Overcoat the title refers to a 1940's term for a gangster rubbing out his opposition and when the dead guy is in his coffin, he is termed to be wearing a Chicago overcoat. The film is well worth watching and I must say I like the way the film ended. I will say no more but encourage you to watch the film. I rate it a 6 out of 10.

If you want to watch a good mob mafia movie this is decent

I cannot recall another movie of this type where the protagonist, an elderly mafia hit-man,comes across as one of the better individuals we encounter. And this impression manages to persist despite the multiple crimes we see him commit. Basically he's a bad guy doing bad things to bad people for a good reason. The scenes between Dannny Goldring as the burnt-out cop on the verge of retirement and Frank Vincent as the washed-up hit-man, two has-beens on opposite sides of the law, were especially well done. Solid performances by all the cast, especially Mike Starr as repulsive Mafia Boss Lorenzo Galante. Incidentally both Frank Vincent and Mike Starr appeared in Goodfellas. Personally I find this lower-key movie the better of the two. For some reason this movie seems to have been completely overlooked, perhaps the absence of moral blacks-and-whites put reviewers off. But if you like the genre you will enjoy this one.