IMDb-BEWERTUNG
5,7/10
54.365
IHRE BEWERTUNG
Da sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die... Alles lesenDa sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die Höhlen zu folgen, wo etwas auf sie wartet.Da sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die Höhlen zu folgen, wo etwas auf sie wartet.
Shauna Macdonald
- Sarah Carter
- (as Shauna MacDonald)
Josh Dallas
- Greg
- (as Joshua Dallas)
Empfohlene Bewertungen
I'm sure this will be the general feel from the majority of reviews but I've got to say that the Descent part 2 is just what you should expect; Similar character development but less of; Similar direction/cinematography but less of; Similar jumpy frights but less of; Similar gore but less of; Similar crawlers but less of; Similar fun but less of. However, for a £3.5m budget, 1st time director and not much room to manoeuvre with the script it's definitely an enjoyable Friday night flick worth investing in. Hey guys it's a sequel and with few exceptions (which I'm sure are discussed ad nauseum on IMDb notice boards) sequels at best are watered down versions of the originals. Not as good as "The Descent" but certainly better than Mr. Marshall's "Doomsday".
I rated these two movies 7 and 6 stars respectively, but I also own the novel of the same name by Jeff Long, published in 1999 (hardback) and 2001 (paperback). That book is so good, I went searching for a movie by that name, and sure enough there are now at least 3: the 2 "Descents," and "The Cave". All came out way after the publication of the book.
The book is, as is mostly, but not always the case, better than movies based on it. (See and read "The Green Mile" by Stephen King).
The second movie, DP2, uses the more humanoid vicious cave creatures based on the Hadal characters created by Jeff Long. I guess the movie makers thought they got away with it the first time, so why not just blatantly rip off the characters too with no credit?
Anyhoo, both Descent movies are well worth watching if you're a horror fan, but if you're also a reader please pick up Jeff Long's novel as well. Much more character development, suspense, and it is quite the page turner. Don't get started on a work night like I did!
The novel also involves enslavement of humans by the underground mutant Hadals, physical mutilation, mind manipulation; just deeply, deeply disturbing.
I took a point off DP2 for too many jump scares. I'm not a real fan of those with the exception of the one near the end of the original "Carrie" 1976 when the hand comes out of the grave when Carrie's repentant classmate is placing flowers, which to me, is quintessential. Gets me to this day!
Does anyone know why Jeff Long gets no credit? Perhaps I'm ignorant of a previous work about underground mutants victimizing humans, but when I read his work a decade or so ago, I thought it was pretty original. Sadly, the two links on the Wikipedia article about this work are dead (account disabled). I hope it is not because he cannot afford it because others have ripped him off so badly.
The book is, as is mostly, but not always the case, better than movies based on it. (See and read "The Green Mile" by Stephen King).
The second movie, DP2, uses the more humanoid vicious cave creatures based on the Hadal characters created by Jeff Long. I guess the movie makers thought they got away with it the first time, so why not just blatantly rip off the characters too with no credit?
Anyhoo, both Descent movies are well worth watching if you're a horror fan, but if you're also a reader please pick up Jeff Long's novel as well. Much more character development, suspense, and it is quite the page turner. Don't get started on a work night like I did!
The novel also involves enslavement of humans by the underground mutant Hadals, physical mutilation, mind manipulation; just deeply, deeply disturbing.
I took a point off DP2 for too many jump scares. I'm not a real fan of those with the exception of the one near the end of the original "Carrie" 1976 when the hand comes out of the grave when Carrie's repentant classmate is placing flowers, which to me, is quintessential. Gets me to this day!
Does anyone know why Jeff Long gets no credit? Perhaps I'm ignorant of a previous work about underground mutants victimizing humans, but when I read his work a decade or so ago, I thought it was pretty original. Sadly, the two links on the Wikipedia article about this work are dead (account disabled). I hope it is not because he cannot afford it because others have ripped him off so badly.
In the first The Descent movie, where Sarah was the only survival of a caving expedition, Neil Marshall (director and writer) chose to keep the ending open to different interpretations of the real cause of what happened. For me it is that open end that gave an added value to the first episode. Unfortunately someone, probably commercialism and money, decided to create a sequel. In any sequel the storyline is simplified to a brainless horror movie with a fairly guessable storyline.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
A Sheriff suspects that Sarah has killed her friends and forces her to return to the caves with a rescue team.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
For a sequel this is surprisingly good. The shock factor is gone admittedly but the filming is not as dark so you see more of the creatures and it's probably even gorier than the first one too.
If you enjoyed the first one then really there is no reason you won't like this as well.
Wusstest du schon
- WissenswertesDirector Jon Harris had the crawlers slightly redesigned for this sequel. Apart from darker skin tones with better camouflage ability, they look more feral with more scars, and have more deformities to suggest years of inbreeding. Additionally, they have several rows of teeth like a shark, for ripping out flesh.
- PatzerThis film is set in 2005, right after the first one. At 1 hour, 2 minutes, Rios records her video message to her daughter on a Nokia N81 phone, which wasn't released until 2007.
- Crazy CreditsWhile in the first film the opening credits resembled a flashlight passing over and illuminating them, in this one, the opening credits appears as if a passing light were shining past them onto the audience.
- VerbindungenFeatured in WatchMojo: Top 10 Horror Movies Ruined by Terrible Endings! (2017)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El descenso: parte 2
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Box Office
- Weltweiter Bruttoertrag
- 7.048.886 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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