IMDb-BEWERTUNG
5,7/10
54.214
IHRE BEWERTUNG
Da sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die... Alles lesenDa sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die Höhlen zu folgen, wo etwas auf sie wartet.Da sie sich weigert, ihre Geschichte über höhlenbewohnende Monster zu glauben, ist die einzige Überlebende einer schrecklich schief gelaufenen Erkundung gezwungen, den Behörden zurück in die Höhlen zu folgen, wo etwas auf sie wartet.
Shauna Macdonald
- Sarah Carter
- (as Shauna MacDonald)
Josh Dallas
- Greg
- (as Joshua Dallas)
Empfohlene Bewertungen
Goodness. What a horrible, horrible follow-up to one of the best horror experiences of the past decade.
Where the first film was suspenseful and claustrophobic, this film displays constantly open cave dwellings and is repetitious to the point were no suspense can be truly built. I swear this takes place in an entirely different cave system, despite the film claiming it's supposedly the same exact one. Not even the revisited stomping grounds look the same.
The original film also used light sparingly in an attempt to actually make the audience feel as if they were trapped in a cave with the cast of the film. This sequel constantly shows bright surroundings, with light coming from unseen sources--particularly overhead, making it feel as if these characters aren't inside a cave system in the first place. Apparently the cave dwellers like to place small lava lamps and glow sticks around their territory because they... rave? I'm not sure where all this light was coming from! Strangely our characters can't seem to see what's going on even with all of this illumination and they keep bumping into each other in the "dark." Maybe there were budget problems but that doesn't excuse the lousy script and characters. Shauna Macdonald tries her hardest to keep the film afloat (she's pretty solid with what she has been given to work with), but I imagine this would be like what Sigourney Weaver would be doing had she been trapped in an AVP film. She seems like the only honest character in the film, suffering from the events of the prior nightmare, but the supporting casts around her are nothing more than bumbling idiots.
You don't feel anything for any other member of the cast. Despite David Julyan's score swelling in some of the fateful scenes, I felt almost no emotion behind any of the events this time. None of the deaths or tragedies make an impact like the deaths of those in the original movie. In fact, one scene at the end tries to tie up a major story thread from the previous movie, but it simply comes off as tacky and against the grain of the characters we have come to know.
The final nail in the tragically shoddy coffin is the ending, which is also funny whether intentional or not.
Related Recommendations: The Descent, The Thing, Eden Log, Pandorum, REC, Cube, Pitch Black
Where the first film was suspenseful and claustrophobic, this film displays constantly open cave dwellings and is repetitious to the point were no suspense can be truly built. I swear this takes place in an entirely different cave system, despite the film claiming it's supposedly the same exact one. Not even the revisited stomping grounds look the same.
The original film also used light sparingly in an attempt to actually make the audience feel as if they were trapped in a cave with the cast of the film. This sequel constantly shows bright surroundings, with light coming from unseen sources--particularly overhead, making it feel as if these characters aren't inside a cave system in the first place. Apparently the cave dwellers like to place small lava lamps and glow sticks around their territory because they... rave? I'm not sure where all this light was coming from! Strangely our characters can't seem to see what's going on even with all of this illumination and they keep bumping into each other in the "dark." Maybe there were budget problems but that doesn't excuse the lousy script and characters. Shauna Macdonald tries her hardest to keep the film afloat (she's pretty solid with what she has been given to work with), but I imagine this would be like what Sigourney Weaver would be doing had she been trapped in an AVP film. She seems like the only honest character in the film, suffering from the events of the prior nightmare, but the supporting casts around her are nothing more than bumbling idiots.
You don't feel anything for any other member of the cast. Despite David Julyan's score swelling in some of the fateful scenes, I felt almost no emotion behind any of the events this time. None of the deaths or tragedies make an impact like the deaths of those in the original movie. In fact, one scene at the end tries to tie up a major story thread from the previous movie, but it simply comes off as tacky and against the grain of the characters we have come to know.
The final nail in the tragically shoddy coffin is the ending, which is also funny whether intentional or not.
Related Recommendations: The Descent, The Thing, Eden Log, Pandorum, REC, Cube, Pitch Black
A Sheriff suspects that Sarah has killed her friends and forces her to return to the caves with a rescue team.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
The original Descent movie is one of my favourite horror films, so I was really looking forward to feasting my eyes on the second part. To be fair, I wasn't expecting anything near as what the original movie offered.
The Descent: Part 2 follows Sarah, the sole escapee of the cave in the first movie. She has amnesia and despite this she is questioned by police regarding the whereabouts of her friends. She then gets forced back down into the cave with a new team so they can discover what went on down there.
The film follows on right after the ending of the American version of the movie which wasn't really to my liking, partly as it's a British horror movie and also because the British ending of The Descent is so much better.
I was pleasantly surprised though, despite ridiculing the movie literally from start to finish by comparing it to the original (well I was watching it with friends). As a stand-alone movie this is a pretty good one. There were a few scenes just too similar to the original movie and some where just plain ridiculous, but in a good way if that makes sense.
The death scenes and the moments building towards them were executed brilliantly. Director Jon Harris executes eerie and scary suspense perfectly, pulling you into the scene in question. Furthermore, the scenes from the first movie are recreated perfectly so much so that you'd swear this movie was made at the same time as the original.
It's nowhere near as good as the original, but a surprisingly good sequel. Plot-holes and revealing mistakes aside, it's good fun, but don't be surprised if you're raising your eyebrow at the ending.
http://ukmore.tk/
The Descent: Part 2 follows Sarah, the sole escapee of the cave in the first movie. She has amnesia and despite this she is questioned by police regarding the whereabouts of her friends. She then gets forced back down into the cave with a new team so they can discover what went on down there.
The film follows on right after the ending of the American version of the movie which wasn't really to my liking, partly as it's a British horror movie and also because the British ending of The Descent is so much better.
I was pleasantly surprised though, despite ridiculing the movie literally from start to finish by comparing it to the original (well I was watching it with friends). As a stand-alone movie this is a pretty good one. There were a few scenes just too similar to the original movie and some where just plain ridiculous, but in a good way if that makes sense.
The death scenes and the moments building towards them were executed brilliantly. Director Jon Harris executes eerie and scary suspense perfectly, pulling you into the scene in question. Furthermore, the scenes from the first movie are recreated perfectly so much so that you'd swear this movie was made at the same time as the original.
It's nowhere near as good as the original, but a surprisingly good sequel. Plot-holes and revealing mistakes aside, it's good fun, but don't be surprised if you're raising your eyebrow at the ending.
http://ukmore.tk/
Following the events of the first movie, Sarah (Shauna Macdonald) is taken to a hospital. She has memory loss. A rescue team searches the caves for the missing women. A dog tracks one of the woman to an abandoned unexplored mine. Sheriff Vaines (Gavan O'Herlihy) takes deputy Elen Rios, Sarah, three cavers, and old timer Ed Oswald down into the depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
Somehow, they've managed to crap all over the mystery and wonder of the first film. I wouldn't have thought that possible, but here's two hours worth of what basically amounts to the same movie with different angles. There's a fine line between horror and annoyance, and the difference is evident between the original film and this sequel. The first had some great character development, witty dialogue, an intriguing plot. All of those things have been substituted for B-movie versions of same. Huge plot holes, impossible scenarios, expositional dialogue, and an ending that makes both films seem pointless. Don't even get me started on why there is light in some of the caves deep underground.
Wusstest du schon
- WissenswertesDirector Jon Harris had the crawlers slightly redesigned for this sequel. Apart from darker skin tones with better camouflage ability, they look more feral with more scars, and have more deformities to suggest years of inbreeding. Additionally, they have several rows of teeth like a shark, for ripping out flesh.
- PatzerThis film is set in 2005, right after the first one. At 1 hour, 2 minutes, Rios records her video message to her daughter on a Nokia N81 phone, which wasn't released until 2007.
- Crazy CreditsWhile in the first film the opening credits resembled a flashlight passing over and illuminating them, in this one, the opening credits appears as if a passing light were shining past them onto the audience.
- VerbindungenFeatured in WatchMojo: Top 10 Horror Movies Ruined by Terrible Endings! (2017)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El descenso: parte 2
- Drehorte
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Box Office
- Weltweiter Bruttoertrag
- 7.048.886 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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