The Crew

Longtime crime boss Ged Brennan(Scot Williams) is done with the criminal underworld when he feels his luck is running out. But to fund a legitimate business, he has to rely on his crew in order to successfully pull off one final robbery. But one of his crew member and butt buddy has a business of there own, which is getting into the illegal drug business which Ged won't even touch with a 100 ft pole. So when one of his trusted crew member goes to a rival heist group in order to get in, it really jeopardizes Ged's final heist. With betrayal all around Ged, he must use his wits and everything he learned and with the help of his former adversary Franner(Stephen Graham) to get everything on track. This is a good crime movie, but at times it felt way longer than it should have been. This film is about 123 mins, but they could have easily cut 20 or maybe 30 min and it would have been a fast paced and better. Sometimes the slow pace makes a movie better, but this isn't the case for "The Crew" and it felt that it started to drag in sometimes and incoherent. The plot was creative, but not original but I just didn't care about any of the characters except maybe Ged. But this is cause everyone else besides Ged, is annoyingly retarded so you don't care what happens to them. I mean in movies like this you know who the bad guys are, but for instance in Guy Ritchie's movies, he actually makes them funny and likable, but this isn't the case for "The Crew". This movie may please audiences that enjoy crime/drama movies, but it just didn't have anything that really got my attention.

4.5/10

Another British film from the early 21st Century and like so many other Brit flicks it revolves around a bunch of hardened gangsters

" Wow Theo I think you might have to elaborate ? "

Do I have to ? To be fair it's not one of those embarrassing Guy Ritchie inspired comedy gangster movies that tries and fails to bring a smile to the audiences face . Well it does but these scenes are so intermittent and forgettable that they're forgotten about by the half way stage of the next scene

You certainly won't feel like laughing much because this is foul mouthed brutal stuff . Characters are incapable of opening their mouths without a stream of expletives come gushing out . That's not when they're torturing , beating or murdering one another and some scenes merely exist to shoehorn some explicit mindless violence just in case the audience get bored without ten minutes of graphic violence . Perhaps the producers should concentrated on developing the story a bit more

This is one of two problems with THE CREW . As other people have been quick to point out the film is trying to be complex but just ends up confused as rival firms cross , double cross and triple cross one another so much so that you'll be lost as to why the latest victim is getting ripped off or tortured . By having a Serbian gang as one of the protagonists you're also reminded of LAYER CAKE and how much superior that was to the Ritchie wannabes

The second fundamental fault is that the entire look of the film . Again other commentators have brought it up and that is the film never appears cinematic and resembles something shown on Channel 4 at tea time . Did someone mention HOLLYOAKS ? Try and imagine HOLLYOAKS with the F and C words in every sentence along with frequent maimings and murders and you've got a rough idea what THE CREW resembles on a visual level

Movies from across the Pond are occasionally Excellent and they do tend to be Proud of their Gangster and Comedy Films that can sometimes influence Hollywood. Here is another in a current trend of Organized Crime Thrillers, British Style. These generally fall into two Categories. Wink and Smirk, Guy Ritchie Types, or Dirty and Gritty. This one is the Latter.

It is definitely Dirty. Not only in its Look and Tone but Sexually Speaking. Trouble is that while attempting to be Realistic and Unfettered, the Unfiltered Lens shows some Ugly, Disturbing, Disgusting, and Perverted Scenes that seem Staged for nothing more than to Elevate the Bar of Bad Taste.

One such Scene is so Brutal that its not only Annoying but asks the question Why?, than the Realization come along, that it is just a not so Subtle way to separate this abhorrent Behavior, from the other Lesser abhorrent Behavior, so the Audience can side with the more Civilized Criminal. The one who is Married, wears tailored Suits, has a Son, and doesn't do Drugs.

The Plot is Unforgivably Confusing and there are Scenes and Subplots so Undeveloped that the whole thing just Collapses and takes on a Complexity that is more Frustrating than Intriguing.

"Ged" (Scot Williams) has made a very good living over the years and now lives an outwardly respectable life with his family in London. Meantime, though, he is investing a cool £250,000 in one last scheme to raise him millions and hopefully set him on the straight and narrow. The thing is, his lieutenants - led by "Ratter" (Kenny Doughty) are bored living on what they perceive to be the scraps. They know that there's way more cash to be made if they start dealing hard drugs. "Ged" wants no truck with this, but egged on by his pal "Paul" (Philip Olivier), "Ratter" is determined that he will get his way - by hook or by crook. With the pressure mounting on their boss, revolution brewing amongst the troops and the deadly Serbs waiting in the wings to muscle in on this lucrative market, it's going to take all "Ged" can muster to save himself and his family from the new world order. On the face of it, this is a solid gangster story but as to it's execution - well that is just weak. Loads of faux-Scouse accents pepper the over-scripted drama; loads more Anglo-Saxon expletives don't make these actors into plausible hard-men and the whole thing looks like it's a low budget episode from a 1980s television series. Some of it is intentionally distasteful and on occasion that does work at illustrating just how odious, depraved and greedy some of this gang are, but so often those scenes seem here for their own gratification rather than to put any meat on the bones of these characters and at just over two hours, it takes far too long to get to anything like a sharp end about which I'd lost interest after some random sexually fluid brutality in a penthouse. It's based on a fairly graphic novel and I think it'd be best just to read that and let your own imagination do the work that Adrian Vitoria doesn't manage to do, here. This is just poor, sorry.

The Crew goes where many British gangster flicks tends to skirt around. It's an adaptation of Kevin Sampson's novel Outlaws (he wrote the screenplay too), and really shows off an attention to detail that paints a graphic and nihilistic picture of gangster life. It plays on moral bankruptcy rather than trying to spin out pithy one liners and any pretence of cool.

Nothing good happens to anyone; violence and lust doesn't make people happy, poetic justice slips through when you least expect and some neat twists give it a decent narrative that is a lot smarter than the usual brit gangster flic.

Bodes well for Awaydays!