Ink

A bold, rich and very remarkable film. This is art, not entertainment. Story: This little movie defies easy categorization; there is nothing quite like it that I am aware of. For students of literature, you will find connection to the work of Dante -- in particular, The Inferno -- and other works that portray a human being losing his/her soul, for that is what this movie is about. There are philosophers (Rudolf Steiner) who believe that the world is literally divided into overlapping, parallel worlds populated by forces of dark and light (not good and evil) where each side works continuously to influence human beings leaning in one direction or the other -- the demon lying upon us as we sleep, feeding us nightmares; the angel gently stroking our forehead, comforting us as we face our deepest fears. This is an epic and continual battle in which the darkness in the world comes from those of us who have committed treasonous acts against our own humanity and suffer, in proportion, consequences for having done so. In film, I would group this with movies like Renee Missel's Resurrection or Blatty's totally brilliant Ninth Configuration. But bear in mind that you are watching an INDIE, which means limited money to make the film. Therefore, production values suffer at times: there are weak special effects, low budget costuming, limits to cinematography, etc. These should be easy to overlook given the scope and depth of this work. Jamin Winans has crafted a minor masterpiece. The ensemble acting is uniformly superb, but Mr. Kelly carries this film with a deeply felt and gifted performance. Though the story may be difficult to follow because of its unique and complex subject matter; in fact, it is tight as a drum with virtually every shot and edit building on those that preceded it, but it will take a second viewing to discover this. The direction is very fine: the film absolutely has a look and feel expressive of its content. The use of off-color green was effective and quietly disturbing, as was the black ink-like flow covering the protagonist at specific moments throughout the film. At a time when our entire culture is in danger of losing it's soul, when so many are seeking insight into something deeper and truer, this film could not be more appropriate. INK is what Independent films are supposed to be: intelligent, deep, inspired, rich, genuine, quirky, imperfect expressions that Hollywood could never make or would simply ruin because of commercial pressures. Mr. Winans -- thank you.

I admit, for the first 20 minutes or so of the film I did not enjoy it, and was thinking to myself, "oh, this is going to be one of those movies that no one understands with gaping plot holes and a messed up timeline that is nearly impossible to follow." It quickly turned around. The film is absolutely outstanding for an independent production, with solid acting from the whole cast, BEAUTIFUL cinematography, a good script, and excellent music. The only thing that really bothered me were a few sections of dialogue that seemed to spell out the plot a little too much, and they felt a little out of place. Though it is very difficult to explain the plot, everything makes sense when you see it.

Ink is a unique film that has a very professional feel for just a $250,000 project. It feels almost like a hybrid of The Matrix, What Dreams May Come, and Eternal Sunshine of the Spotless Mind. I sincerely hope that you have a chance to see Ink, and hopefully it gets a proper theatrical release. It deserves it.

I must say I've rarely been torn about a movie that much. First off, for a low-budget indie production, this movie is great, no doubt. But how does it compare to the Hollywood productions with similar ideas?

The beginning is very strenuous to watch. It takes a long time before you will understand anything that's going on. This will not change until somewhere between the middle and the end, and thus frustrate many viewers.

The story itself is creative and refreshing, but very confusing, I guess you could call it an adult fairy tale. The movie raises questions about family values, moral obligations, self-esteem and shame, all of them well developed and executed.

The actors are mostly doing a good job, although some of the supporting actors' (one actress in particular) emotions are a bit too extreme to be believable, but this does not really disturb the illusion and is merely a minor inconvenience.

The effects are worth their money and quite impressive for a low-budget production.

What ultimately makes this movie worth watching, however, is the truly great ending. If you are patient enough to sit through the movie as a whole and pardon the few flaws in it, you will be rewarded with an emotional, surprising and heart-warming ending.

Ink follows the journey of eight year old Emma (Quinn Hunchar), who falls into a coma after she is kidnapped into a dreamworld by a mysterious monster, called Ink. In the real world Emma gets hospitalized after falling into a coma, but in the dreamworld she is being used by Ink as a pawn in a metaphysical war being fought between the forces of light and darkness.The forces of light are a group of people who give dreams to the living, known as storytellers, warriors, fighters, navigators and pathfinders. The forces of darkness, the Incubus, concurrently give nightmares to the living. Now Emma's only hope lies within her negligent father (Chris Kelly), a successful business man, as the forces of light cross over to the real world and try to alter his path to save Emma... What a crazy ride. Ink is unlike any other movie I know.Its definitely the most original movie I have ever seen and visually, it is quite stunning,the special effects really enhance the film.They're not state of the art GCI but they are tremendously effective.The soundtrack is wonderful and very suiting.The acting was good, specially Quinn Hunchar,this little girl is not only beautiful but she played her role with a maturity way beyond her age.The story its kind of a grown up fairy-tale and has an epic feeling to it,unfortunately it gets too confusing and complex at times,its one of those films you have to watch more then one time to fully comprehend everything that happened.My other complaint is the following: I think the movie is a bit all over the place.It has many great ideas and elements but it ends up being a bit messy.Having said that I'm amazed by what this director was able to accomplish with a low budget and probably not many resources.I see a LOT of great ideas here and I see a lot of potential.If Jamin Winans can do a film like this with this budget, I could only imagine what he would do with a Hollywood budget. In conclusion,Ink is a crazy and surreal journey that deserves to be seen.A very original and refreshing piece of work and the director is one to watch!

7/10

John has worked hard to climb the corporate ladder from his humble origins but, unless something changes, his ambitions and grudges will destroy his relationship with his daughter Emma. At the same time, while the world sleeps at night, it is visited by Storytellers (who give people good dreams) and Incubi (who give people nightmares). When an interloper named Ink kidnaps Emma to hand her over to the Incubi, the Storytellers unite with a Pathfinder (who can influence what people do during their waking hours) to make things right.

I think I first saw this one with my brother around the time it was released. The fantasy world in its well-crafted story is very engaging. A few times the dialog felt a little off to me, but the characters are interesting and the actors do a good job of bringing them to life.

The description on the back of the DVD says its been compared to The Matrix, Brazil, and Dark City, which I sensed especially through the excellent camera work and cinematography. One scene in particular of the Pathfinder "stopping the flow" is very masterfully executed!