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Alice in Borderland

Originaltitel: Imawa no Kuni no Arisu
  • Fernsehserie
  • 2020–
  • 16
  • 50 Min.
IMDb-BEWERTUNG
7,8/10
123.505
IHRE BEWERTUNG
BELIEBTHEIT
131
60
Tao Tsuchiya and Kento Yamazaki in Alice in Borderland (2020)
Arisu - a listless, jobless and video-game-obsessed young man - suddenly finds himself in a strange, emptied-out version of Tokyo in which he and his friends must compete in dangerous games in order to survive.
trailer wiedergeben1:35
13 Videos
99+ Fotos
Cyber ThrillerDystopian Sci-FiPsychological DramaPsychological ThrillerSurvivalActionDramaHorrorMysterySci-Fi

Eine Gruppe gelangweilter Straftäter wird im Rahmen eines Überlebensspiels in eine parallele Dimension transportiert.Eine Gruppe gelangweilter Straftäter wird im Rahmen eines Überlebensspiels in eine parallele Dimension transportiert.Eine Gruppe gelangweilter Straftäter wird im Rahmen eines Überlebensspiels in eine parallele Dimension transportiert.

  • Stoffentwicklung
    • Haro Aso
  • Hauptbesetzung
    • Kento Yamazaki
    • Tao Tsuchiya
    • Nijirô Murakami
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    123.505
    IHRE BEWERTUNG
    BELIEBTHEIT
    131
    60
    • Stoffentwicklung
      • Haro Aso
    • Hauptbesetzung
      • Kento Yamazaki
      • Tao Tsuchiya
      • Nijirô Murakami
    • 822Benutzerrezensionen
    • 48Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Episoden17

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    Official Teaser - Season 3
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    Fotos371

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    Topbesetzung99+

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    Kento Yamazaki
    Kento Yamazaki
    • Ryohei Arisu
    • 2020–2025
    Tao Tsuchiya
    Tao Tsuchiya
    • Yuzuha Usagi
    • 2020–2025
    Nijirô Murakami
    Nijirô Murakami
    • Shuntaro Chishiya
    • 2020–2022
    Eleanor Noble
    Eleanor Noble
    • Yuzuha Usagi
    • 2020–2022
    Daniel Rindress-Kay
    Daniel Rindress-Kay
    • Ryohei Arisu
    • 2020–2022
    Aya Asahina
    • Hikari Kuina
    • 2020–2022
    Daniel Brochu
    Daniel Brochu
    • Shuntaro Chishiya
    • 2020–2022
    Juliette Gosselin
    Juliette Gosselin
    • Hikari Kuina
    • 2020–2022
    Yûtarô Watanabe
    • Kodai Tatta
    • 2020–2022
    Ayaka Miyoshi
    Ayaka Miyoshi
    • Ann Rizuna
    • 2020–2025
    Liz MacRae
    • Ann Rizuna…
    • 2020–2022
    Dôri Sakurada
    Dôri Sakurada
    • Suguru Niragi
    • 2020–2022
    Yûki Morinaga
    • Chota Segawa
    • 2020–2022
    Keita Machida
    • Daikichi Karube
    • 2020–2022
    Shô Aoyagi
    • Aguni Morizono
    • 2020–2022
    Wyatt Bowen
    Wyatt Bowen
    • Daikichi Karube
    • 2020–2022
    Julian Stamboulieh
    Julian Stamboulieh
    • Chota Segawa
    • 2020–2022
    Mark Hauser
    • Kodai Tatta
    • 2020–2022
    • Stoffentwicklung
      • Haro Aso
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen822

    7,8123.5K
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    Empfohlene Bewertungen

    8Tweekums

    Impressive 'trapped-in-a-deadly-game' action

    Arisu Ryohei is unemployed and spends most of his time playing video games. One day he meets up with two friends in the middle of Tokyo. After some mild hijinks they hide in a cubicle in a public lavatory... suddenly the lights go out and they can no longer hear the general hubbub of the busy city. They emerge to find the city empty. Not long afterwards signs lead them to a building, where they are joined by two girls. Here they are forced to play a deadly game, after which they are awarded a playing card. It emerges that they will be forced to take place in such games on a regular basis. Later we are introduced to Usagi, a skilled climber, who later joins up with Usagi. They gradually learn more about the games and what the cards signify while trying to discover if there is a way back to their previous lives.

    I really enjoyed this series; little time is wasted with set-up; the viewers are thrown into the action along with our protagonists. We know as little about the world they are in as they do and only learn more as they do. Early games make it clear just how dangerous this world is; just because a character is introduced early does not guarantee their survival. The scenes within the games are very tense, and frequently quite gory; there is also a fair amount of fan-service as characters wear beachwear in later episodes for reasons explained in the series. The way the dynamic between the characters changes is interesting; especially after our surviving protagonists find a location with many more players. The cast, both main and secondary does a solid job making the fantastical situation believable. The effects are mostly good but a couple of times the CGI is a bit obvious. As the final episode ends many questions are answered but more are raised; these people's problems clearly aren't over... hopefully there will be at least one more season.

    These comments are based on watching the series in Japanese with English subtitles.
    7joyjzhou

    Interesting adaptation

    As someone who's a big fan of the manga, I think the Netflix adaptation does a decent job for anyone trying to find more Alice in Borderland content. However, the devil is in the details, and except for the main story arcs, it's quite different from the original story.

    Many characters are introduced earlier than expected, and some games have changed concepts entirely. Certain story beats are shuffled around or erased. In addition, Arisu participates in several games that he wasn't part of originally. I would have to say to avid fans of the manga to watch this series pretending you have no prior knowledge unless you like to be disappointed. But by itself, it was spectacular to watch this interpretation of Alice in Borderland.
    9tachiiderp

    Probably the best anime/manga live adaptation I've seen

    To be fair, it's not that big of a feat, especially considering Netflix produced Death Note and Cowboy Bebop, iconic stories in their own right, and failed miserably with them.

    But boy, they hit a home run with Alice in Borderland. The post-apocalyptic landscape of Japan looks incredible, the design and stage of each games are fantastic, and for the most part, the characters aren't all weirdos, *cough*, well a lot of them are but that's the charm, right?

    Now you can probably find a ton of plot holes with how some of the games went, and you will totally see this in many other reviews. But, just the sheer volume of so many types of survival games to be adapted was a delight to see.

    Not all games are equal in quality, but some really stands out, like most games that involves Chishiya and most of the games in season 1. All the games are absolutely brutal, whether it is a physical challenge, a mental challenge, or both. I was very surprised to see how some of the action scenes are done so well, like Usagi's parkour scenes, and probably the most memorable one that involves a katana.

    As far as the story goes, you're watching this and reading this review because you have some interest at least with the survival games genre like Saw and Battle Royale. Alice in Borderland mixes Battle Royale with a decent amount of wit and a bit more set of relatable characters. I even thought some character progression to be delightfully done even if they're simple and straight-forward.

    Alice in Borderland has gotten a lot of things right, and is probably the best anime/manga live adaptation right now. It certainly makes someone like me who has seen way too many terrible live adaptations of anime/manga interested to see if Netflix can hit another home run next time.

    * I would love to talk about the ending but this will not be a spoiler review. But I do appreciate the adaptation for faithfully adapting the ending (which I enjoyed, but it's certainly not everyone's cup of tea). *
    8javiergarcon

    It is Unrealistic: Could not stop watching it

    At first you would think it is cheesy but then you would look deep into your own soul and say... yep that is me, that is my neighbors, that is my colleagues, that is just like my boss that is just like my veteran friend, the characters really do a good job portraying its weaknesses and that is a sigh of relief, way too many make believe movies out there and this one helps to bring it home where reality meets fantasy. Now the fantasy part.... I do not know where to F&^cking start... good luck in figuring it all out because it is a complete mystery! Good for them because that is the golden calf of this show!
    8dseemalhar

    Decent second season, quite enjoyed it.

    Binge watched season 2.

    Based on manga graphic novel, This survival thriller drama has returned with decent season 2 after 2 years.

    S2 picks up where S1 left off.

    Arisu and the gang continue to survive in a dystopian world consisting of death games and betrayal, and advances to next level of game.

    I really enjoyed this season more.

    It has Cleverly created thrilling games, good character development, quick transitions into flashback / back stories of character and present situation, Good pacing except for last episode, Easy cliffhangers, convenient plot development, Good choreographed action n combat scenes (specially in epi 7), Decent performances, Good editing, VFX n visuals.

    But it took too much time to reach the Climax.

    I'm happy with the ending.

    They kept one window open for next season.

    Over all, I enjoyed it.

    Total binge-worthy.

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    • Wissenswertes
      Usagi is the Japanese word for rabbit. So the character Yuzuha Usagi represents the rabbit.
    • Patzer
      It is implied that Mira has access to extensive surveillance capabilities. Yet her knowledge and timing of character movements often exceeds what should be possible given the technology constraints of the Borderland. In other words, she knows too much when it's convenient.
    • Zitate

      Ryohei Arisu: I didn't want to win. I just didn't want anyone else to die.

    • Verbindungen
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    Details

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    • Erscheinungsdatum
      • 10. Dezember 2020 (Deutschland)
    • Herkunftsland
      • Japan
    • Offizielle Standorte
      • "Alice in Borderland" Work Introduction Page - Robot Co., Ltd.
      • Netflix
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Thế Giới Không Lối Thoát
    • Drehorte
      • Tokio, Japan(Filming City)
    • Produktionsfirma
      • Robot Communications
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    Technische Daten

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    • Laufzeit
      50 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.00 : 1

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