IMDb-BEWERTUNG
5,8/10
7747
IHRE BEWERTUNG
Ein Psychodrama über eine Fotografin, deren Bilder eine andere Geschichte erzählen als die ihrer Wahrnehmung.Ein Psychodrama über eine Fotografin, deren Bilder eine andere Geschichte erzählen als die ihrer Wahrnehmung.Ein Psychodrama über eine Fotografin, deren Bilder eine andere Geschichte erzählen als die ihrer Wahrnehmung.
- Auszeichnungen
- 1 Nominierung insgesamt
Thomas De Araujo
- Jérémie 8 ans
- (as Thomas de Araujo)
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"Ne te retourne pas" was a quite of surprise to me. Psychological drama, with touch of a "Twilight Zone"-type fantasy, moved me in strange directions, and paths the movie so meticulously followed throughout it's course. The story of a parallel reality between the past and the present, told in a narrative style that resembles a dream, focuses the viewer on constant change of pace with twists and turns until the answer is found. Main roles beautifully portrayed by Sophie Marceau and Monica Belluci, two of the most exquisitely beautiful actresses of this day and age, are right on the spot of the story and we follow the plot to satisfying conclusion that gives a perfect explanation to it all. Of course this movie does not appeal to Avatar audiences that expect movies which don't provoke thinking.
This is a first film by Marina de Van that I had a chance to watch, and this young lady is in my humble opinion the future of French and world cinema. Such neatly constructed, no nonsense, cerebral film, which gels as a meticulously structured mosaic is hard to come by these days. Watching it is a fulfilling pleasure. Fantastic!
This is a first film by Marina de Van that I had a chance to watch, and this young lady is in my humble opinion the future of French and world cinema. Such neatly constructed, no nonsense, cerebral film, which gels as a meticulously structured mosaic is hard to come by these days. Watching it is a fulfilling pleasure. Fantastic!
And to not give things away, you're not sure whether there's a psychological thriller or some odd crime-horror thing going on until near the end. Fortunately, it does stay consistent with the story it tells, so the ending isn't illogical or a surprise simply for the sake of surprise.
As is becoming more common recently, you're dropped into the story from the character's point of view with no setup and only minimal context, seeing the world almost completely through her eyes.
It also brings in some interesting facial/body visual FX morphing to help tell the story, so fans of the main actresses get their wish in seeing what they might look like if combined.
There are a few annoying plot inconsistencies and story development limitations, but if you ever wondered what a chick-flick thriller might be like, you now have an answer.
As is becoming more common recently, you're dropped into the story from the character's point of view with no setup and only minimal context, seeing the world almost completely through her eyes.
It also brings in some interesting facial/body visual FX morphing to help tell the story, so fans of the main actresses get their wish in seeing what they might look like if combined.
There are a few annoying plot inconsistencies and story development limitations, but if you ever wondered what a chick-flick thriller might be like, you now have an answer.
" Don't look back ", a good psychological drama with elements of horror,but I am surprised that it's the low rating on IMDb. Film is very good and interesting.
Director Marina de Van has been quite inconsistent in both her writing and directing over the years. While flawed, I really enjoyed Dans Ma Peau (In my Skin) and my interest in her was certainly piqued. 8 femmes (8 Women) was fun despite being formulaic but the real draw was the ensemble cast of lovely and talented French women.
When I read about Ne Te Retourne Pas I was very, very excited. It sounded like a return to the darkness of Dans Ma Peau and featured two of my favorite actresses.
I've found most French efforts to emulate Hollywood to be immensely disappointing and this film is walking a fine line between something surreal/arty and something painfully derivative. The atmosphere is pretty creepy, the visual effects/makeup are used in a very interesting fashion and the performances from Marceau and Bellucci are good but this film doesn't really follow through with the promises it makes in the first 20 minutes.
A mediocre film overall and it's really sad to see talent like Sophie Marceau and Monica Bellucci go to waste.
When I read about Ne Te Retourne Pas I was very, very excited. It sounded like a return to the darkness of Dans Ma Peau and featured two of my favorite actresses.
I've found most French efforts to emulate Hollywood to be immensely disappointing and this film is walking a fine line between something surreal/arty and something painfully derivative. The atmosphere is pretty creepy, the visual effects/makeup are used in a very interesting fashion and the performances from Marceau and Bellucci are good but this film doesn't really follow through with the promises it makes in the first 20 minutes.
A mediocre film overall and it's really sad to see talent like Sophie Marceau and Monica Bellucci go to waste.
Many angles are possible to represent personality disorders. Delivering an exciting movie with this subject is a challenge which I believe writer/director Marina de Van succeeded with beautifully. The tension and attention span gradually increase as does the spectator disorientation with subtly changing details to full decors. The physical changes are superbly rendered and here again the spectator starts to loose his/her reference points. In other words, we are inside Sophie Marceau and Monica Bellucci and move with her/them to try and understand. Both actresses perform splendidly and beyond feeling for their life's search, one leaves the movie with a strong bond for both personalities. In summary, I liked the movie for the storyline, the subtle crescendo along the time line, the actresses performance and the total attention span to try and understand (if I had been part of their life, I would have tried to help, but probably to no avail). I am a little sad for the low rating (6 at the time of this review).
Wusstest du schon
- WissenswertesThe scene at the beginning of the film was shot in Luxembourg. The well-known bar called Cat Club completely burned down in 2015.
- VerbindungenFeatured in On demande à voir: Folge vom 2. September 2009 (2009)
- SoundtracksPizzicarella
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- Don't Look Back
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- Budget
- 13.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 2.651.917 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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