Die Welle

"Die Welle" is an above average classroom drama with a political voice. Helmed by director Dennis Gansel, film is unforgiving in depicting the youth as a generation without anything to rebel about but loneliness, making them sensitive to any sort of illusion of belonging. Mostly a riveting affair, film lags in its second act as it jumps into Dawson's Creek. Film goes ashore into a memorable finale. Straight forward filming will captivate audiences, along with a pleasing cast.

Project week in a suburban high school entails them to study various forms of government and restriction. Rainer Wenger (Jürgen Vogel), an under-appreciated teacher finds a way in engaging his students. He cleverly manipulates his class to slap them out of apathy and disinterest with tiny minute changes which eventually builds up to a boil. Classroom scenes are stimulating as debates between the students are daring and engrossing – writing mention controversial topics that are usually not spoken with lethargy. Film focuses on a group of smart people, highlighting further that what's bound to happen is even more tragic and rings a bell to what can happen out of celluloid..

Inspired by a 1960's social experiment in California documenting how easy it is to influence individuals, film looses track in its middle section as it begins to refocus on the individual lives of the students. Most characters seem to be run in the mill with general high school romance trouble, which would have been interesting but brings nothing new to the table. Stories work better as a collective rather than individuals, which further add to the intended effect. Some personalities shine though: students who never had any sense of belonging are indeed looked at with much heartbreak here as this false sense of security is embraced by them, motivating them to go a step further in preserving the society.

Finale is spellbinding as even if it diverts a lot from the actual experiment, it still proves as a necessity to further establish a point. Film parallels to the effect of Third Reich within its members and climax reminds audiences of the Bruno Ganz header "Der Untergang", as it clearly parallels the extent of loyalties that may arise in such occasions. From the get go, death of a character is imminent and even with its shock value, it justifies itself as beyond a plot device.

As an ensemble, the acting here is impermeable as they all deliver solid performances. Vogel especially convey solid work as the teacher. He brings gravity and his semi-bald haircut proves ominous. It's a shame that audiences lose connection to him midway though as he suddenly becomes the background to the melodrama.

German setting of the movie elevates the film's status. It creates this palpable undercurrent, that even with a country that already identifies itself as guilty; it still cannot escape the possibility of anarchy. Even if the picture becomes stern with its themes, it still is digestible to the mainstream. Word of mouth can secure a life outside the tills.

The Wave rides high (pun intended) on the new wave of film makers from Germany. The movie itself is shaped like a proverbial wave, starts gently and slowly gathers momentum and before you know it it turns into a powerhouse. The movie will amuse you, frighten you, disturb you and enthrall you completely.

The movie takes a lesson in human psychology and shows how it is possible for a person with oratory skills and confidence to start a movement that turns into a revolution with frightening possibilities. It explains a lot about world history and current affairs.

Theme apart, I don't usually like to discuss any movie's story but I suppose if you're here you would've read the other reviews and summaries and would know a fair bit already. Putting it mildly, the movie deals with a classroom experiment about autocracy which has interesting positive and negative consequences.

The direction is sharp and spot on. The director is able to delve deeply into the minds of the various characters and explain their behaviour and position in the society that is created. It is all done realistically. The acting by and large is very good; however a few of the actors displayed a scope for further improvement. However this does not take away much from the movie experience. There are certain similarities with another great German film, Das Experiment, but not many.

I am certainly going to suggest this film to people I know including people who live on a staple of Hollywood blockbusters and like to keep away from festival films. So if you get the opportunity to watch it, please do.

This movie underlines that man is a social creature. We naturally form groups, groups of friends, of people who like the same music etc. Especially when we are young, belonging to a group is important, it makes our identity, who we are -- as opposed to who everyone else is. And so the teacher in the movie uses what is naturally there, to teach his pupils about autocracy. It shows what happens when you stress that identity, when you stress the sameness, and thus also the otherness of those not belonging to the group. Eventually it shows how easy it is for one, for the group to slip, even without being aware of it. Autocracy isn't dead, it is alive and it is easy. This movie is a must see for everyone, but especially for the young.

Die Welle (The Wave) is truly a brilliant tale that lures viewers into its cleverly developed plot just as Herr Wenger lures his unsuspecting students into a sense of fascism. When Wenger, an affable schoolteacher who seems to be rebellious towards traditional instruction, gets selected to teach a class on autocracy, he is upset. However, he soon devises a plan with which to teach the students a valuable lesson on the sheer dangers of fascism and the ease with which one can be lured into it.

His class starts out simple and nonthreatening. The students choose Wenger as their leader and are instructed to wear a uniform and create a name for themselves (the students choose Die Welle "The Wave"). But, this club slowly turns into a sort of fascist regime. The unsuspecting students think they are participating in some sort of fun club, but they are really being shown how easily impressionable people can be attracted by autocracy.

The biting irony of this film is that at the beginning of the autocracy class, Wenger touched on the subject of Hitler's reign, and the students almost instinctively spit out answers about how Germany would never fall into that trap again knowing what they know now. But, the children soon eat their words when they become members of a much less disturbing, yet frighteningly similar clique.

There is a glimmer of this fact when two students who aren't members of "The Wave" pick on a student who is. Two other members come to the rescue of the victim. Though many may view this as a positive aspect of this sort of togetherness, the point is that fascism has developed and can easily become corrupt.

I highly recommend this to any potential viewer who either holds the same views as the students at the beginning of the film or simply wants to be entertained by the ironic theme of the film (so long as you don't mind the subtitles).

This is my fourth German film and I'm digging them. Because you asked, I watched "Das Boot," "Downfall," and "Run Lola Run."

I thought "The Wave" was going to be corny. I thought it was going to be about a group of simple-minded kids following a leader because of some bromides. It wasn't that at all.

Rainer Wenger (Jurgen Vogel) was a teacher who was teaching a class on autocracy for project week. After a spit-fire discussion with the class about what autocracy is Mr. Wenger decided to do an experiment with the class. For project week only they would have to do what Mr. Wenger said. There were a few that resisted and left the class, but those who remained were all in. Slowly, we saw the evolution of a movement.

"The Wave" is the negative side of populism. I say that because the Wave, meaning the organization they formed, could easily have been something good. Mr. Wenger had his students doing very constructive and positive stuff. Who doesn't believe that there's strength in unity, who doesn't believe in equality, who doesn't believe in helping their fellow man? Plenty of organizations, religions, and movements purport similar beliefs and they are viewed as being good. It's when people use these goodly aims to form radical armies bent on purging, "cleansing," or otherwise harming those who don't think like them, that makes a movement into a gang. And if the movement is large enough to engulf an entire nation it becomes an autocracy.

"The Wave" gives food for thought. I think the larger lesson wasn't about being a part of something, I think it was about extremism. That very same group with more moderate participants could easily have been an asset to their school and their community. So I don't knock the Wave for its extremists anymore than I knock a religion for its extremists. Don't throw the baby out with the bath water.