IMDb-BEWERTUNG
6,5/10
5610
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampa... Alles lesenWhen Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampage.When Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampage.
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- 2 wins total
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Imagine a stylish, modern, ultra-dark and gritty re-run of the Liam Neeson actioner TAKEN, made on a tiny budget in Australia, and you'll be close to THE HORSEMAN, a film that takes visceral action to new levels of extremism. In a nutshell, the film's about revenge: a grieving father discovers that his daughter appeared in a porn film shortly before her death and goes to track down the men who coerced her into it. He wants nothing more than to beat their brains in with a crowbar, and that's exactly what he does.
So far, so par for the course when it comes to exploitation. Where THE HORSEMAN wins plaudits is in its intensity: there are a series of brutal action sequences as pulse-pounding as those in the Bourne films and the script never lets up when it comes to anger, sadism and vengeance. The performances elicited from an unknown cast are very down to earth and realistic, particularly Peter Marshall's depiction of a grieving father seeking revenge.
The violence is extreme and also realistic, often gratuitous. I feel the film oversteps the boundaries of taste at the climatic torture sequence, which delves into sexual violence unexpectedly and left me feeling sickened; it's clear that HOSTEL was an inspiration for this sequence and I can't help but feel that the film would have done better without it. Still, aside from this misstep, THE HORSEMAN hearkens back to the gritty downbeat revenge films of the 1970s, where lack of budget and scope was never a problem for a filmmaker with a dark story to tell.
So far, so par for the course when it comes to exploitation. Where THE HORSEMAN wins plaudits is in its intensity: there are a series of brutal action sequences as pulse-pounding as those in the Bourne films and the script never lets up when it comes to anger, sadism and vengeance. The performances elicited from an unknown cast are very down to earth and realistic, particularly Peter Marshall's depiction of a grieving father seeking revenge.
The violence is extreme and also realistic, often gratuitous. I feel the film oversteps the boundaries of taste at the climatic torture sequence, which delves into sexual violence unexpectedly and left me feeling sickened; it's clear that HOSTEL was an inspiration for this sequence and I can't help but feel that the film would have done better without it. Still, aside from this misstep, THE HORSEMAN hearkens back to the gritty downbeat revenge films of the 1970s, where lack of budget and scope was never a problem for a filmmaker with a dark story to tell.
A very low budget Liam Neeson-ish revenge thriller on steroids. A pissed off dad goes on a crazed killing spree against dirtbags who may/or may not have been involved in his heroin-addict daughter's death. Hard to feel sympathy for the protagonist and get invested in the story because the script clearly lays out that his adult daughter made very poor life decisions that lead to her demise. She overdosed and choked on her vomit, there wasn't foul play. As for the the filmmaking itself, The acting was passable, nothing special. The film looks and feels very indie, low budget which I guess adds to the grit the movie was going for. The violence was touch and go, some scenes it was fully shown while others the it was off screen.
but this is essentially an exploitation film.
The most outstanding thing is the lead actors performance which was pretty amazing. I was expecting more from the film after the first half an hour or so, but the film never achieves the depth that Peter Marshall's performance suggests. The script doesn't do justice to the production or the acting.
It's enjoyable revenge flick but to try and engage with it on a level beyond that just exposes how silly and tasteless it all is.
Despite these misgivings there is a lot to like about the film and I hope the director and Peter Marshall especially progress to bigger and better things.
The most outstanding thing is the lead actors performance which was pretty amazing. I was expecting more from the film after the first half an hour or so, but the film never achieves the depth that Peter Marshall's performance suggests. The script doesn't do justice to the production or the acting.
It's enjoyable revenge flick but to try and engage with it on a level beyond that just exposes how silly and tasteless it all is.
Despite these misgivings there is a lot to like about the film and I hope the director and Peter Marshall especially progress to bigger and better things.
This Australian crime thriller is a revenge movie, a rather crude and agonizing one to watch, in my opinion. Unlike other revenge movies, after getting half of his hit list done, the protagonist kinda lost to the bad guys. And then it was his turn to get mauled. I don't know about you, but in revenge movies, the table isn't supposed to turn like that. That's the agonizing part I'm talking about. And that's what makes me take one point from my initial rating. The brutality I can take, the cruel tortures, even the blood lust. But the loss? That's hard to watch. And a satisfying ending in revenge movies to me means that the protagonist gets to torture the final boss to death. So that means this one doesn't have a satisfying ending. Cause he wasn't in no shape to get any satisfaction, it was just a quick death. I wasn't satisfied with the ending. Not at all. Unlike "I Spit On Your Grave", which still the number one revenge movies of all time. At least for me, it is.
This is a story of one man's revenge against the people he holds responsible for the death of his daughter. It's a grim and grimy revenge tale full of bloody violence. It won't appeal to everyone and my wife ceased watching after 5 minutes but if you like these kinds of movie then you are likely to enjoy this.
The acting is pretty good and I thought Peter Marsh did a good job at gaining sympathy as the grief stricken dad doling out his own particular brand of justice. Brad McMurray is also worth a mention as one of the most imposing villains you could wish to see.
I wouldn't say this film had many surprises or a particular message but I find watching lowlife scum being deservedly dispatched pretty satisfying in its own right. The Horseman is a fast paced film and doesn't spend much time setting the scene before plunging straight into the action.
I enjoyed this film and thought it was a very good example of a quality revenge movie especially bearing in mind it's relatively low budget. Recommended.
The acting is pretty good and I thought Peter Marsh did a good job at gaining sympathy as the grief stricken dad doling out his own particular brand of justice. Brad McMurray is also worth a mention as one of the most imposing villains you could wish to see.
I wouldn't say this film had many surprises or a particular message but I find watching lowlife scum being deservedly dispatched pretty satisfying in its own right. The Horseman is a fast paced film and doesn't spend much time setting the scene before plunging straight into the action.
I enjoyed this film and thought it was a very good example of a quality revenge movie especially bearing in mind it's relatively low budget. Recommended.
Wusstest du schon
- WissenswertesTo help raise finance for the production, a short film was shot of the opening scene. The short film went on to win Best Independent Drama (10-30mins) at the Queensland New Filmmaker Awards (2006) and aided the feature length version to move into production.
- PatzerWhen Christian and Alice are pulled over by the cop, the outside camera shot shows Christian rolling down his window. The next shot inside the car shows the cop walking up and the light from his flashlight is reflected in Christian's window which is still up. The next outside shot shows the window down again.
- SoundtracksClick
Written by Ryan Potter
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Ein Mann schlägt zurück
- Drehorte
- Burpengary, Queensland, Australien(location)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 1.993 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Seitenverhältnis
- 1.78 : 1
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