IMDb-BEWERTUNG
5,1/10
13.022
IHRE BEWERTUNG
Ein anspruchsvolles Arthouse-Drama über einen Jungen, der glaubt, er sei ein Wolf.Ein anspruchsvolles Arthouse-Drama über einen Jungen, der glaubt, er sei ein Wolf.Ein anspruchsvolles Arthouse-Drama über einen Jungen, der glaubt, er sei ein Wolf.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Empfohlene Bewertungen
"It's not about surviving, it's about surviving as me."
Believing he is a wolf trapped in a human body, Jacob eats, sleeps, and lives like a wolf -- much to the shock of his family. When he's sent to a clinic, Jacob and his animal-bound peers are forced to undergo increasingly extreme forms of 'curative' therapies. However once he meets the mysterious Wildcat, and as their friendship blossoms into an undeniable infatuation, Jacob is faced with a challenge: will he renounce his true self for love. Wolf is an interesting movie. Even before it's release at festivals and theatrical, it was met with mixed reactions. A project like this would never work well with most audiences, but I'm glad they went for it. This is by no means a great movie, but with everything it covers, I think it's solid for the most part. To get one thing out of the way, it can be uncomfortable to watch. Quickly, it turns the uncomfortableness onto humanity and no these people suffering from species identity disorder. This is a real thing that needs to be taken seriously even if it's a little absurd. Writer and director Nathalie Biancheri knew how to handle this and make it serious. I do think she thought this was something greater than it is. For every festival it went to, this description was: A high-concept arthouse drama about a boy who believes he is a wolf. A bit pretentious, don't you think? And this is pretentious. But it makes do by creating something pretty interesting and you can see she cares.
George MacKay absolutely soars in this. This is a transformative role and he embodies his character with precision. His counterpart, Lily-Rose Depp also goes for it. Her character intrigued me the most and I feel we know more about her than anyone else. If the movie needed one thing, it was characterization. There is a lack of it and it's hard to find reasons to care for them. The antagonist, though played well by Paddy Considine, is just a bad guy because he's using awful methods to revert them to their normal selves though they want to be like this. I found it hard to connect with anyone. When the themes come in, and they are really strong, I could apply them to the characters but I couldn't tell you much about them. The script could've used some work at parts. And the pacing didn't flow right. The third act works really well but the first two run on highs and lows. Had it not been for some memorable moments throughout and most of the last act, this would've fell completely flat. But this is a memorable movie, mainly because the content. Wolf showcases some great acting, interesting themes, and really good cinematography. It's a shame not too many people are talking about it. It needs more work, but I found it quite interesting. When I went to see it, I was in a large auditorium on opening night and I was the only one there. Weird experience but I'm glad I had it. This is one of the movies of the year that has mixed-negative reactions that I liked.
Believing he is a wolf trapped in a human body, Jacob eats, sleeps, and lives like a wolf -- much to the shock of his family. When he's sent to a clinic, Jacob and his animal-bound peers are forced to undergo increasingly extreme forms of 'curative' therapies. However once he meets the mysterious Wildcat, and as their friendship blossoms into an undeniable infatuation, Jacob is faced with a challenge: will he renounce his true self for love. Wolf is an interesting movie. Even before it's release at festivals and theatrical, it was met with mixed reactions. A project like this would never work well with most audiences, but I'm glad they went for it. This is by no means a great movie, but with everything it covers, I think it's solid for the most part. To get one thing out of the way, it can be uncomfortable to watch. Quickly, it turns the uncomfortableness onto humanity and no these people suffering from species identity disorder. This is a real thing that needs to be taken seriously even if it's a little absurd. Writer and director Nathalie Biancheri knew how to handle this and make it serious. I do think she thought this was something greater than it is. For every festival it went to, this description was: A high-concept arthouse drama about a boy who believes he is a wolf. A bit pretentious, don't you think? And this is pretentious. But it makes do by creating something pretty interesting and you can see she cares.
George MacKay absolutely soars in this. This is a transformative role and he embodies his character with precision. His counterpart, Lily-Rose Depp also goes for it. Her character intrigued me the most and I feel we know more about her than anyone else. If the movie needed one thing, it was characterization. There is a lack of it and it's hard to find reasons to care for them. The antagonist, though played well by Paddy Considine, is just a bad guy because he's using awful methods to revert them to their normal selves though they want to be like this. I found it hard to connect with anyone. When the themes come in, and they are really strong, I could apply them to the characters but I couldn't tell you much about them. The script could've used some work at parts. And the pacing didn't flow right. The third act works really well but the first two run on highs and lows. Had it not been for some memorable moments throughout and most of the last act, this would've fell completely flat. But this is a memorable movie, mainly because the content. Wolf showcases some great acting, interesting themes, and really good cinematography. It's a shame not too many people are talking about it. It needs more work, but I found it quite interesting. When I went to see it, I was in a large auditorium on opening night and I was the only one there. Weird experience but I'm glad I had it. This is one of the movies of the year that has mixed-negative reactions that I liked.
Concept was kind of okay, acting was "interesting", but it just wasn't enough. Felt like half a movie, just a one dimensional plot with no cohesion. I get the main point of it, but why bother? It needed more substance and less howling 😂😂😂! The primary lead actor and lily are great. But besides that I just couldn't get into it. 4/10.
"Wolf" was super pretentious, and tries it's hardest to wiggle it's way to cult-classic status. Lily-Rose Depp does the most with this role however. There was potential to be something that a wider audience could accept and appreciate, but I think the director, Nathalie Biancheri, tries to outsmart her everyone who watches it.
The film is ultimately untranslatable to an everyday filmgoer, but there might be a small few who take something away from the concepts that are presented.
The film is ultimately untranslatable to an everyday filmgoer, but there might be a small few who take something away from the concepts that are presented.
George Mackay portraits wolf very well. The sound & the movement totally show how much practice he has put in. However, the storyline & the script are just so terrible. So hard to watch the whole film?
The movie is empty. For such a complex topic the movie feels very superficial. We never learn anything about the characters; no beginnings an no endings just the middle which happens to be the movie but without any substance to it.
I was expecting to at least feel something from what I had read about the premise of the movie but I was sad that I finished the movie not feeling moved by it.
Such a waste of what could have been.
I was expecting to at least feel something from what I had read about the premise of the movie but I was sad that I finished the movie not feeling moved by it.
Such a waste of what could have been.
Wusstest du schon
- WissenswertesGeorge Mackay spent weeks writing daily diary entries in the voice of his character in order to "explain his inner thoughts." He also spent a long time doing intense physical training with famed movement coach Terry Notary.
- VerbindungenReferenced in Midnight Screenings: Felidae/First Reformed/Beyond the Reach (2021)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 147.595 $
- Eröffnungswochenende in den USA und in Kanada
- 82.640 $
- 5. Dez. 2021
- Weltweiter Bruttoertrag
- 565.825 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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