Telstar: The Joe Meek Story

(65%) At fifteen or so minutes in this pushed very few buttons for me, and as I had no idea who Joe Meek actually was, the temptation to give the remaining three quarters a skip and move on passed my mind, but I'm glad that I didn't because this heats up very nicely. Con O'Neill is sublime in the lead role as the hugely hyped-up, at times very angry, yet unquestionably passionate hit music creator during the swinging days of London in the 60's. The backing cast is made up of a host of UK talent, with Kevin Spacey adding even more quality to the production. This may be a bit to clumsily written at times with a script that feels a bit too much like a stageplay rather than a screenplay, but this is still an important piece of well told pop music history.

British films made by people like Richard Curtis (The Boat that Rocked et al) tend to look at the swinging 60's of London with heavily rose tinted spectacles. All pimms, waistcoats, flower power and crazy shenanigans. All very well but not much to do with reality - I thought Austin Powers would have killed that off in the 90's....which is why Nick Moran's directorial debut is such a breath of fresh air.

For those that don't know the Joe Meek at the centre of this film - control freak, gay in the wrong decade, tone deaf drug addicted musical pioneer - get ready for a roller-coaster of a ride. Without wishing to spoil the arc of the story, this is a classic tale of a man with a vision breaking new ground...with disastrous consequences.

Con O'Neil dominates this film with a superb manic performance which captures the claustrophobic and chaotic feel of the centre of Joe's universe, his recording studio above a handbag shop in central London in the early 60's. Ably supported by a host of good actors - in particular Kevin Spacey, Pam Ferris, and (even) James Cordon are all spot on. What looks like a cod-60's Curtis-esquire disaster for the first 20 minutes heads somewhere altogether darker once the action cranks up as Joe starts to get some no.1 hits in the charts.

A must watch cautionary tale about fame, love, jealously, paranoia and music, this is a fine carachter piece with some excellent nuanced comedy amidst the darker elements, it's a really well executed debut from Mr Moran...enjoy.

I watched this last night and frankly, thought it was terrific. I was alive during this short period of musical history but was not aware of this story (and I ended up in the music business myself for the next 40 years). I see that a number of UK viewers are disappointed with the casting (apparently many are familiar TV stars) but for us in the USA this has no negative effect. Kevin Spacey is the only familiar face and frankly, I found his presence just a tad distracting, since 'anyone' could have played the part. Extremely well acted and directed. The musical segments are wonderful and I only wish they had been a bit longer. My only disappointment with the film is the thick British accent - a lot of dialog passed me by (there were no subtitles on the version I watched) but it's not a reason for US film lovers to pass this by. Fascinating story - and in my opinion, perfectly executed. See it!

A snazzy sixties credit sequence prefaces a loving recreation of the sixties initially made in the freewheeling style of early Dick Lester.

Considering the eventual fate of the unfortunate Mr. Meek (whose story is told in flashback as his momentos are consigned to the flames as in 'Citizen Kane') as the mood darkens and the events grow more squalid, the presence of Kevin Spacey in a supporting role is deeply ironic.

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Saw this last night at the LFF, and while it does betray its stagey origins from time to time, there is much to enjoy in this biopic of Joe Meek, legendary music producer and nutcase. The film doesn't shy away from the murkier aspects of this mercurial character's life - the drugs, the rent boys, the cottaging, the verbal and physical abuse meted out to all and sundry - but Meek does emerge as something of a sympathetic character. I guess that's why so many people put up with him - there must have been something charming about him.

Good performances - including a pointless cameo from Kevin Spacey as Meek's financial backer, the appropriately named Major Banks. Standouts include the young actors playing Heinz and Patrick, the latter being a general factotum-cum-boyfriend who is one of the few people loyal to the last.

Nick Moran should be commended for bringing this quirky, sometime shocking story to the screen - whether it will find an audience beyond 60s music fans or those with a morbid curiosity for stories of pop scandals will remain to be seen.

Incidentally, I live in Islington and walked home past 304 Holloway Road, where almost the whole film takes place. It did send shivers down my spine.