IMDb-BEWERTUNG
6,7/10
21.839
IHRE BEWERTUNG
Ein Drama mit einer zweistufigen Handlung über eine Mutter und ihre Tochter, die versuchen, nach der schwierigen Kindheit der jungen Frau eine Bindung aufzubauen.Ein Drama mit einer zweistufigen Handlung über eine Mutter und ihre Tochter, die versuchen, nach der schwierigen Kindheit der jungen Frau eine Bindung aufzubauen.Ein Drama mit einer zweistufigen Handlung über eine Mutter und ihre Tochter, die versuchen, nach der schwierigen Kindheit der jungen Frau eine Bindung aufzubauen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Diego J. Torres
- Cristobal
- (as Diego Torres)
Rosalia De Aragon
- Aunt Rebecca
- (as Rosalia de Aragon)
Empfohlene Bewertungen
This is a strange movie. If your a fan of the Babel or other work by Guillermo Arriaga, then you will be satisfied with this movie. If your a fan of Charlise Theron then you be satisfied with this movie. If your looking for a gripping drama about how a tragedy affects the lives of different people you will be satisfied. However, if you looking for a good intense drama, this movie will leave you unsatisfied unless you can get over the very disjointed beginning and follow the movie to the end.
I think you have to be familiar with Arriaga's films to really like this movie. He weaves stories together without any thought of a time line and it can make a movie seem very strange. However, if you will follow this movie to the end, it is a good movie. The Acting especially by Theron is outstanding. Give this movie a chance and its enjoyable. Not a masterpiece, but enjoyable.
I think you have to be familiar with Arriaga's films to really like this movie. He weaves stories together without any thought of a time line and it can make a movie seem very strange. However, if you will follow this movie to the end, it is a good movie. The Acting especially by Theron is outstanding. Give this movie a chance and its enjoyable. Not a masterpiece, but enjoyable.
Films about interlocked fragmented stories aren't anything new to writer and director Guillermo Arriaga. As director, 'The Burning Plain' is his first feature film and its quite apparent that he has poured his heart into it. Here too the film involves three stories that are told separately but linked by the first scene.
However, the non-linearity of storytelling is initially confusing but once the tragic link is made apparent, the gut-wrenching conclusion (that explains the explosion shown in the first scene) hits the viewer hard. The setting is very simplistic but rich in atmosphere especially with the dark subtle undertones. The beautiful score contributes well.
Arriaga has gathered an impressive ensemble of actors who deliver wonderfully understated performances. Charlize Theron portrays Sylvia with a subtle intensity. Kim Basinger is skillfully restrained and Jennifer Lawrence shows tremendous potential. John Corbett, Robin Tunney, José María Yazpik, Rachel Ticotin, Brett Cullen, Tessa Ia and Joaquin de Almeida provide great support.
Despite the initial confusion, the narrative is strong. There are a few clichés that could have been avoided, such as the confession scene in the hospital, but these are very minor and don't effect the impact of the film. In the end, 'The Burning Plain' is a solid film.
However, the non-linearity of storytelling is initially confusing but once the tragic link is made apparent, the gut-wrenching conclusion (that explains the explosion shown in the first scene) hits the viewer hard. The setting is very simplistic but rich in atmosphere especially with the dark subtle undertones. The beautiful score contributes well.
Arriaga has gathered an impressive ensemble of actors who deliver wonderfully understated performances. Charlize Theron portrays Sylvia with a subtle intensity. Kim Basinger is skillfully restrained and Jennifer Lawrence shows tremendous potential. John Corbett, Robin Tunney, José María Yazpik, Rachel Ticotin, Brett Cullen, Tessa Ia and Joaquin de Almeida provide great support.
Despite the initial confusion, the narrative is strong. There are a few clichés that could have been avoided, such as the confession scene in the hospital, but these are very minor and don't effect the impact of the film. In the end, 'The Burning Plain' is a solid film.
Guillermo Arriaga was the writer for Inarritu's films (Amores Perros, 21 Grams, Babel) and directs here for the first time on a major film project. "The Burning Plain" plays out over thirteen years, although all the action is squeezed into two segments at each end of the time span. The film relates how an extra-marital affair has repercussions which echo through the following years. The chain of events is initiated when Gina, a housewife and mother, embarks on a romance with Nick, a Mexican with a family of his own. After a gas tank explosion kills the lovers while they make love in a remote desert trailer, Gina's traumatized teenage daughter Mariana becomes friends with Nick's son Santiago.
Arriaga focuses on the mother, daughter and grand-daughter as the story unfolds. He uses four actresses for their roles - two being required for the teenage Mariana and her 30-something persona - and all of them (Kim Basinger, Charlize Theron, Jennifer Lawrence and Tessa la) give exceptional performances. When Mariana first sees evidence of her mother's infidelity, she remains silent and carries the burden alone. The breach between them widens as she investigations and confirms her suspicions - and the youthful beauty of her face transforms into a mask as she conceals knowledge which could destroy her family. Arriaga portrays her dilemma with a delicacy that amplifies the girl's pain - showing the silent spread of the poison, its contagion first claiming the mother-daughter relationship, and then creating new ripples of damage which will ultimately infect the next generation.
The narrative is tighter than Arriaga's work with Inarritu - it illustrates how one transgression can set in motion the engine of fate. He relies on classic cinematic techniques rather than Inarritu's flashier ones - but as in his previous work, Arriaga breaks up the story's chronological flow by chopping back and forth between two time segments. One can't help wondering if it was necessary here, since the story possesses such a strong arc. However, this is just a quibble - "The Burning Plain" results in something close to a masterpiece which shares themes found in the work of Shakespeare, Thomas Hardy and Dostoevsky.
Arriaga focuses on the mother, daughter and grand-daughter as the story unfolds. He uses four actresses for their roles - two being required for the teenage Mariana and her 30-something persona - and all of them (Kim Basinger, Charlize Theron, Jennifer Lawrence and Tessa la) give exceptional performances. When Mariana first sees evidence of her mother's infidelity, she remains silent and carries the burden alone. The breach between them widens as she investigations and confirms her suspicions - and the youthful beauty of her face transforms into a mask as she conceals knowledge which could destroy her family. Arriaga portrays her dilemma with a delicacy that amplifies the girl's pain - showing the silent spread of the poison, its contagion first claiming the mother-daughter relationship, and then creating new ripples of damage which will ultimately infect the next generation.
The narrative is tighter than Arriaga's work with Inarritu - it illustrates how one transgression can set in motion the engine of fate. He relies on classic cinematic techniques rather than Inarritu's flashier ones - but as in his previous work, Arriaga breaks up the story's chronological flow by chopping back and forth between two time segments. One can't help wondering if it was necessary here, since the story possesses such a strong arc. However, this is just a quibble - "The Burning Plain" results in something close to a masterpiece which shares themes found in the work of Shakespeare, Thomas Hardy and Dostoevsky.
Screenwriter Guillermo Arriaga, the one of "21 Grams", employs a very peculiar narrative style to tell stories of different characters, Charlize Theron's Sylvia, Jennifer Lawrence's Marina, and Kim Basinger's Gina. At first everything seems a bit messy (various threads seemingly insignificant) but then the plot gets poignant though a little oppressive. Acting performances are affecting and strong (especially Charlize Theron), the tone is progressively melodramatic. It's undeniable that The Burning Plain possesses the style of a strong drama, never run-of-the-mill and with an emotional resonance resembling 21 Grams. Overall a very good sad film, with a finale that strikes a lot.
This is the first feature directing experience for Guillermo Arriaga. Already an established writer (Amores Perros, Babel, The Three Burials of Melquiades Estrada), Arriaga promisingly directs his own script in this movie. The movie follows the characteristic feature of Arriaga's script: fragmented stories, sometimes happening simultaneously, and sometimes happening at different time periods. The editing is intriguing, prompting you to try and seek connections between the different stories. The performances are amazing (especially Charlize Theron and Kim Basinger's). The landscape choices and the cinematography are beautiful. The Burning Plain is a poignant story about desperation, betrayal, trauma, revenge, guilt and self-hatred, with the stories of three female characters and different "plains" burningly interwoven to deliver a moving depiction of these themes... Highly recommended!
Wusstest du schon
- WissenswertesIn a 2008 interview, Charlize Theron said taking her clothes off in front of cameras in this and any other film is is as easy as drinking for her. "I don't really think about it much. I read the scene and if it makes sense I do it. I treat it the same way as I would any other scene. Whether it's a nude moment or sitting at a bar drinking, it's all choices. I don't think about it as nudity."
- PatzerIn the airborne scene of the crop duster dusting the field, the course and actions of the dusting process were inconsistent with real crop dusting. Spraying began at a point well into the field, and no distinct pattern was set such as to avoid missing or re-spraying spots.
- Alternative VersionenThere are two versions. Runtimes are: "1h 47m (107 min)" for the theatrical release, and "1h 51m (111 min) (Toronto International) (Canada)".
- SoundtracksFalling Star
Written by Ali Dee (as Ali Theodore), Henry Hey, Alana Da Fonseca (as Alana da Fonseca),
Zach Danziger (as Zach Denziger)
Performed by E. Wilson
Courtesy of DeeTown Entertainment
Top-Auswahl
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Details
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 200.730 $
- Eröffnungswochenende in den USA und in Kanada
- 58.749 $
- 20. Sept. 2009
- Weltweiter Bruttoertrag
- 5.642.478 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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