Die Klasse

It is not often that you come across a movie that has as its lead actor, the very writer of the novel on which the film is based. Laurent Cantet's intriguing film "The Class" has in its lead role of the class teacher, the novelist and co-screenplay-writer Francois Begaudeau. That's only the first surprise the film pulls on the viewer.

If you went to into the film theater without knowing much about the film you are likely to think you are watching a documentary. That's the second surprise—it is not a documentary.

The film is apparently a semi-autobiographical story of the novelist and lead actor Begaudeau. Begaudeau himself was primarily a school teacher before he morphed his own life into a novelist, journalist, and an actor. But wait a moment. Even director Cantet's parents were teachers. Therefore, it is not surprising that the intimate knowledge of the teaching and the film-making processes get married seamlessly within the film and this contributed substantially to the film being honored as the first French film to win the Golden Palm at Cannes in 21 years!

Cantet allows the viewer to study the process of educating a fresh class of bubbly and street-smart adolescent kids in a Paris suburban school. Classroom education today in many parts of the world has evolved from the dictatorial British format where the learned teacher lectures and the student imbibes what he sees and hears. Today, teaching in progressive schools is more democratic, where the teacher allows student participation, where the student is encouraged to talk and become an integral part of the education process, contributing knowingly or unknowingly and "democratically" to the education of other students in the class just as much as the teacher. It is not without intent that one of the bright Internet-savvy kids in the film brings up the subject of Plato's "Republic" into discussion, but then the intelligent viewer is forced to recall that teaching for Aristotle's own students centuries ago was democratic and peripatetic. Begaudeau the teacher is flummoxed and that's precisely what Cantet the director of the film stresses to the viewer—the very quality and process of imparting knowledge today is dissected. Plato wanted a philosopher king to provide for the common good. He also believed democracy would just lead to mob rule, which is basically an oligarchy. Cantet appears to ask the viewer if the teacher is the Platonic philosopher king. Aristotle studied under Plato and disagreed with Plato on almost fundamentally everything. Cantet's film introduces parallels of bright adolescent kids being educated in the classroom as Aristotle would have been in Plato's class. Begaudeau teaches his students often like Plato would while adopting the peripatetic approach of Aristotle's own teaching style though confined within the four walls of the class.

The film is demanding of the viewer. The film is definitely not everyone's cup of tea.

To a casual film goer, the movie would resemble a live recording of a high-school class of boys and girls with a teacher probing the minds of his students, made up of different backgrounds, races, religions and representing various continents. There are tense moments, hilarious repartees, behind the scene meetings of teachers evaluating students, parent teacher meetings and even stocktaking of a "year gone by" in the school. The film's content can disappoint some viewers looking for conventional action, sex or heavy intrigue.

Cantet's approach to cinema is far removed from the typical Hollywood film. Yet Cantet and the screenplay writing team that included Begaudeau urge the viewer to zoom-out his/her mind from the microscopic events taking place within the confines of the four walls of class--the ethnic tensions, the psychological warfare and the social criticism--as they are equally likely to take place in the wider world outside the class, beyond the school, even beyond France. That is the beguiling aspect of Cantet's film.

The innovation apart, what is extraordinary in this film? One, the film clearly indicates the classroom has evolved from the classroom of "To Sir, with Love," or "Dead Poet's Society." Today, teaching adolescents is no longer a simple task. Students are well-aware of current social and political issues, thanks to the Internet and related technology. Teachers need to be aware of several bits of information and trivia to be on top of their class. Second, "The Class" progresses to reveal manipulative student behavior towards their teachers that British cinema revealed decades earlier to us. British films, such as "Absolution" (1978, with Richard Burton) and "Term of Trial" (1962, with Laurence Olivier) are vivid examples. Unlike the two entertaining British movies, all the action in Cantet's "The Class" is restricted to two school rooms—-the actual classroom and another room where teachers interact among themselves or with parents. Third, the film grapples with the question of the broader issues of equality within a classroom, a school and elsewhere in society. Fourth, the film is about current issues of integration of different cultures that perhaps confront Europe, Canada, and Australia more than it does in the USA. Africans and Asians are now citizens of France but do they get understood by the majority? A student Suleyman says in the film: "I have nothing to say about me because no one knows me but me."

How many teachers allow for two-way communication in a class? The film presents a growing challenge for educators of today. Can we go back to the days of Aristotle or do we prefer to learn under the teacher who "dictates"? Are we providing the turf for democracy or for dictatorships to emerge in society from the lowly classroom? This is a sensitive film meant for film-goers expecting more than frothy entertainment. The two final shots, somewhat similar, of the film graphically (and silently) capture the entire case of the film that preceded those shots. That was truly remarkable.

I really enjoyed this film; however, I will disclose I thought about 10 minutes could be shaved off as a whole. The documentary style feel to the film aided not only the intimacy of looking into the classroom, but also into the lives of the students and teachers. It was refreshing to see "the human" side of a teacher portrayed--one that is fallible, not always saying the right thing despite trying to do the right thing...which is often what all people struggle with. Also, I liked that the film focused primarily on the episodes within the school rather than drifting into a melodramatic cliché of teenage angst or stereotypical conflicts. The Class is a nice balance of glimpsing into the world of teachers and their students.

Can't see the forest for the trees! It's very rare, indeed, when I'm at a staggering loss for words. Words are my business...having owned and directed my own language schools for 35 years. But when I sat down to write this, immediately after viewing "The Class", my unmitigated ire and unbridled outrage only produced that most dreaded of conditions, anathema to all reviewers: Writer's Block!

Several hours later, my blood having assuaged itself from boiling to simmer, I find myself, once again, anxious to share my impressions of this undeniably unique French film with you.

"Class" refuses to be pigeon-holed. Perhaps a Documentary-Drama fusion, but not really a Docudrama, either. More akin to reality TV,... only better! "Class" will certainly affect different people in strikingly different ways!

How do middle-school teachers around the world maintain their grip on sanity and reality? I felt myself sliding down the slippery slope from just observing these French* kids flaunt their world-class insolence! But whatever your reaction to them, chances are "Class" will get to you just like running your fingernails along a blackboard!

Did you notice the asterisk on French* Kids? Surprisingly, this inner-city French classroom was a veritable rainbow coalition: Africans, Caribbean Franco-Africans, Arabs, Eastern Europeans, a couple Hispanics and Chinese. Oh yes, and even some Gauls, born and raised! My spoken French is decrepit, but my ear is still fairly well-tuned and a myriad of different accents were very easy to discern, a few of them rendered somewhat haltingly.!

Encountering harmony and a real-time teaching classroom dynamic under these conditions pose a daunting challenge, to say the least. The problem resides in that 9th graders around the world are keenly aware of who REALLY is in control in the classroom.... They are!

More often than not, their classroom comportment is an unabated and blatant non-stop provocation of whoever is teaching them. But God forbid should that teacher lapse into a single moment of normal human reaction to such constant torment! The unspoken undercurrent that is dissolving the foundations of education around the world is only too self-evident in this "Class". Just a few accusatory words from any student could instantly vaporize the career of any teacher!

Francois, the real-life teacher exhibiting patience that would make Job look bi-polar in comparison, manages to defy expectation and give us an unprecedented surprise ending; apparently there IS something that most students still fear! Recommended to all teachers and anyone interested in the teaching process! 9*********

ENJOY! / DISFRUTELA!

I will start with saying that the subtitles made it difficult to understand the specifics of their dialogue. But notwithstanding, Entre Les Murs really feels like I've spent a year in the school with these students. We see the power structure between teachers, admin, and students. We see the problems and challenges that the system has. We also, more importantly, see the interpersonal relationships between the teachers and the students.

This movie doesn't sentimentalize or sugar-coat the learning experience. Lean On Me, this is not. This vision is as stark and cold as the fluorescent light bulbs above the class. The warmth, however brief, is provided by the students and their teachers.

I enjoyed the realistic acting. I never for once thought that I was anywhere else except for a real classroom. I enjoyed the characters, though I wish that I would be able to get in their heads more and see their motivation.

What I liked the most is that we saw an unbiased, holistic viewpoint of the school year. Some students learned a lot, some learned nothing, and life moves on like a soccer match in the school halls.

François Bégaudeau plays the lead--a teacher who is in charge of a class of intercity kids. Some seem to want to learn, but the class discipline is so lacking that you wonder how any of them can learn--and, as you watch, this is probably true.

"The Class" was an interesting film but also quite a frustrating one for me to watch, as I never was sure of the exact purpose of the film. I am a retired teacher, so hold on tight.... While I found myself interested in what was happening in the class, I also felt that this was a case of a teacher with good intentions who was, at times, absolutely clueless. And, sadly, he seemed to be one of the only teachers in the school who cared about the kids. Talk about a recipe for hopelessness and failure. It was interesting that the same failed methods and discipline were going on here in "The Class" as I sometimes saw in the States--and some burnt out or well-meaning but poorly trained teachers. I saw the film as a GREAT movie to show teachers so that they could see where the school in the film was failing the kids and learn from their mistakes.

A few of the lousy techniques I noticed from the teacher in this one: Letting his class continually disrupt the lessons on irrelevant things. Instead of ignoring or redirecting, he let them disrupt and chaos often resulted.

Letting disruptive groups of kids sit together.

Engaging in arguments.

A few I noticed from the rest of the staff included: One old-timer teacher telling a new teacher which kids were GOOD and which were BAD--setting the kids up to meet these expectations.

A very punitive system. One teacher even argued that positive reinforcement ONLY should come in the distant future--when kids look back at their achievements. Punishment was all that seemed to matter and it's no wonder the kids were misbehaving.

Allowing student reps to sit in on disciplinary meetings and hear confidential information about other students. As you could see in the film, this was a very, very, very bad idea.

Providing no interpreter for the Malian parent. While she said she understood what was occurring, it seemed pretty obvious she didn't.

By the way, I did NOT understand the ending. It seemed magical--as if removing the one very disruptive kid suddenly made the other disruptive kids become angels. This seemed very simplistic. In fact, I really didn't understand the purpose of the film--unless it was to say pretty much all the teachers in the film were missing the mark. All in all, a pretty hopeless look at teaching but the film was interesting, that's for sure.