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Footloose

  • 2011
  • 6
  • 1 Std. 53 Min.
IMDb-BEWERTUNG
5,9/10
54.385
IHRE BEWERTUNG
Kenny Wormald and Julianne Hough in Footloose (2011)
City kid Ren McCormack (Kenny Wormald) moves to a small town where rock 'n' roll and dancing have been banned, and his rebellious spirit shakes up the populace.
trailer wiedergeben0:33
20 Videos
99+ Fotos
Coming-of-AgeRomantic ComedyComedyDramaMusicRomance

Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .Der Teenager Ren MacCormack zieht in eine kleine Stadt, in der Rockmusik und Tanz verboten sind, und sein rebellischer Geist die Bevölkerung erschüttert .

  • Regie
    • Craig Brewer
  • Drehbuch
    • Dean Pitchford
    • Craig Brewer
  • Hauptbesetzung
    • Kenny Wormald
    • Julianne Hough
    • Dennis Quaid
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    54.385
    IHRE BEWERTUNG
    • Regie
      • Craig Brewer
    • Drehbuch
      • Dean Pitchford
      • Craig Brewer
    • Hauptbesetzung
      • Kenny Wormald
      • Julianne Hough
      • Dennis Quaid
    • 190Benutzerrezensionen
    • 156Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos20

    Footloose (2011)
    Music Video 3:24
    Footloose (2011)
    MTV VMA Spot #2
    Trailer 0:33
    MTV VMA Spot #2
    MTV VMA Spot #2
    Trailer 0:33
    MTV VMA Spot #2
    MTV VMA Spot #1
    Trailer 1:04
    MTV VMA Spot #1
    Trailer #2
    Trailer 1:54
    Trailer #2
    Trailer #1
    Trailer 2:34
    Trailer #1
    "Line Dance"
    Clip 1:32
    "Line Dance"

    Fotos187

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    + 179
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    Topbesetzung99+

    Ändern
    Kenny Wormald
    Kenny Wormald
    • Ren
    Julianne Hough
    Julianne Hough
    • Ariel
    Dennis Quaid
    Dennis Quaid
    • Rev. Shaw Moore
    Andie MacDowell
    Andie MacDowell
    • Vi Moore
    Miles Teller
    Miles Teller
    • Willard
    Ray McKinnon
    Ray McKinnon
    • Wes Warnicker
    Patrick John Flueger
    Patrick John Flueger
    • Chuck
    Kim Dickens
    Kim Dickens
    • Lulu Warnicker
    Ziah Colon
    Ziah Colon
    • Rusty
    Ser'Darius Blain
    Ser'Darius Blain
    • Woody
    L. Warren Young
    L. Warren Young
    • Andy Beamis
    Brett Rice
    Brett Rice
    • Roger Dunbar
    Maggie Elizabeth Jones
    Maggie Elizabeth Jones
    • Amy Warnicker
    • (as Maggie Jones)
    Mary-Charles Jones
    Mary-Charles Jones
    • Sarah Warnicker
    Enisha Brewster
    Enisha Brewster
    • Etta
    Josh Warren
    Josh Warren
    • Rich
    Corey Flaspoehler
    Corey Flaspoehler
    • Russell
    • (as Corey Flaspoler)
    Anessa Ramsey
    Anessa Ramsey
    • Caroline
    • Regie
      • Craig Brewer
    • Drehbuch
      • Dean Pitchford
      • Craig Brewer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen190

    5,954.3K
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    5SnoopyStyle

    Kenny Wormald is a better dancer than actor

    The small town of Bomont imposed curfews and banned loud music and dancing after an accident killed five teenagers including Rev. Shaw Moore (Dennis Quaid)'s son. Three years later, Ren MacCormack (Kenny Wormald) moves from Boston to live with his aunt and uncle after his mother's death from leukemia. He finds the small town restrictive. He also finds reverent's daughter Ariel (Julianne Hough) rebelling against the system. He makes a friend in Willard (Miles Teller).

    I don't think it's a wise move to show the accident. It makes the ban more reasonable and harder to oppose. The Reverend is supposed to be overreaching and becoming unreasonable over the years. However the bigger problem has to be Kenny Wormald. He's more of a dancer than an actor. He doesn't have the charisma or the likability to lead. Julianne Hough comes off better. Although I would have prefer she has better separation between her two lives. She needs to dress down more as the preacher's daughter. This is a functional dance movie but not much else. It's also sad to see that the filmmaker can't think of ways to change up the story. This is obviously a Julianne Hough star vehicle. So it would be so much better to make her the newcomer to town and the lead of the movie.
    6MovieBuff-fest

    Not a bad movie, but pointless as a remake

    I was a teen when the original movie came out, and I also live near Lehi, Utah where it was filmed which made me think fondly of the movie whenever I drove by the Lehi Roller Mills. (Today it is a sprawling metropolis, resembling little of the sleepy little town like in the movie.) When I heard another pointless remake was coming out, I decided to give it the Redbox treatment instead of completely boycotting it.

    After watching it with my wife who had never seen the original, I was able to say, "Not so bad, but pointless as a remake." Most of the original music (which I still love) was recycled into something recognizable but not lovable. The scenes played out nearly identical to the original but with different actors. The whole way through it, I had the feeling that the director was watching the original on a hand-held device, then turned to the actors and said, "I have an idea for this next scene." If I recall correctly, even the dialog where it wasn't modernized with MP3 players (instead of cassette players) and cell phones (instead of...what the heck did we have?) was word for word.

    Usually remakes are for big block busters where today's technology and special effects can outshine the feeble attempts of the past and make a great story better by sucking the audience in. This movie had none of that, and in summary, became another pointless Hollywood rehash for quick cash. The only improvement I could acknowledge was a sub-plot that explained Ren's actions a little better, but it was still not an excuse to remake a classic.

    My advice: watch the original. It's much better.
    4estreet-eva

    Suffers as much by miscasting as the original benefited by its casting

    To the same extent Ava Gardner movies lingered on her face in the 1950's and Jessica Alba movies visually caressed her abdomen in 1990's movies so does this moving on the backside of Julianne Hough. Likely this has partially to do with Craig Brewer's personal interests and a lack of other interesting images to look at in a pointless remake of the Kevin Bacon "classic" (assuming you grew up in the 80's). The main drag on the film grows from the lack of a Kevin Bacon-level compelling talent among the cast. When Kenny Womald utters the iconic "let's dance" to the camera you could picture yourself opting to sit this one out instead. When Dennis Quaid as Ariel's father and town elder finally has his change of heart, it comes as no really emotional catharsis given Quaid's earnestness and track record as the good guy leading man. Now Randy Quaid would have made an interesting and likely challenging from a product standpoint casting choice. Julianne Hough plays Ariel as more sleazy than fun-loving and her dance moves do kind of make you agree to an extent with the Reverend. As always, Andie MacDowell brings her inexcusably flat line readings to a part that could have been cut from the film with little effect. Everyone else in the film comes across as the indistinguishable chorus line from a traveling company version of the Footloose Musical. Having said all that, the movie brings some entertaining visuals although it someone screws up the soundtrack; the version of "Holding Out for a Hero" used her is a sacrilege of the original Bonnie Tyler version of the Jim Steinman song. In short, see the original instead; although it wasn't very good either, the music was amazing.
    3Myrii

    If you've seen the original no need to watch this one.

    I love the original and was really excited to see this remake. I was very disappointed. They copied the original, just added cell phones and CD's and a few modern dance moves. Same soundtrack, just a hint modernized, I'm pretty sure even some of the lines were exactly the same. There was nothing creative or original about this movie.

    You know that feeling where you see an actor/actress in a certain role and then you see them in another movie and it's like they were told to keep the same character but the film's setting is so completely different and all you can think is 'no, this is wrong, this just doesn't work'. It's exactly what I thought while watching this film but instead of the character(s) being wrong it felt like the whole movie was wrong.

    I would have even accepted it if the only thing they kept was the basic concept and redesigned the rest from scratch. But they played it too safe and ended up with a copy instead of a fresh film.

    That said if you've never seen the original Footloose it's alright.
    scythempress

    It did as I expected, it sucked

    Like usual, I am beaten to the review page by the wannabes that made this wretched film. The studio hacks and lackeys got here and posted rave reviews first. This was lame, not that the original was all that, but did they really have to try this? Who is this Hough girl anyway, saw her on a zits commercial and it's like, "hey all, Julianne here" like anybody that does not watch one reality flick would know her. I promise this crap movie will not help, it is a stinker. Is it as good as the last? No where near. It is pretty much the same, Quaid turns in a good performance, as usual, but I wish he had turned this down. The rest of them, mediocre at best. Is Hollywood out of ideas? Is writing new material that hard? I think the remake era is over, please come up with something new and use real stars, not reality hacks who have long since been over their fifteen minutes.

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    Handlung

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    • Wissenswertes
      Justin Timberlake recommended Kenny Wormald to be in the film as he was a back up dancer for him.
    • Patzer
      When Ren is pulled over and his license is being examined by the police, his license is an Over-21 Massachusetts license. The difference between Under-21 and Over-21 is that Under-21 licenses are vertical and Over-21 licenses are horizontal.
    • Zitate

      Ren MacCormack: [addressing the town council] I wasn't here three years ago, when tragedy struck this town. And I know it's not my place to mourn the lives that were lost because I didn't know them. But it doesn't mean that I don't think about them every day. Like a lot of students at Bomont, I see those pictures every day at school. And each time I see their faces, I think of how precious life is and how quickly it can be taken from us. I know this firsthand... in my own way. And three years ago, nearly a dozen laws were introduced to this council in order to protect the children of Bomont. And most of these laws, I can see, as a parent, how they make sense to you. But my right to dance... when I want, where I want, and how I want is a right that you cannot take away! It is mine. See, we don't have that much time left. All us teenagers, pretty soon we're gonna be just like you. We're gonna have jobs, and bills, and families. And we're gonna have to worry about our own children, because that is the job of a parent. To worry. I get that. But ours, as teenagers, is to live! To play our music way too loud and to act like idiots! And to make mistakes. Aren't we told in Psalm 149: "Praise the Lord. Sing unto the Lord a new song. And let them praise His name in the dance." Now if anybody else brought their Bible, like I did, will you please turn it into the Book of Samuel, 6:14. "David... David danced before the Lord with all his might, leaping and dancing before the Lord." Celebrating his love of God and celebrating his love of life. With what? With dancing! That's all we're doing here. Ecclesiastes assures us, "There is a time for each purpose under heaven. There's a time to weep. There's a time to mourn. And there is a time to dance." And this is our time! There was once a time for that law, but not anymore. Thank you.

    • Crazy Credits
      The opening credits are in the same font/typeface as those for the original Footloose (1984), albeit a different color.
    • Verbindungen
      Featured in The Tonight Show with Jay Leno: Folge #20.12 (2011)
    • Soundtracks
      Footloose
      Written by Dean Pitchford and Kenny Loggins

      Performed by Kenny Loggins

      Produced by Kenny Loggins with Lee De Carlo (as Lee DeCarlo)

      Courtesy of Columbia Records

      By arrangement with Sony Music Licensing

    Top-Auswahl

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    FAQ20

    • How long is Footloose?Powered by Alexa
    • What other films are there about teenage rebellion?

    Details

    Ändern
    • Erscheinungsdatum
      • 20. Oktober 2011 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Bước Nhảy Vui Nhộn
    • Drehorte
      • Kennesaw, Georgia, USA
    • Produktionsfirmen
      • Paramount Pictures
      • Spyglass Entertainment
      • Dylan Sellers Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 24.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 51.802.742 $
    • Eröffnungswochenende in den USA und in Kanada
      • 15.556.113 $
      • 16. Okt. 2011
    • Weltweiter Bruttoertrag
      • 63.546.519 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 53 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • SDDS
      • Datasat
      • Dolby Surround 7.1
    • Seitenverhältnis
      • 2.35 : 1

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