Take the Night

"Take the Night" is a new crime drama that follows two rivaling brothers who must set aside their beef and takedown a motley crew of criminals that stole a family heirloom during a botched abduction.

This film is bad. Here are 13 reasons where I think the film went wrong.

1. Seth McTigue. He co-wrote the screenplay, leads the cast, co-produced this film and directed it. This is his first feature film credit. He was too involved in this project and needed some distance from it to understand what works and doesn't.

2. The story meanders. There's a subplot surrounding one of the antiheroes, which was more compelling than the main plot and the main characters. He's a former basketball star who's food insecure and robbing as a means to eat. That was more compelling than a jealous brother hiring the wrong criminals to kidnap his brother as a sick prank.

3. The pacing is belabored and so incremental to the point that the viewer is inundated with unnecessary information, which doesn't move the story along. It takes 36 minutes to get to the inciting incident- the actual abduction.

4. The performances were weak. The actors stare aimlessly as if they're reaching for their lines.

5. The dialogue is amateurish. Lines are redundant, reiterating action that is already descriptive. Over-explaining conveys that the writer doesn't trust the audience to understand what's happening onscreen.

6. The stunts are sloppy. And not just the choreography, but the editing of the stunts are blunt and choppy.

7. Speaking of editing - some scenes are too short and break abruptly. Other scenes are too long and float like segments.

8. Cinematography. The camera gets shaky - not purposely like a steadicam in action sequences, but uncontrollably shaking during dialogue heavy scenes. The camera lands on characters and lingers even when they aren't the subject.

9. The characters are flat and one-dimensional and there are too many of them to follow. Their backstory is cheapened by flashing back to their respective childhoods. The viewer is given more info about arbitrary characters than about the main brothers. And, their backstory doesn't make you root for them as dual protagonists. The former basketball player's backstory has more dramatic tension that makes the viewer care. And characters are introduced that serve no purpose in the story. Wasted on scenes that don't drive the story at all.

10. The lighting is gloomy. The location shots are too inky and shadowy.

11. The score is too loud and domineering to the point that it tries to carry the load of the performances to drive the dramatic tension, which was irritating.

12. The concept isn't original. I think they were going for David Fincher's THE GAME but the build-up to the action fizzles because too much time is wasted on irrelevant plot points, dead-end storylines and under-developed characters.

13. Finally, the Title. It has nothing to do with nothing.

TAKE THE NIGHT is a masterclass in bad filmmaking. It's imperative to take some distance and not have your hands in all the pots so that you have objectivity without compromising your creativity.

This was a really well shot indie from start to finish.it's been quite a while since I've seen a crime/drama indie that was a great watch. This film really grasps your attention from the start, and keeps you wondering what's going to happen next.

Take the Night is a thrilling movie from beginning to end with a prank kidnapping, unexpected plot twists and strong acting from the entire cast. Great cinematography, lighting and music. Impressive first feature film by the director.

I'll start off by saying that I did actually enjoy this movie, I feel it had a great story-line and had enough going on that I never lost interest. The premise is not a secret, the "screw up" brother wants the "smart" brother to enjoy his birthday; they are wealthy. The "smart" brother works too much. Roy Huang plays Willian Chang the "screw up" brother, and Sam Song Li plays Robert, the overworked brother. William decides to have his brother kidnaped and force him to loosen up, so he hires some guy he doesn't know to take Robert after he leaves work.

The rest of the story is filled with questions and decent story that shows who, what, where, why and how for both the antagonist and the protagonist.

My big problem with this movie is that I feel Seth McTigue overacts in every scene. His character is Chad; he's the bad guy, and I get it that Chad is conflicted, but c'mon man. I feel his overacting was so severe, it made me question the other actors in the movie even though they did fine. I've always believed that you don't need a-list actors to pull off a great movie, but you do need actors that do a decent job playing a role. You can't take yourself TOO seriously, or you come off too stoic and overact your role. Brenna Keel Cook had a significant role and did a great job as did the other two bad guys. Matter of a fact, all of the remaining actors pulled off their roles equally well, but I honestly think Seth McTigue hurt this movie more that he helped it by casting himself as the antagonist.

The cinematography was actually pretty well done, I love the angles, the lighting, the feel. Some of the long-held poses became distracting, but not too over the top. I get it, a good looking guy like Roy Huang giving us a silhouette in the perfect lighting. But lets not hold that pose too long, else you over-do a moment.

Overall the movie was enjoyable, but I gotta be honest and say that this movie would have been 10 time better had there been an actor cast as Chad that didn't overdo the role.

Set up for a good action thriller, but fails heavily at the key moments of the plot, but the little twist in the end are able to mend a little bit. So if you ever should like to prank kidnap your own family, check out well on beforehand who to use.

The production goes from brilliant to mediocre and back multipel times, and the acting keeps the same bait, the story was good but the complexity of making a good peformance just isnt perfect. Therefore just a weak 6 from the grumpy old man.