The Royal Ballet: Romeo und Julia

I know, beautiful is not the fair term about a ballet adaptation . But it works in this case for so many motifs. Each scene is precise seductive. The film represents admirable demonstration of the force of Royal Ballet. The spirit of play is reflected in splendid manner. All is seductive and precise and poetic and, ater other adaptations, this seems not only precious , not the best but just the fair one, giving all the tension, fragility, drama and poetry of the play. So, jut, just, just beautiful.

We are used to seeing ballet on the stage, even when made into a movie, but this was ballet as we have never seen in before. The inspiration was the Zefferelli film with Olivia Hussey and Leonard Whiting, and used outdoor location as well as some staging, but this technique of doing ballet in the open is groundbreaking. The only criticism I have is not being able to see the dances legs at all times, which is key to filming ballet--that is what lovers of ballet want, first and foremost, it is what we go to ballet to see! And it can be done--just make sure of what the camera sees at all times!

R&J Beyond Words is the first ballet movie I saw. I also haven't seen this ballet on the stage and won't be able to compare it.

1. Actors play. Francesca Hayward looked essential in her role - young, naive, and delicate. Juliets feelings are understandable event there is no single line. The character is fully uncovered and understandable. Unfortunately, all others do not bring the same feelings. I didn't get the temper, intentions, and philosophy of any other character. Random face mimics, characters appear and disappear, randomly their mood is changed without a clear reason why. Without lines, the only cinema language here would be - face mimics, body moves, and music. Neither faces nor bodies told me a story.

2. Choreography. Impressed with Francesca again. Probably if there were more solos of each main character - I would understand them better. But everything was mixed in a chaotic way + hard to follow because of really bad camera work.

3. Camera & Film editing. Dance scenes were often cut... I can see a dancer in a medium shot at the beginning and suddenly his legs are partially cut? Then I can see a close-up of the static face with no emotions while they dance? Lots of close-ups are just not justified and useless. While the dance is missed. Framing. In the scene when Juliet dances for Romeo - she is cut, the rule of thirds again failed, lots of people close/around her, and no Romeo. We can see him montaged in close-ups a couple of times... I want to see both actors in the same medium shot scene. The tension between them and do not care about other people's faces. They are secondary. But instead, Juliet looks standalone. In close-ups, faces are often... blurred. If that was on purpose - then I didn't get the point.

4. Music. All fans would hate me here. But, in 2020 we might need more tragedy in really sad moments. For example - the finale scene. Romeo died and Juliet wakes up - light and delicate music (Yes, I am sorry for not knowing what is the title of this composition). Then she sees Romeo and her face screams - but the music is the same. The mood is changed - but the sound remains the same. I can't share her pain with the kind and optimistic composition.

In general, I love the idea. I would not watch it again because of the camera and editing. But hope that if we have more such movies - it would become better. If anyone knows a good example of camera work for a ballet movie - I would be thankful if you share it with me :)

The current generation of Royal Ballet dancers in the UK bring fresh life to Kenneth MacMillan's choreography for his ballet Romeo and Juliet (created in the 1960s), which has been filmed away from the confines of the stage. The leads William Bracewell as Romeo and Francesca Hayward as Juliet are outstanding. I cannot recommend this new, more realistic interpretation of the ballet more highly than by saying it is the perfect one to be seen in 2020. Congratulations to all involved in bringing this version to the screen.

A great way to present a difficult genre. The use of location filming and cinema techniques works brilliantly and brings something genuinely new to the art. I can imagine that some purists may not enjoy it but this is very accessible and may well bring a new audience to ballet who would not normally seek it out.