J'ai rêvé sous l'eau

I could not disagree more with the comment I read on here. yes, this film has style and a lot of it and it should make the French proud, but ALSO, it is deep and have lots of substance- it is moving at times and I do not remember seeing a film with such remarkable sexy scenes. Many times I felt like I was inside a two hour perfume commercial.... but what a beautiful commercial it is. It was like something out of an Obsession commercial - that is how beautiful it was to watch and experience. I found the main characters plight profound to say the least and I could relate to him and his insesant quest for dysfunctional relationships. What was even more touching is how within all the stylistic feel of the film the grim reality overpower us and we get to see the true depressing reality...sometimes there is no good ending and love comes in many packages and u must experience it to the fullest while its hot!.... highly, highly, highly recommend this film.

Antoine, a handsome boy in his 20s, falls for a straight best friend who does not reciprocate, and being a junkie exits the film quite early. Enter a girl, who seems to make him happy again, after he has tried living as a rent boy with men, having some familial, financial difficulties. But the girl is a junkie too. The only healthy looking guy in the film, someone Antoine meets as a rent boy, is Baptiste, who even offers him a job, and seems to really care for him. His infatuation with the girl has a self-destructive note echoing the self-destructiveness of his paramours, perhaps Baptiste excepted, who is the only one proclaiming love; and in the end all three end up in a sort of confrontation, the promise of a confrontation that is supposed to echo in the spectator.

For what reason one does not gather. The film borrows avant-garde techniques but not a scenario, falling short on that side: not quite impressionistic, not quite developing characters, it remains inconclusive, not in a favorable way. And that makes it a bit toxic, as if it wants to dwell in an underworld with some clear, good-hearted motivation but in a way the soundtrack betrays it with its pop/rock exposure; not maudit enough, it has stayed underwater longer than it should have. Its dream remains water-bewitched.