IMDb-BEWERTUNG
6,9/10
59.640
IHRE BEWERTUNG
In den 1920er Jahren steigen während einer Plattenaufnahme an einem Nachmittag in Chicago die Spannungen und Emotionen zwischen den Mitgliedern einer Studioband, die auf das Eintreffen Ma Ra... Alles lesenIn den 1920er Jahren steigen während einer Plattenaufnahme an einem Nachmittag in Chicago die Spannungen und Emotionen zwischen den Mitgliedern einer Studioband, die auf das Eintreffen Ma Rainey warten.In den 1920er Jahren steigen während einer Plattenaufnahme an einem Nachmittag in Chicago die Spannungen und Emotionen zwischen den Mitgliedern einer Studioband, die auf das Eintreffen Ma Rainey warten.
- Regie
- Drehbuch
- Hauptbesetzung
- 2 Oscars gewonnen
- 83 Gewinne & 193 Nominierungen insgesamt
Johanna Elmina Moise
- Ma Rainey's Dancer
- (as Johanna Moise)
Empfohlene Bewertungen
This film is full of good performances. Chadwick Boseman and Viola Davis shine in this movie. Chadwick was incredible. I am very happy to see him one more time, and what a performance he gives. The story felt a bit short. The story is not that special but I'll say it again, the performances are so good. That's why I give this film a 7.
Thank you Chadwick Boseman, R.I.P.
Thank you Chadwick Boseman, R.I.P.
Horrific overacting and a script that rambles and goes nowhere. Most of the film is taken up with individual stories about how the white man was evil, which became very tiresome very quickly. A few very daft plot twists that never went anywhere. This was more 'panto' than serious drama and those involved should be ashamed of the mess they produced. This film literally had no redeeming features
First things first. Chadwick Boseman gives a performance like nothing you've ever seen. The rest of the cast, led by the legend that is Viola Davis, is, as might be expected, tip-top, but Mr Boseman flies ever higher in every scene.
The film is based on a famous play by a great playwright who chose to write with a sense of melodrama that can still work in the theatre but somehow feels dated when transfered to the screen. The camera has to cope with the sheer size of performance necessary to capture set-piece speeches, which go against the grain of image-led cinema. Renowned Broadway director George C Wolfe gets the actors to the right temperature, but then has to find a way to make the project cinematic. The solutions here, apart from minimal opening out from the claustrophobia of the recording studio setting, are some mobile camera work and quite a bit of nimble editing. Curiously, though, these strategies simply emphasise the work's stage origins. What do work are the close-ups. They bring us closer to the characters than can ever happen on a stage. With an ensemble as fine as this one, the more close-ups the better.
So, MA RAINEY'S BLACK BOTTOM, like the film of Wilson's play FENCES, is not satisfying as a movie, but as a record of a powerful play. Both well worth seeing. MA RAINEY is the greater, because of Chadwick Boseman. What an amazing actor. What a loss. What a legacy.
The film is based on a famous play by a great playwright who chose to write with a sense of melodrama that can still work in the theatre but somehow feels dated when transfered to the screen. The camera has to cope with the sheer size of performance necessary to capture set-piece speeches, which go against the grain of image-led cinema. Renowned Broadway director George C Wolfe gets the actors to the right temperature, but then has to find a way to make the project cinematic. The solutions here, apart from minimal opening out from the claustrophobia of the recording studio setting, are some mobile camera work and quite a bit of nimble editing. Curiously, though, these strategies simply emphasise the work's stage origins. What do work are the close-ups. They bring us closer to the characters than can ever happen on a stage. With an ensemble as fine as this one, the more close-ups the better.
So, MA RAINEY'S BLACK BOTTOM, like the film of Wilson's play FENCES, is not satisfying as a movie, but as a record of a powerful play. Both well worth seeing. MA RAINEY is the greater, because of Chadwick Boseman. What an amazing actor. What a loss. What a legacy.
A lesson in the art of acting and film making, as an exceptional cast of extremely talented actors portray several hours in a recording studio, the tensions as taut as any wire, the crimes of the times and their effects on those involved in full view - crimes perpetuated into today, sadly.
Probably the most deceptive trailer I've seen in years, if not ever...
The cast is great, but there's almost no music, no band performance (except for a brief moment at the very beginning), only musicians talking among themselves in a closed rehearsal room... I expected to see them on tour, playing for audiences etc... Like the trailer implies, doesn't it?
The few songs featured are great, though. So much so that it leaves you with a bitter taste of too little.
The cast is great, but there's almost no music, no band performance (except for a brief moment at the very beginning), only musicians talking among themselves in a closed rehearsal room... I expected to see them on tour, playing for audiences etc... Like the trailer implies, doesn't it?
The few songs featured are great, though. So much so that it leaves you with a bitter taste of too little.
The Legacy of Chadwick Boseman
The Legacy of Chadwick Boseman
Chadwick Boseman is known for his iconic performances in Get on Up, Black Panther, and his final role in the musical drama Ma Rainey's Black Bottom. IMDb takes a celebratory look at his career in film and television.
Wusstest du schon
- WissenswertesIn 2015, Denzel Washington announced that he would be bringing all ten of August Wilson's "Century Cycle" plays to the big or small screen. Ma Rainey's Black Bottom is the second filmed Wilson adaptation Washington has produced in this cycle, after Fences (2016). In September 2020, Washington told the New York Times that the third film in the series would be The Piano Lesson, and that he hoped to cast his own son John David Washington and Samuel L. Jackson, with Barry Jenkins directing.
- PatzerThe action of the film takes place on July 2, 1927. Ma Rainey's car in the film is a Model A Ford which were not introduced to the public until December 1927.
- Crazy CreditsDuring the first part of the credits, actual photographs of the real Ma Rainey and the musicians who inspired the characters in the play are shown.
- VerbindungenFeatured in Sky News @Breakfast: Folge vom 19. Dezember 2020 (2020)
- SoundtracksDeep Moaning Blues
Written by Ma Rainey (as Gertrude 'Ma' Rainey)
Produced and Arranged by Branford Marsalis
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- Laufzeit1 Stunde 34 Minuten
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By what name was Ma Rainey's Black Bottom (2020) officially released in India in Hindi?
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