My Last Five Girlfriends

Surprising. I wasn't quite sure what this movie was going to be like. In the beginning, it seemed to be a bit dark and cynical, but the attitude turned around and quickly became funny, witty, and interesting. The concepts in this movie are so dream-like and imaginative that I couldn't get enough of Duncan's little quirks. I also fell in love with the way the writers used everyday things to symbolize an aspect of Duncan's love life, like a pair of shoes or an avocado. This movie is, in a word, real. It's safe to say everyone can relate to this movie, and it's like 5 little stories in one. Honestly this film is fantastic and definitely worth watching.

I had no knowledge of the novel by Alain de Botton on which this is based, but I had previously watched several of his TV programs. While I was watching the film something someone was saying would occasionally remind me of the writer's (Botton's) psychological (and philosophical) interests. There was, however, ample drama for me to be able to feel empathy for most of the characters, as well as enough unexpected plot 'surprises' to maintain my desire to find out what would happen next. Visually I tended to find there was rather more use of distorting lenses in the cinematography than I am used to (or, personally, comfortable with), but having said that I can also see why their use may be reasonably justified. Fairly understated but nonetheless enthusiastic performances from most of the actors and actresses. Definitely well worth the time spent watching.

I noticed this movie scheduled on TV in a time slot that, shall we say, is not where you find blockbusters and Oscar winners. I was intrigued by the widely disparate opinions here on IMDB, so I gave it a watch. Outwardly, it's very much like 500 Days of Summer, from a decade before, in that it jumps from milestone to milestone, and into fantasy, as the protagonist sincerely tries to make his love life work. It is full of cute touches and situations that make it look like the kind of movie Hollywood markets to couples, but I'm glad that I saw it alone because it digs a little too deep into the issue of human nature, raising questions that I think most couples like to leave unasked for the sake of smooth sailing. Maybe that unsettling aspect is why the film didn't exactly catch fire at the box office. I think it's a creditable job of work, though.

I think this film may not cross water - the Americans won't get the humour, and the Europeans will be wondering why we have to work so hard to get in to bed with each other (its why there are so many drunk British people in Spain, we can't do it sober).

There are two aspects of the film which bring it to the top of the pile - the script and the cinematography. The script is not just tight and well-timed; its storyline is a fairly accurate, almost forensic, depiction of why we keep screwing up in relationships (that's a British 'we' of course). The imagery is fantastic, a clever mix of interesting/beautiful angles and variously styled animated sequences.

The acting is good but not great, but perhaps that was an implicit theme within the film...very clever.

Four stars because Brendan Patricks is cute; this character could easily be EXTREMELY annoying, but he never is, not for one second.

The theme park gimmick is sort of clever, and the red boots are hilarious. I laughed out loud. Otherwise this movie is mostly tiresome and occasionally irritating - especially the WAY-TOO-LONG final section with Naomie Harris.

But then I'm gay; I like women, and I admire them a lot, but the notion of being attracted to them sexually is weird. I can usually get around that hurdle when watching straight movies, but for some reason I couldn't with this one.