Lügen macht erfinderisch

I was pleasantly surprised by this film. From a simple premise as "lying doesn't exist" it develops into a thoughtful tale with a touch of satire. On the one hand it exposes early on the basic first impressions we all have of each other and of situations we find ourselves in. On the other, it touches on the importance of being honest about what we know and especially honest about what we don't know.

I could examine all the inconsistencies inherent to a concept like this. One would think that without the concept of duplicity, we should be far more advanced than we currently are. One would also think that without lying, there would be no imagination and therefore very few scientific discoveries and advances. The story requires that you don't think about that too much, just to enjoy the script as it moves along.

Gervais carries the film along as planned, in his quiet, self-effacing way. The humor won't have you rolling on the floor, but the frankness of the casual insights should make anyone snicker with self-awareness at the truth of it all.

Started off is if it's going to be one of the best. But, maybe, it was improperly executed. No doubt, here were some good comedy moments. The concept was good but it took the wrong way. It's just a sad story with happy ending. A story which revolves around one clever man and rest all a bunch of dumb people. Could have been a lot more interesting with this super power.

"The Invention of Lying" begins with a series of truths, which in our world today nobody says because, well, we can lie, but in this world nobody can. It's funny in a very basic way, and it gets old quick. But then, Ricky Gervais discovers how to lie.

Along with Gervais, we learn a lot about society, and we see all the inherent humour. This humour actually has a fair number of levels to it. On one level, humanity is very base, but the great thing about lying is that we actually get to a level where we can find the good in people. This movie is for everybody who has ever been called short, fat or ugly, and for all those people who see that it's always the good looking people who get everything they want in the world. But Gervais is now here to stand up for us, and just let us laugh.

"The Invention of Lying" is filled with one-liners, intelligent wit and the ultimate truth to our world. It's also filled with many recognizable actors, all there to make the movie shinier and brighter. Jennifer Garner at one point tells our hero, "I like the way you see the world." Well, so do I, Mr. Gervais, so do I.

Review:

I like comedies like this. They don't rely on big budgets or snide, lowbrow humor. They get by on wit alone. "The Invention of Lying" (2009) is about just what the title says its about. It takes place in a universe where lying simply does not exist. Everybody says what is exactly on their minds all the time. For instance, when Mark Bellison (Ricky Gervais) picks up Anna (Jennifer Garner) for a first date, she promptly tells Mark that he's short, unattractive, and she's not looking forward to this date.

This is a universe peopled with trusting citizens. Skepticism does not exist. Nor does naïveté, because in a world where no one lies, there is nothing to be naïve about. If you are fat and dumb you are called fat and dumb by whoever is thinking about you.

And so we follow Mark Bellison throughout his sad daily routine. He is fired from his job as a screen writer for a movie company that produces feature length films of people reciting history, because fiction is a lie of course. His secretary (Tina Fey) admits she has loathed every day she works for him. He visits his mother at a nursing home, otherwise known as "A Sad Place Where Homeless Old People Come to Die." And finally his landlord evicts him.

When Mark goes to the bank to take out the last $300 in his account sparks fly in his brain. He lies to the bank teller saying he actually has $800 in his account. She gives him the money and Mark wakes up to the power of his new discovery. He has invented lying.

In one hilarious scene, Mark tests out his new powers on his barfly friend and a bartender, claiming he invented the bicycle and a slew of other outrageous assertions. The bartender and barfly believe his every word.

The most interesting aspect of this movie is its implications for religion. When Mark's mother is dying at the "Sad place…" she confides to her son that she fears the nothingness of death. Now, capable of lying Mark tells his mother that when she dies she will be in a good place with her own mansion and everyone she ever loved. In effect, Mark creates the notion of heaven. A doctor and nurse overhear this description and believing him, they spread the word of Mark's revelation and soon he becomes an international prophet. This whole premise is hysterical and actually somewhat subversive.

But eventually the film changes gears and becomes more of a rudimentary romantic comedy with Mark trying to win the heart of Anna without having to manipulate her with lies. She, of course, doesn't want Mark because he wouldn't be a good genetic fit for her children. Anna prefers the handsome and narcissistic Brad Kessler (Rob Lowe). While this story line is still funny, I preferred the religion plot more and wish they had followed it deeper.

"The Invention of Lying" is getting at something though it doesn't state it explicitly. Instead of an analysis of the negative or positive effects of lying, it is really a study of the various layers of truth embedded in all things. Admittedly, I didn't like the romantic story, but I did appreciate Anna's realization that truth cuts deeper than superficial, initial reactions. Anna never discovers what lying is, but she does find that truth is not immutable. The truth changes as we change.

Rating:

On a scale of one to Casablanca, this film is a "Oh, God!" (1977).

Rationalization:

This film is more like a comedic episode of the Twilight Zone than a typical comedy. I always find it impressive when a film digs deeper than it has to, no matter how slight that extra digging may be. "The Invention of Lying" is well done, enjoyable, and funny. By the end of the film you know why there are so many notable cameo parts for so many big name actors. Everyone wants to help a comedy like this. Ricky Gervais has proved his staying power as actor, writer, director in England and now he seems to be working on America. To him, I say 'Godspeed.'

Ricky Gervais writes, directs and stars in this high concept romantic comedy about a schlub living a sad life in a universe where no person can tell a lie. He becomes the first man to say something that isn't true, and thus is able to become rich and powerful. He can even finally come close to attracting Jennifer Garner, a woman he's had a crush on for a long time. Things go awry, though, when he makes up a story about an omnipotent man in the sky and a happy afterlife to comfort his dying mother. The premise is interesting, but pretty thin. The world created is so unbelievable and the characters so far away from what we know as human that, especially in its final act when it tries to get dramatic, you can't come close to investing in it emotionally. However, the gags are often hilarious, and the cast is quite good (besides its stars, it also has Rob Lowe, Tina Fey, Louis CK, Jonah Hill and Jeffrey Tambor, with some really fun cameos by Philip Seymour Hoffman, Jason Bateman and Edward Norton). This isn't anywhere close to the previous year's Gervais vehicle, Ghost Town, which I think deserves to be something of a minor classic in the romantic comedy genre, but it's well worth a rental.