IMDb-BEWERTUNG
5,7/10
1700
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA femme fatale fashionista at a trendy design school embarks on a brutal and bloody killing spree, while gleefully evading the hapless cops assigned to the murder cases.A femme fatale fashionista at a trendy design school embarks on a brutal and bloody killing spree, while gleefully evading the hapless cops assigned to the murder cases.A femme fatale fashionista at a trendy design school embarks on a brutal and bloody killing spree, while gleefully evading the hapless cops assigned to the murder cases.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Ángel de Andrés López
- Inspector
- (as Ángel de Andrés)
Eloi Yebra
- Chico Jardín
- (as Eloy Yebra)
Empfohlene Bewertungen
This is the movie that would have resulted if a Spanish fashion designer had adapted American Psycho whilst on acid. Full of jokes and nods to the genre (not all of which work), but this is still well worth a watch.
Having overheard him talking about cutting up bodies, sexy serial killer Bárbara (Macarena Gómez) gets the hots for pathologist Álex (Alejo Sauras), believing him to be a kindred spirit. Álex, blissfully unaware of the lovely lady's true nature, is more than happy for the attention, but his life gets a whole lot more complicated after he tests his experimental brain impulse decoder on Bárbara's victims in an attempt to discover the killer's identity: the machine has the unfortunate side-effect of bringing the dead back to life as ravenous zombies!
Sexykiller, from Spanish director Miguel Martí, definitely doesn't have any lofty pretencions: it simply wants to be a whole load of schlocky fun for the midnight movie crowd—and in that it mostly succeeds. From opening immediately with a changing room scene full of hot Latino girls in various states of undress, to breaking the fourth wall by having sexy psycho Bárbara talk to the viewer, to impromptu song and dance routines, to the sudden switch from serial killer flick to zombie movie, to the copious amounts of gore, there is plenty here to lend the film cult appeal. Director Marti does seem to be trying just a little too hard to please at times, some of the morbid humour and absurdist elements feeling a bit strained, so the film is probably best watched with a few cervezas in the belly, when it's easy to be more lenient about such things.
Sexykiller, from Spanish director Miguel Martí, definitely doesn't have any lofty pretencions: it simply wants to be a whole load of schlocky fun for the midnight movie crowd—and in that it mostly succeeds. From opening immediately with a changing room scene full of hot Latino girls in various states of undress, to breaking the fourth wall by having sexy psycho Bárbara talk to the viewer, to impromptu song and dance routines, to the sudden switch from serial killer flick to zombie movie, to the copious amounts of gore, there is plenty here to lend the film cult appeal. Director Marti does seem to be trying just a little too hard to please at times, some of the morbid humour and absurdist elements feeling a bit strained, so the film is probably best watched with a few cervezas in the belly, when it's easy to be more lenient about such things.
SEXY KILLER is a one-of-a-kind Spanish production that tells the story of the titular character, a female serial killer who goes around bumping off everybody who falls foul of her. The story is told in a light-hearted and jokey way despite the copious amounts of spraying bloodshed and gore, with the star frequently breaking the fourth wall of cinema by turning to address the viewer.
It's a simplistic tale but a madcap one, packed with high energy. The narrative is jiggled with so that various parts are told in flashback, perhaps to hide what would otherwise be a predictable tale. The main issue I had with it was that I found chief actress Macarena Gomez's acting to be a bit lacking and her character to be entirely unsympathetic; if they'd somehow managed to make the killer a likable creation then this would have been a lot better.
Still, things do pick up in the second half, with a twist in the story bringing zombies to play, and then we get some BRAINDEAD-style mayhem in the big climax. Horror fans will enjoy the many and frequent references to classics of the genre, but make no mistake, this is a simple black comedy done up to look like more than it is.
It's a simplistic tale but a madcap one, packed with high energy. The narrative is jiggled with so that various parts are told in flashback, perhaps to hide what would otherwise be a predictable tale. The main issue I had with it was that I found chief actress Macarena Gomez's acting to be a bit lacking and her character to be entirely unsympathetic; if they'd somehow managed to make the killer a likable creation then this would have been a lot better.
Still, things do pick up in the second half, with a twist in the story bringing zombies to play, and then we get some BRAINDEAD-style mayhem in the big climax. Horror fans will enjoy the many and frequent references to classics of the genre, but make no mistake, this is a simple black comedy done up to look like more than it is.
What starts off as a slasher parody ends up as a zombie movie going through a morgue and Re-Animator phases. The first couple of minutes of Sexykiller are quite charming as a slasher threatens a campus. Early on we find out that the slasher is a girl named Barbara, a medical student. Her dog is names Jason- just one of the many horror movie references- and when the dog is run over, she grabs the driver and proceeds to tell us how she ended up being a killer. At that point things go downhill quickly. The parody is piled on exaggerated strokes, the cast starts breaking out in song, there are infomercial parodies, it goes on and on, we find out a bit about her childhood and teen years. Cops arrive to investigate the crimes. Two other students created a device to visualize people's dreams and also serves to show what a victim saw during their last minutes. They hope to be able to catch the killer that way.
Barbara and one of these guys fall in love but don't express it till later. Meanwhile, the guys realize that their device when used on the dead, brings them back to live and turns them into zombies. Throughout the movie no one realizes that Barbara, who is not all that subtle about her murderous inclination, is the killer. Fortunately the parody elements slowly fade away and the movie becomes more of a good comedy with serious horror elements.
Overall, the script is smart, the parody is not all funny though. It becomes a bit funnier once it settles for comedy. The movie is gory though, and if this crew would have gone for a straightforward horror movie or a mild horror comedy, they could created a pretty good movie.
Barbara and one of these guys fall in love but don't express it till later. Meanwhile, the guys realize that their device when used on the dead, brings them back to live and turns them into zombies. Throughout the movie no one realizes that Barbara, who is not all that subtle about her murderous inclination, is the killer. Fortunately the parody elements slowly fade away and the movie becomes more of a good comedy with serious horror elements.
Overall, the script is smart, the parody is not all funny though. It becomes a bit funnier once it settles for comedy. The movie is gory though, and if this crew would have gone for a straightforward horror movie or a mild horror comedy, they could created a pretty good movie.
This movie materializes the ultimate definition of a crowd-pleaser. I watched "Sexy Killer" in a practically sold-out theater at the Brussels International Fantasy Film Festival and the whole audience literally went out of their minds with enthusiasm and delirium. This is a pleasantly deranged, no-barrels-held, unscrupulous and 100% original miscellany of bloody horror and vulgar comedy; easily the most flamboyant movie of its type of the last 10 years or so. Many movies ambitiously try to mix horror and comedy ingredients but miserably fail, whereas "Sexy Killer" succeeds without seemingly too much efforts. I won't claim all gags and comical references are equally triumphant, but generally speaking this Spanish movie from director Miguel Martí ("Fin de Curso") and writer Paco Cabezas ("The Appeared") is a genuine winner and I hope it will find popularity and distribution outside of the Festival circuit as well. The main trump of the film is undoubtedly lead actress Macarena Gómez and her unique depiction of the eccentric yet lovable protagonist character Barbara. She's a medical student with the vanity and obnoxious ego of Paris Hilton and the homicidal tendencies of Ted Bundy. Barbara addresses to the camera and explains in great detail how she commits the murders and why (kind of like in "Man Bites Dog" but even sillier) and she considers herself to be a very normal twenty-something girl with normal needs and desires. She doesn't even need to cover up her serial killing crimes, because who would ever suspect a cute, fragile and cherubic looking student like her? But then our serial killer queen falls in love, and her brainiac-boyfriend just invented a device that brings all of Barbara's murder victims back to life as vengeful zombies. Will she be stolid enough to kill them all again and live happily ever with her boyfriend? Miguel Martí and Paco Cabezas are obviously two completely horror-obsessed geeks, as they processed a massive number of tributes, inside jokes and references towards several classics of the genre into their screenplay. The fact they couldn't decide to make a serial killer movie or a zombie flick and then simply combined the two themes into one demented movie should already say enough about their devotion to the world of horror. "Sexy Killer" is an unceasingly entertaining movie, with colorful characters and typical horror clichés that are deliberately magnified to emphasize the comedic effect. There's the stalk-and-slaughter scene at the girls' locker room at the beginning (with a fantastic twist), the zombie resurrecting sequence at the morgue, the fraternity house party turning into a bloodbath near the end and much, much more! The gore effects are explicit, the sleaze is gratuitous and the humor is often crude and tasteless, but yet this movie remains accessible and hilarious at all times. See this film, if possible with friends and a truckload of alcohol and you will have a guaranteed blast.
Wusstest du schon
- WissenswertesBárbara's second surname is "Mata" (Bárbara Ruiz Mata). "Bárbara Mata" means "Bárbara kills" in Spanish.
- PatzerThe Neural Impulse Decoder misspells "connecting", showing on-screen text "conecting" instead.
- Crazy CreditsDuring the end credits we briefly see Tomás waking up with the "Neural Impulse Decoder" on his head.
- VerbindungenReferenced in Bad Movie Beatdown: Scissors (2012)
- SoundtracksYeah Yeah!
Performed by Ernesto Sánchez
Produced by Ernesto Sánchez
Warner Chappell Music Spain
Courtesy of Actúa Recordings 2008
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- Weltweiter Bruttoertrag
- 377.401 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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