Goemon

I got this movie couple days ago on Blu-ray, and I must say it is so amazing. Excellent mix of CG animation. There are also my favorite Japanese actors in this movie, it was great. I've got feeling like playing some samurai video games while I was watching it. Also, the soundtrack of the movie is just great! I don't know why people talk bad things about this movie! Action scenes are awesome. There is also K-1 fighter Choi from Korea in this movie.....If you like ninja and samurai movies, I think you will be satisfied. To me this is great mix of fantasy and action. And one of my favorite fantasy movies of 2009. 10/10

Goemon proved an Asian box office hit on its cinematic release. Helmed with a bold fresh eye for visuals by Casshern director Kiriya Kazuaki, Goemon is a multi-layered historic action epic tinged with fantasy and impressive swordplay. With elements of Western legends such as Robin Hood and the mythical Pandora's Box thrown in, Goemon is ultimately the story of one man's battle with his need to be free and his destiny.

The film perhaps would've been better in two parts, or even as a trilogy, to allow time to completely unlock each integral character's own story and ambitions.

Goemon is a stunning visual treat, but too convoluted in essential plot points. Undoubtedly watchable, it falls short of the epic it wants to be by simply trying much too hard. JM

Like I was, maybe you aren't expecting much more than a flashy fantasy action flick to dazzle a few brain cells for 2 hours. Certainly the DVD cover, the IMDb description, and the first 15-20 minutes of the film fulfills that expectation: we get a lot of action sequences following our hero Goemon, the legendary 16th century Japanese Robin Hood character, as he performs rapid fire feats of martial arts & agility that would make Superman turn in his cape. (Aside: we'll talk about the controversial cgi in a minute, let's focus on story first.)

But what begins as a seemingly predictable comic book tale of good vs evil becomes a much more complex epic saga, as characters' loyalties and motivations change, as secrets are revealed, and as the characters themselves evolve and question their own actions, showing us that this is far more than a mindless good vs. evil tale. I won't ruin who's-who, but I'll say by far my favorite character dynamic is the complex relationship between Goemon and his antagonist Saizo. At first it seems like a straightforward hunt to the death, but buckle your seatbelt because it has a lot of unexpected twists & turns, culminating in an awesome, climactic scene.

Similarly, as the story twists & turns, the it takes on the air of a political thriller where the answers aren't as simple as you'd expected. Don't worry if you're not up to speed on 16th century feudal Japanese politics: the power struggle is frighteningly familiar and applicable today, 500 years later. Of course don't let the political angle scare you off, because it's still rooted in action/fantasy with plenty of eye candy visuals if that's all you want.

Which leads us to the controversial use of cgi... Yes, there's tons of cgi, and yes the film was made in 2009 when cgi wasn't very realistic looking. So you might find yourself distracted by the video game look of the action scenes. But I think the video game look is exactly what the filmmakers were going for. But in this film's defense, it was a bold stylistic choice in league with other heavy-cgi flicks like "Sky Captain" (2004), "Sin City" (2005), or the French flick "Immortal" (2004), which were the first films to depart entirely from traditional location filmmaking techniques in favor of green screen and post production. Here in "Goemon" we have a similar hyper-stylized look that's not necessarily supposed to seem realistic, and that could be a plus or a minus depending on how you like your flicks.

The bottom line is that the story and character development, not the look, is what really impressed me about "Goemon". It raised this seemingly simple action romp to an epic scale. In that respect (not visually) I would compare it to Zhang Yimou's "Hero" (2002) another surprisingly complex story proceeding from the simple premise of an assassin sent to kill a ruthless Emperor.

I saw the movie in a private preview so it might have technically gotten even better since then or the web trailers.

Actually, I am glad that the web trailer is nothing revealing. Let the people get the real thing where they should get it: in the cinemas. I rather hate those movies that pack the trailer with best they have and then there's nothing left than those 30 seconds of glory.

A pity I can't talk about the story to avoid spoilers, at this time I would just explain why it was excellent for me:

*the way Kiriya re-wrote this little piece of history and made a great thing out of it and one worth watching in a movie.

*it has anything that a blockbuster shall have but keeps a pure and decent heart and yes, done at an extremely low budget under one million $.

*the CG is (in my opinion) not intended to look like Iron Man Hollywood stuff but rather like Final Fantasy and I really hope people not being snobs about this because this is not the point. Besides, I never felt that the CG isn't good or not good enough, I didn't even feel it was a CG because the story moves on so fast and takes you in its stream, you don't have the time or need to think twice.

*there are no gaps and goofs or illogical actions in the story line

*the style is very solid: the mix of Asian/Western costume design or architecture is continuous through the entire movie and nothing looks like a mistake or an accident or bad taste. The mix of true historical elements and modern elements (dance, etc) keeps things real while traditional elements (like the firefly) constantly remind us it's also a fairy tale that we are watching.

*you will get to see all martial arts you would dream of and better than that though you will not get tired with repetitive & unnecessary war/fight scenes.

*the cinematography is amazing at all times thanks to the elaborate costumes and architecture but the way that camera moves is one of the best new things too.

*all actors match their roles, great casting and especially the lead actor Eguchi Yosuke is so universally good, he could stand right next to Johny Depp in let's say Pirates of the Caribbean and be as good at it. By not looking extremely Asian, he could be a Latino, European, someone rather easy to identify with for the rest of the world besides the Japanese viewers. Hirosue Ryoko is also a wise choice and quite familiar to us from her earlier international hit Wasabi or the recent Academy Awards winning "Departure"(Okuribito)

Last I shall say, I'm not that much into (Japanese) directors trying rather desperately to impress the (Western) world through their forced/artsy/bloody/cruel/avant-garde/decadent/sexual stuff, I think a nicely shot good story is what we all badly need and this is the hardest part of it to get a thing that will improve human race. I am convinced that Goemon will do.

Mention Kazuaki Kiriya, and Casshern inevitably comes to mind. After all, that's the only feature film he had done since, and it comes with plenty of CG used to create backdrops which no longer existed, and effects used to overload the senses, making what's on screen seem very much like a computer generated comic book, with characters possessing superhuman prowess that are of course second nature since nothing is impossible in the virtual world. I had the opportunity to view this film on board an airplane, but it's a good thing I held out in the hopes that it'll make it to the big screen here, since Kiriya brings back the same technical formula for the telling of his tale of legendary ninja bandit Goemon Ishikawa.

Played by Yosuke Eguchi in the titular role, the folklore of Goemon is just like that of Robin Hood, where a man of nobility becomes the bandit of the land, robbing the rich and distributing the wealth obtained to the poor to ensure the narrowing of the rich-poor divide. With each retelling the legend just grows, so much that there's no more a definitive version of the story, but stories which build upon one another to bring out the flavour and characterization of a known hero in 16th century Japan, where feuding warlords ensure that peace is but a buzzword of a promise yet to be fulfilled to their people. This of course allows Kiriya to heap on loads of artistic license in his tale, which is relatively complete with an origin story, political intrigue, a romance and plenty of fight sequences which will make the action junkie in you whoop for joy.

Which of course is the mainstay for anyone who's watching this. Almost all the battle sequences here are far out and CG enhanced with steroids, ranging from huge armies squaring off, or individual one on one battles with out of this world weapons and moves, reliant on dizzying camera work to bring out the dexterity of the combatants, that you're left gasping for air sometimes as it loops all around the action. If there's a minor gripe, then it'll be moments where such powers get forgotten, which of course helps the narrative at its convenience, otherwise we'll be faced with an indestructible superman that will make it rather boring.

Themes of friendship, loyalty, betrayal and vengeance become staple in this period fantasy film, especially when we learn of Goemon's allies, which include his ninjitsu peer Saizo, played by Takao Osawa whom I thought resonated more with the story given the plight he got put through. Also, the episode with Saizo highlights how Kiriya focused a little more on the emotional aspects of the characters involved in its more dramatic moments, and the writer-director's knack of fusing together historical events (such as the Battle of Sekigahara and the ascension of the Ieyasu Tokugawa) and personnel into the narrative, making it a richer experience for the audience, and lending itself some grandeur in terms of epicness

Despite clocking slightly over two hours, there are enough twists and turns here given changing loyalties, and supporting role appearances by other legendary characters such as Hattori Hanzo (Susumu Terajima) the famed swordsman. Ryoko Hirosue has a flower vase role here as the love interest of Goemon who decided to do a noble thing of being sacrificed as a concubine of the deranged warlord, but does little else other than to continue reminding Goemon how infatuated he is with her.

The initial moments do require some getting used to as the visuals are built upon CG created landscapes, but it'll soon build on you that without which a film like this could probably not be easily made. It's Kazuaki Kiriya's signature visual style, and I had enjoyed Goemon very much so when it found some balance between its action scenes, and its dramatic moments. Just so you know if I have to choose my favourite fight sequence, it'll have to be Goemon and Hattori's duel in the last act, which showed why one is master over the other.