IMDb-BEWERTUNG
6,9/10
1007
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA native Javanese boy and a mixed-Dutch girl fall in love during the early 20th-century colonial turbulence in Dutch East Indies (now Indonesia).A native Javanese boy and a mixed-Dutch girl fall in love during the early 20th-century colonial turbulence in Dutch East Indies (now Indonesia).A native Javanese boy and a mixed-Dutch girl fall in love during the early 20th-century colonial turbulence in Dutch East Indies (now Indonesia).
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- Auszeichnungen
- 6 Gewinne & 36 Nominierungen insgesamt
Empfohlene Bewertungen
When I heard Hanung Bramantyo adapting Pramoedya Ananta Toer's classic literary work "Bumi Manusia", I was curious, before watching the film I took the time to read his book in preparation. The film trailer also looks promising. But after watching this film for the duration of the film 3 hours I think director of this movie still confuse to cut scenes from scenes in the book so it feels rough, Robert Mellema miscast and using contact lense doesn't look good either, the supporting cast of Westerners looks stiff. Some dialogue feels forced. For the details of the colonial era atmosphere such as steamship, steam train, I admit it is quite match for what i imagine from the book to tell the atmosphere of Indonesia at the end of the 19th century, although it still miss some details of fashion and hairstyles. The cast of Maiko, although its appearance was only briefly managed to steal the attention. The strength of this film's acting relies on the two main actors Minke (Iqbal) and Nyai Ontosoroh (Ina Febriyanti) who are also unable to save the quality of this film whose plot is loose here and there. Unfortunately. Hanung Bramantyo set main focus on the romantic drama scene and forget about the other values that wanted to be conveyed in "Bumi Manusia" to make it the most "Down-to-earth" novel that almost brought Pramoedya Ananta Toer to a noble prize.
In general, the script is strong, it can keep the audience watch up to 3 hours. Acting wise, the connection between Iqbaal and Ine is extraordinary; Kelly Tandiono's cameoship is nice, but Christian Sugiono's is a waste. Annelies' transition from weak to strong is not vey smooth. Suurhof character is underdeveloped. But overall it's enjoyable. Good Job!
I don't think this movie got much coverage in The Netherlands at the time of its release, but it was mentioned recently in the context of annual Aug 15 commemorations (ending of ww2 in the Pacific). There's growing awareness of the suppressed and even invisible position of many njays, who mostly came from poorish, islamic rural communities. Only after 1910 Dutch law allowed mixed marriages and legalisation of their children. My greatgrandmother was a njay, and just seeing a story dedicated to that period, and all racial complexities in colonial daily live, makes this a worthwhile movie . Even though there are some strange turns in the plot and too much romantic drama..
Bumi Manusia, adapted from Pramoedya Ananta Toer's celebrated novel, is a visually stunning and heartfelt portrayal of love, resilience, and identity against the harsh realities of colonial Indonesia. Directed by Hanung Bramantyo, the film captures the essence of a complex period, blending romance with social and political themes in a way that honors the source material's spirit.
Iqbaal Ramadhan impresses as Minke, portraying the young Javanese man with sensitivity as he struggles to define his identity amid colonial oppression and personal challenges. Mawar de Jongh, as Annelies, brings depth to a tragic character, and their chemistry adds warmth to the otherwise intense narrative. The film's cinematography beautifully showcases both the elegance and the struggles of early 20th-century Indonesia, making each scene feel authentic and immersive.
While Bumi Manusia succeeds in capturing the emotional essence of the story, it sometimes feels weighed down by its pacing, and certain elements may feel rushed for those familiar with the novel. However, for viewers who appreciate historical dramas with emotional depth, it's an evocative journey worth taking.
Bumi Manusia is a powerful adaptation that blends romance with historical and cultural identity, offering a moving portrayal of Indonesia's past. A must-watch for those who enjoy stories that explore love, resilience, and self-discovery.
Iqbaal Ramadhan impresses as Minke, portraying the young Javanese man with sensitivity as he struggles to define his identity amid colonial oppression and personal challenges. Mawar de Jongh, as Annelies, brings depth to a tragic character, and their chemistry adds warmth to the otherwise intense narrative. The film's cinematography beautifully showcases both the elegance and the struggles of early 20th-century Indonesia, making each scene feel authentic and immersive.
While Bumi Manusia succeeds in capturing the emotional essence of the story, it sometimes feels weighed down by its pacing, and certain elements may feel rushed for those familiar with the novel. However, for viewers who appreciate historical dramas with emotional depth, it's an evocative journey worth taking.
Bumi Manusia is a powerful adaptation that blends romance with historical and cultural identity, offering a moving portrayal of Indonesia's past. A must-watch for those who enjoy stories that explore love, resilience, and self-discovery.
I read the novel first so i would not misunderstood this well-known masterpiece since i found out it was Hanung as director. I can imagine Hanung always makes his movies from characterization to scoring a little too sinetron-ish. Shoot technique is mediocre. It didn't make sense when Mellema get mad to Ontosoroh when she found out the truth about Mellemas legal wife, the book told the situation the other way. Bupati B, Maiko, Robert Mellema were going too extra. The truth is bupati B never whipped Minke, Robert is not even that rude to Nyai Ontosoroh, Maiko is too evil here. Too many things going sinetron-ish. Wish Kamila Andini would have had her own version, i'm sorry Hanung.
Wusstest du schon
- WissenswertesBased on best selling novel by Pramoedya Ananta Toer with the same title
- Crazy CreditsAs with The Fugitive, the Indonesian national anthem appears before the movie begins.
- VerbindungenReferenced in Taisho Otome Otogi Banashi: Yuzuki Arrives (2021)
- SoundtracksIbu Pertiwi
(uncredited)
Performed by Iwan Fals, featuring Once Mekel and Fiersa Besari
Courtesy of Falcon Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- This Earth of Mankind
- Drehorte
- Surabaya, East Java, Indonesien(on location)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000.000 IDR (geschätzt)
- Laufzeit3 Stunden 1 Minute
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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