Woodstock Villa

Sikander is new, and so is Neha. We gotta take it a bit easy on them, come on people. Sikander didn't act bad, and neither did Neha! Of course it's a different thing than Arbaaz Khan doesn't know acting... The storyline wasn't bad...but the soundtrack was humiliating, no doubt. Woodstock Villa, the opening of Sikander and Neha to Bollywood, is, overall, a treat to the eye and the ear. The small twists were little bit expected, but the overall effect was surprising still. If you take my opinion, then if you like movies which pass your time easily, and have a bit of thrill and suspense in them, then go for it. A brilliant cinematography, choreography, beautiful editing and a good production and direction will leave a good impression. The strategy of the whole storyline is good. 6/10 - not a bad start for both the newbies. After all, Times of India gave it a *** and a half...Can't be that bad can it, when Jannat and Bhoothnath got a ** and a half each? Hoping for something better from both next time. Nice try Hansal. Not a bad shot.

The best thing about director Hansal Mehta's Woodstock Villa is that it's only about an hour and a half long. And for the first hour and fifteen minutes, nobody knows what's going on in the film. Nobody but the characters in the film, I presume.Sitting there in my seat I felt like I was being repeatedly stabbed in the eye, blinded by the saturated tones, the zip-zap editing, the crazy camera angles and generally by the filmmaker's irritating attempt to show off with stylish technical gimmickry. How you wish he'd paid as much attention to his wafer-thin plot.Without going into too many details, let me just say the film centres around the kidnapping of a successful businessman's wife and the ransom demand that follows. The kidnapper, one later discovers, may not be calling the shots in this operation after all. Woodstock Villa is one of those films where nothing is what it seems, it's a story of cheating spouses, double-crosses and mistaken identities. Constructed from a screenplay that's full of little holes, the film trades common sense for convenience. And as a result, you find yourself gasping in disbelief at the half-dozen or so slip-ups in the plot. It's the kind of film where cops talk in riddles, and Sanjay Dutt pops up in a pop song for no reason at all. It's the kind of film that thinks adultery and murder are the most lethal ingredients for a tight thriller.On the upside, debutant Sikander Kher delivers a confident performance as a morally questionable lothario caught in a web of deceit. He has an engaging presence and impressive dialogue delivery. Now if only he'd chop those long tresses and take a nice, clean shower. His co-star newcomer Neha Uberoi is easy on the eye, and fortunately is not expected to perform any acting histrionics. Arbaaz Khan, as the businessman whose wife goes missing, turns in a competent performance. Much like Rise and Fall, the short film he co-directed with Sanjay Gupta for that anthology of shorts Dus Kahaniyaan, Hansal Mehta's Woodstock Villa too suffers from the same disease - it's all style and little substance.Watch if you have time to spare, it's not a film I can recommend strongly

I saw this movie only because it was a White Feather Production whose previous film Dus Kahaneeyain was a good film(considering all ten stories). It's coming up with new ideas which have never been applied in Bollywood, plus 'The Great Indian Butterfly' and 'Pankh' also look very good in the trailers.

But this film was really a disappointment, the new actor Sikander Kher, son of Anupam Kher really dint act well nor did any one else and even the soundtrack is pathetic. The only reason that one can sit through the film is because it's not slow and second that the storyline is not all that bad, mildly predictable but bearable.

A loose story with twists which though intended to bring out awe and thrill instead just ends up disgusting the audience with a senseless and illogical plot. It all starts with a business man played by Arbaaz Khan getting a call from a kidnapper demanding a ransom of 50 lakhs to free his wife . Later revealed that it was a setup by his wife to test the loyalty of his husband planned with a protagonist played by Kher who she befriends in a bar . Seems to be an ordinary story until the time all those twists are un-curtained which sound way to far fetched and completely put off the audience off to an extent level that you just want to leave the movie midway.

With this one "Bollywood" has once again proved it keeps on wasting lacs of money to introduce youngsters who can't act, can't dance, don't even look good and most unluckily aren't backed up by good storyline. I went to the theater with lot of expectations from Sikandar(Unfortunately I never saw him in the newspaper, magazines) who is related from the family of great names like Anupam Kher and Kirron Kher. In the end I could only say if you don't have a good face for Hindi movies you must know how to act and how to dance (Unfortunately, my dear, Sikandar, you know nothing of them!!). The whole story is based on a kidnap/murder, which is rather comical than being a thriller. The music scores are pathetic and I must add the songs are not required in the movie at all. And specifically I just don't want to discuss about the storyline because there wasn't any real story behind, it's all real CRAP!