Life Blood

After dying and coming back to life as vampires, two women try to control their advanced powers in a new world but can't escape their pasts as they threaten their secret life and their friendship and forcing them to choose life or death.

Overall, this was a pretty decent and enjoyable if slightly flawed vampire effort. The main thing about this one is the fact that it tends to take an entirely different take on the genre which is not only wholly original but helps this one immensely by allowing this to take a different route through the story. By making the change occur as a result of a cosmic gift rather than a viral infection to be spread through neck-bites or blood-drinking, there's a different ethereal feel to them and how they go about being involved in the different confrontations takes a rather unusual turn here by keeping the remaining qualities of the creatures intact beyond this one simplistic change. That allows for some great moments in the diner where those powers are put into effect as there's the being impervious to bullets which makes for a fine shoot-out against the hapless officer, the superhuman strength which makes for quite an interesting brawl mid-way through where they get slammed through the surroundings to the point of breaking a normal human to pieces but they survive to continue the fight and even the burning of the skin due to the sunlight so there's the suspense of barricading themselves inside and how long that can work. As well with the plentiful and abundant nudity, these make up for some rather good times but it does have a couple problems with this. The most significant is the fact that the entire film is mostly centered around the diner so it feels way too stagnant and doesn't really seem like it actually does anything here which is quite troubling by letting scenes just go on and on just to eat up time. The fighting between the two is hardly all that original or interesting and these scenes are just maddeningly endless where one wants to exploit their powers and the other is trying to get her under control so they can utilize their powers for the better of their lives, and considering the amount of struggle that went into letting the one get imbued with those vampiric powers that really should've been seen coming quite early on so that kinda takes away from the burgeoning need to have to do that the film is clearly building towards. This does lead to a rather anti-climactic finale since it was clearly set-up from the beginning yet there's nothing really surprising about it, and when combined with the other flaws is a little disappointing.

Rated R: Graphic Language, Continuous Nudity, Graphic Violence and mild drug use.

This film is an example of how independent film is unafraid to take an original and interesting plot and put it to use.

Notice, I never said, good use? Well that's because here it wasn't put to good use.

Rhea and Brooke are two lesbians on their way, somewhere which is never explained, after an incident at a swinging sixties new years eve party. The incident is committed by Brooke and is something that leaves Rhea on a heightened edge of panic. The lord comes down to Rhea and informs her she is a chosen one, an angel, sent to protect the world from true evil, by killing to survive.

There is the original plot. And the film gets dumber and dumber after that. The plot is weakened to the point of nonexistance as the film progresses with the murders on screen unimpressive and bland.

There is nothing to keep the viewer guessing or on the edge of their seat as the ending is so obvious from the second they transform that you could beat someone over the head with it.

The worst part is you couldn't care less what happens to either character. Despite Anya and Sophie's mediocre performances the film still stalls at boring and a snoozefest to those watching.

I would not recommend watching this film unless you are a fan of any of the actor's involved as it is a very horrible film. I also know fans of actors are willing to sit through much worse to see their favorite stars on screen. This is one of those films! Very disappointing film.

Yes it starts off a little slow and seemly nothing to do with Vamps...but wait...you will forgive that later.

One of the best vampires movies I have seen...starts a little slow but its worth the wait to see the blond react to her new way of being. Don't let the lesbian stuff at the beginning trick you...the writing is superb...

I really believe the blond loves what she has become. I can't recall at this time another vamp movie in which I have seen a predator play with its prey in such a realistic manner. That in itself is worth the time to give this flick a chance...this movie has so many other ways to go at the end...I believe this one will be a big deal when it hits the Horror fest in October...

I want to see another one like this!

This "film" was made for people who were severely, nay - obsessively, disappointed that there wasn't more lesbianism on "Buffy the Vampire Slayer." I mean, why else would anyone make this half-hearted attempt at a movie? The plot, as divined from the back of the Burger King bag upon which it was scrawled, involves God (!) coming down to earth to select an earthly avenger. (Seems people didn't learn from that whole 40 day flood thing and she's cheesed off again.) God's plan for the chastisement of humanity? Simple - make a randomly selected lesbian into an unstoppable vampire killing machine and send her out to smite the wicked.

Seriously.

Yes, that's the best plan an omniscient, omnipresent and omni-benevolent Deity could come up with - a plot that would have been rejected by the pea-brained corporate cretins who run cable TV. And SHE created US? And the world and everything in it? AND She screws even *that* up, if you can believe it. When her chosen earthly avatar pleads for the life of her lover, who also happens to be a psychopathic killer, God takes pity and turns her, too, into an unstoppable vampire.

Did I say 'omniscient?' Sorry. I meant 'dumb as a bag of hammers.' All that is just the set up for the ultimate battle between the scantily clad lesbians of good and evil. That makes it sound a lot more interesting than it is, since there wasn't nearly enough budget for an apocalyptic showdown. In fact, there was barely enough for a minor skirmish between the forces of nice and mean. The only upside to this apocalyptic train wreck is that the evil vampire lesbian gets to kill as annoying a bunch of bit players, extras and has-beens as has ever been assembled.

Certainly not enough to build a movie around, nu? But that's the real secret of "Murder World." It isn't really a movie. "Murder World" is poorly made masturbation material for lonely vampire-obsessed comic book collecting fan-boys. Everyone else - feel free to avoid this sticky mess like you would one of the Ten Plagues of Egypt.

Wow! Brooke (Sophie Monk) just killed a man and is drenched in blood. It's New Year's Eve 1960. After Brooke is whisked to Heaven or Hell, her girlfriend (Anya Lahiri) is visited by God (Angela Lindvall), who appears in a gauzy dress that shows all. This isn't any God I learned about in Sunday School! God has a mission for Rhea, and she reappears 40 years later as a vampire to rid the World of evil. She asks for Brooke to help her, and God relents even thought She thinks it's a bad idea.

Interesting premise.

Brooke is evil, as expected, and things do not go well for Rhea.

It's not difficult to watch and listen to Sophie Monk' husky voice for 85 minutes, but things really didn't make a whole lot of sense.