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Brainwashed - Sexismus im Kino

Originaltitel: Brainwashed: Sex-Camera-Power
  • 2022
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
6,2/10
1153
IHRE BEWERTUNG
Brainwashed - Sexismus im Kino (2022)
BRAINWASHED: SEX-CAMERA-POWER - official US trailer ansehen
trailer wiedergeben1:46
1 Video
5 Fotos
Dokumentarfilm

Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der A... Alles lesenUntersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.Untersucht die Politik des filmischen Shot-Designs und wie sich diese Metaebene des Filmemachens mit den beiden Epidemien der sexuellen Übergriffe und der Diskriminierung von Frauen in der Arbeitswelt überschneidet.

  • Regie
    • Nina Menkes
  • Drehbuch
    • Nina Menkes
  • Hauptbesetzung
    • Rhiannon Aarons
    • Rosanna Arquette
    • Raja Bhattar
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    1153
    IHRE BEWERTUNG
    • Regie
      • Nina Menkes
    • Drehbuch
      • Nina Menkes
    • Hauptbesetzung
      • Rhiannon Aarons
      • Rosanna Arquette
      • Raja Bhattar
    • 25Benutzerrezensionen
    • 77Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 5 Nominierungen insgesamt

    Videos1

    BRAINWASHED: SEX-CAMERA-POWER - official US trailer
    Trailer 1:46
    BRAINWASHED: SEX-CAMERA-POWER - official US trailer

    Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung78

    Ändern
    Rhiannon Aarons
    • Self
    Rosanna Arquette
    Rosanna Arquette
    • Self
    Raja Bhattar
    • Self
    • (as Dr. Raja Bhattar)
    Lara Dale
    • Self
    Julie Dash
    Julie Dash
    • Self
    Sandra de Castro Buffington
    • Self
    Maria Giese
    • Self
    May Hong HaDuong
    • Self
    • (as May Hong Haduong)
    Catherine Hardwicke
    Catherine Hardwicke
    • Self
    Eliza Hittman
    Eliza Hittman
    • Self
    Iyabo Kwayana
    Iyabo Kwayana
    • Self
    Jodi Lambert
    • Self
    Laura Mulvey
    • Self
    Ita O'Brien
    Ita O'Brien
    • Self
    Freddy D. Ramsey Jr.
    Freddy D. Ramsey Jr.
    • Self
    Maya Montañez Smukler
    • Self
    Joey Soloway
    Joey Soloway
    • Self
    Penelope Spheeris
    Penelope Spheeris
    • Self
    • Regie
      • Nina Menkes
    • Drehbuch
      • Nina Menkes
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen25

    6,21.1K
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    Empfohlene Bewertungen

    10pantico-wei

    Mindblowing revelations of how filmmaking process demeans women

    Once you see this movie, you can't unsee what it clearly demonstrates.

    Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.

    This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."

    This is a meta-level awareness game changer of a film! Must see!
    10ginakelly

    transformative

    Warning: this film may take you on a rollercoaster of anger-grief-hope.

    BRAINWASHED: SEX-CAMERA-POWER is striking in its simple, straightforward demonstration of power dynamics at play in the visual language of cinema, the impact of those dynamics on culture, and solutions for moving forward in a new way.

    Filmmaker nina menkes treats the subject in a calm and measured manner, walking the audience through the topic like they're attending a graduate film studies class.

    The audience is given a multitude of examples which demonstrate a visual pattern that is - whether intentionally or unintentionally - reinforced throughout a century of filmmaking, a pattern that most often objectifies women and minorities.

    The film links this pattern to the wider, societal implications, its role in contributing to the everyday objectification of women and minorities in workplaces and interpersonal interactions, and the inequitable economics of filmmaking.

    Then, rather than condemning the visual pattern, or shaming those who use it, the film plainly asks, "is this style of visual language effectively communicating the narrative?" and/or "is there another way to accomplish the goal that may be even more effective?" here, examples of alternatives are provided.

    By bringing the pattern into conscious awareness without any shame or retribution, the film allows the audience an opportunity to choose to heal the collective trauma wrought by the normalization of on-screen dehumanization, and to be free of the unconscious visual language so that it can be transformed into an entirely new system.
    8xieastrid

    Are you offended?

    It's interesting to see the different opinions from the comment sections. I saw someone made a comment and it goes something like "yes women are being objectified but they are also doing so on their own accord..."and they (sorry to assume but i guess there is 89% chances that they are a cis-gender heterosexual man) used examples if instagram influencer and models...

    Utterly speechless, why so defensive? This is a desperate try to distract people and themselves from the actual issues at the core of this film which is extremely poignant. If we are talking about male gaze, and the objectification of men toward women, we are talking about an oppressive troupe which put women in a passive position, dehumanizing women, ignoring their subjectivity and voices while fragmenting their bodies, privileging the male gaze. Influencers and models are a different issue here, what they suggest that is women dont have autonomy and sense to empower themselves by displaying and posing their bodies on sns in their own way. Cuz whatever we do is to cater your gaze and perpetuate male oppression right?

    Women have the freedom to choose whatever the way the want to celebrate and display their bodies, its about being comfortable in one's own skin.

    And also why not think of why women feel the need sometimes to cater or as they suggest perpetuate the objectification? Its patriarchal pedagogy and propaganda which a lot of us have to unlearn. Its structural, still pinpointing to the cultural of female objectification. Stop being defensive, look inward. Or else you are not getting any point of this documentary.
    8roxanemace

    Edifying docu-essay on women's roles in the history of film

    In her documentary, Nina Menkes explores how the movie industry, through filmmaking techniques and male-centric visions and decisions, has been encouraging and approving the very toxic behaviors that same industry is shyly starting to condemn today.

    Not only does Menkes describes how systematically the "male gaze" treatment is applied to female protagonists even and especially in award-winning movie, but also allows her audience to identify the tropes that are being used by filmmakers to construct this sexualised and objectified imagery of women.

    Hopefully her matter-of-factly approach will help give her work credibility, given how tricky it is for women to be taken seriously on such controversial subjects.
    10shash

    You'll never watch a film the same way

    This is a must watch film. It is raw, honest and critically important. BRAINwASHED creates a much needed awareness in the film industry and describes how camera angle and other filmmaking elements contributes to issues that effect women: sexualization, employment discrimination and even the rape culture that sadly exists in our society. A must watch!

    This is especially important for the younger generation of film makers, as they are the ones who can truly make a difference and show that it is possible to choose differently when filming the female body in a way that is engaging but not sexualizing.

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    • Verbindungen
      Features La fée aux choux (1896)

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    FAQ18

    • How long is Brainwashed: Sex-Camera-Power?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 17. März 2023 (Polen)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Brainwashed: Sex-Camera-Power
    • Produktionsfirmen
      • Menkesfilm
      • Eos World Fund
      • Eos World Fund
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    Box Office

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    • Budget
      • 1.550.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 28.826 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.409 $
      • 23. Okt. 2022
    • Weltweiter Bruttoertrag
      • 46.077 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 47 Min.(107 min)
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