The Third Day

I understand the mixed reviews as this show is extremely unconventional, but it's a shame because of the sheer technical brilliance at work. The cinematography is wonderfully unique, the score is beautiful, and the actors delivered top-notch performances across the board.

The story isn't for everyone. It's probably too freaky for a lot of folks, but if you can manage it, I found it to be incredibly rewarding. There's mystery, horror, weird Celtic rituals, and a gang of characters who are completely gaslighting the viewer about what's really going on. After a series of twists and turns, it all makes sense and, in my opinion, reaches a satisfying conclusion. Ultimately, it's a story about grief, responsibility, and alienation on a small island off the coast of England, where nothing is as it seems.

If I could compare it to anything, I would say it's sort of like an A24 movie (think Ari Aster or Robert Eggers) except it's on a significantly higher dosage. You'll either love it or you'll hate it, but I hope you'll at least give it a try.

TIFF 2020 05

The Third Day

Having watched only two episodes of this 6 episode miniseries as part of the festival, I'd say this series is interesting to say the least. It has a top quality cast from some of the best British actors/actresses involved, it's greatly atmospheric and gothic which I really liked and the story seems engaging enough for 6 hours. Also this series is kind of special because a theatrical live episode is going to drop and broadcasted in about a month so I'm really excited to see how this project will shape out.

I have watched the first 4 episodes so far. I agree with every single review here. So why are they so polarized?

Yes the cinematography is stunning. Yes the scenery is breathtaking. Yes the acting is wonderful and yes the plot is edge of your seat twisty...

But it is also over the top, makes me want to gag, long drawn out scenes that verge on, "where is the fast forward button" and outright confusion at times.

I think it has potential and may just need time to find its sweet spot. As a mini series it may not ever find it.

The bottom line is that it clearly is not for everyone. If you like artsy, mysterious, movies, you will probably love this. And if you prefer a more direct, fast paced, drama you probably won't.

Hope this helps.

Some people seem to appreciate style over substance according to a lot of reviews. Only second episode in, I've never seen such abnormal, unnatural behaviour in a main character. It doesn't make sense how Jude Law's character reacts to his situation. There is a stellar cast, Jude Law is great, there is oodles of intrigue to keep you hooked. The cinematography is amazing but hopefully it will improve in the story. 4th episode in and Naomie Harris (who I'm not a fan of) is another character introduced whose character reaches higher levels of abnormal behaviour than what Jude Law did. This episode is home literally the most nonsensical, mystifying, stupid writing I have ever seen in what should be a well produced show.

It's so hard to rate this, because it's one of the most intense and creative shows I've ever seen. There are some aspects that are really well done, and the cinematic effects (filters/lighting) carry a lot of the weight and accentuate Sam's experiences. Sometimes, though, it's a little overdone, much like my 14 year old self on Instagram with all the effects. And then there's the plot. Again, incredibly creative and intense, but any sort of character motivation is sacrificed to serve plot twist upon plot twist upon plot twist. It makes little sense at the end. The only character whose motivation I can follow somewhat clearly is Sam's, and there are many things in the first episode that should have been answered or referenced in the following parts of the series. Maybe they will be in the coming 'second half'. I really hope the 'Winter' segment is easier to follow, because every single character changing allegiances approximately 4 times per episode is making ME feel like I took LSD at a Celtic festival.