Linewatch

For some reason recently, I have become interested in Cuba Gooding Jr.'s present career, seeing how he has become box office poison and is now mostly stuck in doing straight-to-video movies. I was wondering if he had learned his lesson after doing those awful theatrical movies and was now picking better scripts (like Jean Claude Van Damme). After seeing several of his recent movies - including this one - I've concluded that either he hasn't learned his lesson or simply doesn't care.

In fairness, there are a few good things about LINEWATCH. Though this had a low budget ($5 million), it at least looks decent. The cinematography is above average, and the production team chose existing locations that they didn't have to change yet look believable. Also, Gooding fits in this role better than a lot of his other movie roles (theatrical or otherwise.)

But the rest of the movie is pretty much a bust, thanks to its screenplay and its direction. The screenplay clearly needed some more rewrites - its flaws start at the beginning, with the movie seemingly starting at chapter two instead of the beginning. Things do clear up eventually, but then the movie slows down almost to a halt - it takes more than 30 minutes into the movie before the conflict starts for the protagonist. The movie then continues its very slow crawl right up to the climatic scene - there's only about enough story in this movie for a short film, not a feature-length movie.

Curiously, though, despite this slow pace, there are several instances where it seems that footage is missing, and it resulted that I was confused several times for several seconds each time as to what exactly happened. Though even if this seemingly missing footage was restored, it might not have helped the movie - it would have made the movie longer and possibly even more of an ordeal to sit through.

Cuba Gooding portrays a seemingly respectable cop whose shady past catches up with him, jeopardising his family and career. The concept may not be original, but Gooding's performance and reactions to some wretched and desperate conflicts serve to enhance the voyeuristic pleasure.

The well developed, colourful and generally unsavoury characters surrounding the drug and people trafficking industry add grit to the realism and enhance our understanding of, and sympathy for, Dixon's predicament.

Set against the harsh but stunning background of New Mexico's border country, superbly directed and acted, this is a cut above your average crime flick.

One wonders when Cuba Gooding, Jr is going to find roles that are equal to his talent. LINEWATCH is a sleepwalk/phone-in role written for him by David W. Waterfield and directed by Kevin Bray in a story that attempts to take on a few too many problem situations in one session - illegal immigration, the human manipulation and abuse by the Coyotes and those involved in the crime industry of illegal transportation, Los Angeles ghetto crime life, across the border drug trafficking, family values in gangsters who turn to an honest life, etc. Not that these problems don't deserve our being reminded of serious situations constantly present, but the story has been told many times in better ways.

Michael Dixon (Cuba Gooding Jr.) is an ex-gang member living close to the Mexican border with his beautiful wife Angela (Sharon Leal) and daughter as he serves as a US Border Patrol Agent. His heart is in the right place and when he discovers a van full of expired immigrants the pain of his job surfaces. Simultaneously he discovers a band of drug smugglers who work to find a way to transport drugs across the border in to the US - a gang comprised of Michael's old gang. His 'friend', near psychotic Drake (Omari Hardwick - very impressive in this role), makes threats to Michael cajoling him into working with Mike's ex-gang to route the drug smuggling trucks across the border using Mike's affiliation with the US Border Patrol information. The stress that Michael feels under the threat of the gang's violence to his family leads him to act in a manner that brings the story to an end.

Gooding remains a fine screen presence: had he been given a better script and story it would be a pleasure to see him again. The supporting cast is fine, the cinematography by Paul M. Sommers is dirty and gritty as it should be and the musical score by Jeff McIlwain all but smothers the dialogue. The reason this film didn't make it in theaters is very obvious.

Grady Harp

Well, just finished watching Linewatch, and i gotta say that it wound up being fairly enjoyable. The movie starts out very slow, not much action or dialogue, which is why i turned if off twice before finally convincing myself to give it a chance. I'm glad i did because it was more interesting than it began. It's not one of Cuba's best films in the least, but it definitely wasn't his worst. Pretty good plot that developed further into the movie. Once you get past the first 15 minutes of boredom, it is definitely watchable. Most people will probably not get past the first part, as I have done on a number of movies, but it was worth it in this particular movie. This will definitely not win any awards, but it is entertaining and interesting on the surface.

This wasn't the best movie, but it sure was a good little action/crime flick to watch. It had enough plot turns to keep you seated and definitely didn't seem as near B grade as other projects "Gooding" has done lately.

I actually think this is one of his best since shadow boxer or boat trip. I really hope this film gets him back into doing good films as he has let me down with his past few.

So overall plot, hes a border patrol policeman that uncovers some dead bodies. And on his search to uncover the killer he brings back some past "friends" who cause more trouble then good. It actually relates pretty close to a history of violence but moves along a lot faster.

MY friends have a bad attention Span and this didn't make them walk away so my opinion is watch the movie if you want an easy going crime drama.