Teddy

For the most part, the performances are well done and subdued while the rising action has a decent pace. For me, I had more of an issue with the logistics of the film in terms of the body horror and the climax scene of the film. I do think it's worth a watch and the performance of the lead is laudable.

The French have produced a good number of horror movies such as Haute Tension, Raw, L'Interieur, Martyrs or Frontiers. They manage to shock and transgress horror fans whoblike myself are used to the usual Hollywood horror tropes. Sadly Teddy doesn't belong in that list of good horror movies. They try to tackle the lycanthrope theme with mundane and nonsensical results. The move has a few comedic moments and the end is probably the best part. In a rural French village, a douchy bald-headed big-eared kid with glasses and heavy metal t-shirts who for some reason doesn't get along with the authorities, somehow gets bitten by a mysterious creature in the woods. From then on not only does he start to change but his life starts falling apart too, especially with his family and equally odd blonde girlfriend. The plot sounds good but alas it is showered with silly drama, nonsensical typical French dialogues, a few gross scenes and one of the most unlikable kids in horror cinema. If you like French horror movies with a bit of weirdness, give it a shot but be warned, award-winning it ain't.

Well, if nothing else, then "Teddy" certainly was a different approach on the werewolf genre.

When I stumbled upon this 2020 French movie titled "Teddy", I must admit that I was under the impression that I would be in for a horror comedy, given the movie's cover. And of course, with it being a movie that I hadn't already seen, of course I found the time to sit down and watch it.

And "Teddy" is definitely a watchable movie, although it wasn't particularly a movie that fell well into my particular taste in movies. Now, don't get me wrong here, because "Teddy" is entertaining enough, however, it just fell short of being what I assumed it would be, and there just wasn't enough happening throughout the course of the entire movie to properly keep me entertained.

There were some good moments throughout the course of the movie, where writers and directors Ludovic Boukherma and Zoran Boukherma definitely were delivering some wholehearted and well-written material. But ultimately, then "Teddy" was just too mundane.

Now, as I am by no means well-traversed in the French cinema, then I can't claim to be familiar with actor Anthony Bajon at all. But he definitely put on a very convincing performance and carried the movie well enough here, with the lead role in "Teddy".

Visually then there were potential in "Teddy", although you shouldn't be expecting to be in for a grand display of special effects or CGI. And for a werewolf movie, then there wasn't a whole lot of traditional things going on here, such as a full transformation scene.

And now that I have seen "Teddy", I can say that it is not a movie that I will be returning to watch a second time. Did it offer anything revolutionary or new to the werewolf genre? No, not really. Was it an outstanding or memorable foray into the werewolf genre? No, not realy.

I am rating "Teddy" a less than mediocre four out of ten stars.

Summary

A successful look at the myth of the werewolf, in this case associated with a coming of age and a love story of a teenager in a town in the French Pyrenees, with the realism, dryness and social notes typical of French terror and a moving result.

Review

Teddy is a teenager who lives in a French town in the Pyrenees area. From the moment he is bitten by something hidden in the woods, his behavior begins to change.

Teddy hasn't finished school, he's dating a girl who's about to finish high school, he loves satanic rock, he lives with a strange uncle and he has an amazing job. Outside of all this, he is a simple and impulsive boy who lacks a social life.

The film by Ludovic and Zoran Boukherma (critic's award at the Sitges Festival 2020 and part of the official selection for the Cannes Film Festival) brings their perspective on the myth of the werewolf, framing it in a coming of age and a story of love, enhanced by notes on class, work, on medical knowledge and cultural differences, notes never underlined, but rather arise spontaneously from history; Teddy and his entourage have something of Bruno Dumont's Hors Satan.

The story develops a successful narrative crescendo, generally staying within a realistic register that includes everyday episodes (including sexual ones) that in this context take on enormous tension and others that are very simple but put the viewer to the test. The directors know how to resort to ellipses and off-screen with solvency, to which is added a certain humor that emerges from the small-town dynamics. And when it comes to solving situations, the film shows the characteristic dryness of French terror, which does not prevent them from being moving.

Anthony Bajon (absolute protagonist) composes very well a lonely Teddy who generates empathy in the viewer. And I left for the end a special mention for the remarkable soundtrack by Amaury Chabauty, which contributes opportunely and enormously to the climates created in the film.

While Julia Ducournau copies herself with Titane and takes Palme d'Or at Cannes, this movie does the same, but it only take 6/10 on IMDB. Life is unjust!!!