TV-Serie, die im "Dune"-Universum spielt und das Leben der Bene Gesserit zum Thema hat.TV-Serie, die im "Dune"-Universum spielt und das Leben der Bene Gesserit zum Thema hat.TV-Serie, die im "Dune"-Universum spielt und das Leben der Bene Gesserit zum Thema hat.
- Für 4 Primetime Emmys nominiert
- 2 Gewinne & 11 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'Dune: Prophecy' elicits mixed reactions, highlighting political intrigue, complex characters, and rich world-building. Fans commend its exploration of Bene Gesserit origins and fidelity to Dune lore. However, criticisms include pacing issues, inconsistent tone, and deviations from the source material. Acting and dialogue are often deemed subpar, with some episodes feeling generic. Visual effects and production design are praised, yet narrative coherence and character development frequently disappoint.
Empfohlene Bewertungen
The universe of this saga was unknown to me. Last year, I tried watching the movie that came out. Honestly, I wanted to get into this world, but the movie failed to captivate me. I attempted to watch it twice and gave up both times because I found it boring and felt like I was missing an introduction.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.
If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.
I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.
All of my knowledge of Dune comes from the two recent movies, both of which are amazing. With that out of the way, one thing that is missing from the TV show, which both films have, is a good score or at least good use of a good score. I feel like the score or music of the films was used in such a way to emphasize the larger-than-life characterization of the Dune world or universe, so to speak. We are talking about a species that spans the universe in space after all. On the other hand, the score is barely perceptible in the TV show. This does ensure we able to hear the dialogue clearly, but also makes the TV show feel claustrophobic in spite of some of its sets or settings in comparison and therefore out-of-character. Without this, the TV show feels much less epic and engaging than the movies, unfortuantely. I am hoping they will fix this in upcoming seasons.
First of all, when talking about this series, you have to know that it is not for everyone.
If Villeneuve's films seemed boring to you, this series is not for you; if they seemed slow to you, this series is not for you; if you expect to see a lot of action and effects in battles, in short, this series is not for you.
However, if the lore of Dune makes you curious and/or fascinates you, if you like the palace intrigues of GOT set in a distant future and if you like Travis Fimmel playing Ragnar (again like in Raised by Wolves), this series is definitely for you.
Perhaps a series that nobody asked for but that greatly enriches this universe and makes us think that perhaps there is more future after Dennis Villeneuve.
Dune: Prophecy introduces us to a prequel set 10 thousand years before Paul Atreides and everything we saw in the cinema.
We are 30 years after the Butlerian Jihad and the events of Dune, the Machine Crusade. It is a point where the Bene Gesserit have just begun their large-scale genetic plan and program in search of creating that super-being that would be the Kwisatz Haderach through hybridization and connections of couples with potential.
We have several points of view that are interesting, the Bene Gesserit referred to, the intrigues of Emperor Corrino, the plan of the rebels led by Keiran Atreides.
Although, as I said, the series is slow, it takes its time to develop characters: we understand the motivation of Mother Valya and Tula Harkkonen, we understand Emperor Corrino and how he was manipulated. We are even able to understand Desmond Hart and how he manages to survive the Shai-Hulud.
We have the right and necessary dose of flashbacks, the fights, although few, are well choreographed and credible in the style of the movies.
Clearly, some questions have been answered and many more remain, which I hope will be addressed in the next season.
Great bet by HBO, let's hope they continue down this path and become even more massive in later seasons. I don't think they will become the new television phenomenon like GOT was, but it does have a lot of potential to be a period series.
If Villeneuve's films seemed boring to you, this series is not for you; if they seemed slow to you, this series is not for you; if you expect to see a lot of action and effects in battles, in short, this series is not for you.
However, if the lore of Dune makes you curious and/or fascinates you, if you like the palace intrigues of GOT set in a distant future and if you like Travis Fimmel playing Ragnar (again like in Raised by Wolves), this series is definitely for you.
Perhaps a series that nobody asked for but that greatly enriches this universe and makes us think that perhaps there is more future after Dennis Villeneuve.
Dune: Prophecy introduces us to a prequel set 10 thousand years before Paul Atreides and everything we saw in the cinema.
We are 30 years after the Butlerian Jihad and the events of Dune, the Machine Crusade. It is a point where the Bene Gesserit have just begun their large-scale genetic plan and program in search of creating that super-being that would be the Kwisatz Haderach through hybridization and connections of couples with potential.
We have several points of view that are interesting, the Bene Gesserit referred to, the intrigues of Emperor Corrino, the plan of the rebels led by Keiran Atreides.
Although, as I said, the series is slow, it takes its time to develop characters: we understand the motivation of Mother Valya and Tula Harkkonen, we understand Emperor Corrino and how he was manipulated. We are even able to understand Desmond Hart and how he manages to survive the Shai-Hulud.
We have the right and necessary dose of flashbacks, the fights, although few, are well choreographed and credible in the style of the movies.
Clearly, some questions have been answered and many more remain, which I hope will be addressed in the next season.
Great bet by HBO, let's hope they continue down this path and become even more massive in later seasons. I don't think they will become the new television phenomenon like GOT was, but it does have a lot of potential to be a period series.
The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.
Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.
Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.
In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.
It's nice to see the other side of Dune Universe. Visually beautiful for a TV Show although we know this is nothing compared to Denis Villeneuve movies. Here we can see the city, the bar, etc that feels cyberpunk-ish and we don't see it in the movies.
The story itself was good and again it's nice to know more about Bene Gesserit. But I don't know why this show potrayed the main character (Bene Gesserit) looks 'evil'. Despite that I enjoyed it still.
What I hate about this show is too short. I mean comeon why only 6 episodes? I hate modern TV shows. They gave us 6 episodes and then we need to wait another 1-2 years to watch the next season. 10 Episodes is the standard unless you make it limited series with no continuation. I understand that maybe this show has big budget knowing the visual was very good.
Another uninteresting about this show is bad casting. Almost all the acolytes was so bland knowing they still had good amount of screen time. I always love Travis Fimmel as Ragnar zlothbrok in Vikings since it's my favorite show but in here he also act like Ragnar the way their bodyand eye moves was very sinilar acting
Overall I love this show since we rarely had scifi cyberpunk-ish tv show.
The story itself was good and again it's nice to know more about Bene Gesserit. But I don't know why this show potrayed the main character (Bene Gesserit) looks 'evil'. Despite that I enjoyed it still.
What I hate about this show is too short. I mean comeon why only 6 episodes? I hate modern TV shows. They gave us 6 episodes and then we need to wait another 1-2 years to watch the next season. 10 Episodes is the standard unless you make it limited series with no continuation. I understand that maybe this show has big budget knowing the visual was very good.
Another uninteresting about this show is bad casting. Almost all the acolytes was so bland knowing they still had good amount of screen time. I always love Travis Fimmel as Ragnar zlothbrok in Vikings since it's my favorite show but in here he also act like Ragnar the way their bodyand eye moves was very sinilar acting
Overall I love this show since we rarely had scifi cyberpunk-ish tv show.
Women in Science Fiction
Women in Science Fiction
Whether they are exploring the stars, escaping dystopias, or making the world a better place, these women are what science fiction is all about.
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- WissenswertesThis series uses material from the Great Schools of Dune trilogy, by Brian Herbert and Kevin J. Anderson. A prequel to the original Dune, it tells how the Sisterhood of Rossak evolved into the Bene Gesserit. The incident with Valya Harkonnen using voice is from one called 'Mentats of Dune'. All three books interweave the development of the Sisterhood, the Mentats, the Navigators and the Suk Doctors.
- VerbindungenFeatured in WatchMojo: Top 24 Best TV Shows of 2024 (2024)
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Details
- Laufzeit
- 1 Std.(60 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2:1
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