Da scheiden sich die Geister

So much more could have been done with this. Some characters were poorly cast. It was underwhelming. The concept is good but it missed the mark in my opinion.

I have never seen the original play or movie, so I'm not making a comparison. I think the main problem of this movie is that it lacks in rhythm. It felt too long despite being only an hour and a half. However, I still had a good time watching it. There are some true laugh-out-loud moments and everyone gives a good comedic performance. Also, the costumes and sets are gorgeous. Apparently, there have been a lot of changes from the original story, but I thought this story was good. My rhythm issue came more from some of the dialogue and the editing, I think. You won't be wasting your time watching it, but don't expect a masterpiece.

I didn't laugh even once. It wasn't even a dark comedy. There simply weren't any jokes in it. Like, none. The production value is top notch and the acting is pretty good but that's about all there is to it. The story is quite boring actually. Nothing original. Judy Dench is great of course.

I find this comedy funny and delightful. The characters are fun and lovely. The colours are vibrant, and the tone is light. I really enjoyed it.

Blithe Spirit, loosely based on Noel Coward's classic farce. We have Dan Stevens as a writer who's trying to turn his novel into a screenplay. He has an empty-headed wife (Isla Fsher) who swans about the estate. With friends, they go to see a show Madame Arcati (Judi Dench) is putting on, but her act goes wrong and she's exposed as a phony. Because Stevens is thinking a lot about his dead first wife (Leslie Mann) he gets Arcati to come to the house (a sprawling art deco thing) for a seance. Of course she summons the dead wife who, although it's 1937, has a #metoo sensibility.

Things turn slapsticky, and although the stars try hard, it doesn't work. One moment the ghosty wife can't slap Stevens because she's only ectoplasm but the next minute she can play a piano. Worst of all is the version of Arcati. Dench plays her as an aggrieved victim who's sham has been discovered and she's resentful. Bleh. The various Arcati's of film, TV, and stage, have generally played her as a swooping eccentric who's on the dotty side: Margaret Rutherford, Mildred Natwick, Ruth Gordon, Angela Lansbury, Penelope Keith.

This version plays like a sitcom, with the three main characters as madcaps and Dench's shuffling dud of a medium as an unfunny subplot.