Hannah Gadsby: Douglas

Nanette was obviously a huge deal when it came out- I remember the hype and a family member eventually convincing me to watch it, but to go in knowing as little as possible. I'm glad I followed that advice, because it was a very surprising stand-up performance; in a good way, of course. The people who criticise it for not being consistently funny are technically right, but it had a whole lot more to offer, and its power came from the fact that it wasn't obviously heading in the direction that it did go in.

Following up one of the best Netflix standup specials (I'd say if not for Bo Burnham's Make Happy and What, Nanette would be the best standup special produced by the platform) wouldn't have been easy, but I really liked Gadsby's approach here. She gets quite meta right off the bat, and the direct delivery makes sense when it becomes apparent quite early on that the show is going to be at least partly about her experiences with autism. It's interesting and eye-opening without being as heavy as the themes touched upon in Nanette.

That last point is both a strength and maybe a weakness, which is acknowledged as much by Gadsby in her opening breakdown of the proceeding routine, stating that she "used up" most of her trauma in Nanette, in a way. As a result, Douglas contains more laughs but probably won't stick with viewers quite as much as her first special.

I'd ultimately say they're both very strong though, just in their own ways. If anything, this proves Gadsby is far from a one-trick pony, and doesn't need to rely on pulling the same genius move she did in Nanette by going from standup comedy to borderline standup tragedy, which would be a whole lot less genius if repeated. The reliance on humour shouldn't suggest that the show is too much weaker though, because Gadsby has a unique and genuinely funny way of talking about things, which really makes her stand out from the crowd of comedians using Netflix as their primary platform.

(It's also cool to see someone from Australia make it big in the standup world, but that's just a person bias on my end due to also being Australian.)

Gadsby's second special, after the global success of 'Nanette'. The intro of this show is one of the best I've seen in years, where we are presented with the whole structure of the bits, the subjects and the timings, without spoiling the experience until the end. It addresses feminism, misogyny, the best bit about the Renaissance that I remember, ever, and other themes sensitive to the American people, to which Gadsby addresses this special. Hannah Gadsby is one of the best examples that women deserve the place and freedom when it comes to the world of comedy, especially stand-up.

This comedy special is a true representation of verbal gold. It is funny and representative yet understandable and emphatic. I can truly say that I have never laughed so hard. It was pure joy and I am so happy!

I truly enjoyed the whole stand-up. it was very well written and the delivery is stunning.

Straight white men have been making jokes about minorities, the LGBTQ community and women for ages, saying that "oh it's just a joke!" but when a woman dares making (good) jokes about them, apparently all hell breaks loose. Get a grip and take a look at yourselves! She's great at what she does. I liked how this show was built, I found it enjoyable. And no, I don't hate men or Americans. The end of the day: these are just jokes!