Shoot on Sight

The story telling, acting and overall directing are a bit ankward for such a topic, very "hot" in 2007, two years after the terrorists attacks in London and six years after 9/11 tragedy. But it tries to be honest, trying to analyze the tensions between Muslims and "European" communities in the most factual way. The screen writers tried to do their best, we can't deny that. There is no good Europeans and Bad Muslims scheme here, that is the main strength of this movie, that we can add to the list of other features such as SORRY HATERS, FIVE MINARETS IN NY, TENTACLES 8, UNTHINKABLE; all post 9/11 movies, interesting material that makes you think about many many things.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

This curiously old fashioned (in terms of style and presentation) thriller was released in 2007 but has the look of a film from about 1997. However old it looks, though, it's got a story torn straight from today's headlines with it's themes of suicide bombings and brain washings of young muslims into fanatical extremism, and even more so about them being homegrown. The opening gambit of an innocent man being shot by armed police is also an obvious slant with the real life shooting of Jean Charles De Menezes. However, none of it is presented in a dark, foreboding sort of way, more in the style of a slick, efficient thriller like in the style of an episode of The Bill. While none of it offers any serious food for thought, it's well made and enjoyable enough on this level. ***

We live in strange and turbulent times. The rise of terrorism in the Western world changed our lives forever. Needless to say, movie that tries to tackle this extremely complex topic is more than welcome. Sadly, " Shoot on Sight" is a wasted opportunity.The creators, apparently were'nt sure what they wanted to say.We get the usual clichés about racism and Islam, but no courage or even clear message. The movie was made very cheaply, which isn't necessarily a problem, but the shabby look, unclear artistic vision, and confusing and illogical plot made this film nothing more than average Sunday night thriller. Pity, it had way more potential.

Watching this I was reminded of "Who Dares Wins" (a paean to the SAS film from the early 1980s) blended with "Sapphire" (UK film on the late-50s race riots and the police response to them) - it's all very earnest and trying to balance (and it succeeds in the latter) but there's too much BBC2-school acting on "terrorist subjects" for it to seem new or fresh - there have been plenty of episodes of "Spooks" covering the ground only they are limited by BBC timidity of being seen to take a side (note for overseas commenters; the BBC is the UKs "national" state TV station and BBC2 is the previously artistic and cultural arm which has been drastically dumbed down), and Greta Scacchi and Brian Cox are disappointing (the Cox character would have been out of date in a film from the 1970s!) The comments likening it to a made-for TV are spot on - I don't see exciting film making here, just stacking up the pros and cons and trying to make cheap points rather than presenting the nuances through the film - the script is certainly written with a broad brush.

Don't let the tagline deceive you"

The film attempts to portray a complex issue, but ultimately falls short. It suggests that sympathizing with Muslims automatically equates to sympathizing with potential terrorists. This is a harmful stereotype that reinforces Islamophobia.

The tagline is misleading. While the film does explore themes of racial profiling and the aftermath of the 7/7 London bombings, it ultimately reinforces rather than challenges existing prejudices. For example, the scene where a white police officer interrogates a young Muslim man using racist language is problematic. While the film attempts to justify this behavior by revealing the officer's interracial marriage, it does not adequately address the systemic issues of racism within law enforcement.

Furthermore, the romantic subplot between the cousins feels unnecessary and detracts from the film's more serious themes.

It's important to note that the director's religious background does not inherently determine the quality or accuracy of the film. However, in this case, the film seems to perpetuate harmful stereotypes about Muslims, which is disappointing.