IMDb-BEWERTUNG
5,5/10
4500
IHRE BEWERTUNG
Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Empfohlene Bewertungen
STARS AT NOON is a French romantic thriller that follows the story of an American journalist, Trish (Margaret Qualley), and a mysterious English businessman, Daniel (Joe Alwyn). Trapped in Nicaragua during the height of its civil war in the 1980s, they become embroiled in political conspiracies and must rely on each other to find a way out.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
... one reviewer asks why-the-masks, as they had been in the country in 1984 and no one had been wearing Covid-masks... it's that kind of film requires some reading before-after watching for some insights
... a well-made (even if was not in 'that' country), and well-acted film.. Margaret Qualley has the MacDowell acting chops of her mom and here in this production it's hard taking eyes off her.. she shines brilliant, even covered in sweat and mud much of the time
... not an entertaining film in the normal sense watching, you just have to go with its raw qualities, feeling like you were there evidencing the happenings... not all questions get answered.
... a well-made (even if was not in 'that' country), and well-acted film.. Margaret Qualley has the MacDowell acting chops of her mom and here in this production it's hard taking eyes off her.. she shines brilliant, even covered in sweat and mud much of the time
... not an entertaining film in the normal sense watching, you just have to go with its raw qualities, feeling like you were there evidencing the happenings... not all questions get answered.
I get that Claire Denis may have meant well, socio-politically speaking, to have adapted this story, but I'm afraid her adaptation totally falls short of doing justice to the actual text. In my opinion, the author's intention was to portray a revolution taking place via the narrative of an affair between two characters (even unnamed, as they were that insignificant to the whole point of the book) While Denis's version recounts a tryst, with a revolution taking place in the farthest background. Despite Margaret Qualley's strong performance, the magnificent score written by Denis' long-time collaborator Tindersticks, as well as the somewhat documentary-style cinematography, the film failed at convincing me as an audience to care about either the characters or the nation acting as extras.
I can't understand the low imdb rating! Dont trust the bad ratings!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Claire Denis once again delivers a film of nuance, sensuality, secrecy. We are treated to excellent performances by Ms. Qualley, & Mr. Alwyn. Supporting roles by Mr. Romano, Mr. Ramirez, & Mr. Safdie contribute well. This world is one of heat, sweat, ruins.
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
Wusstest du schon
- WissenswertesRobert Pattinson was originally cast alongside Margaret Qualley as the lead, but had to leave the project due to filming commitments for The Batman (2022) following delays of shooting due to the Covid-19 pandemic. Taron Egerton was cast as Pattinson's replacement, however he dropped out as well before filming started due to personal reasons and Joe Alwyn took the role.
- Zitate
Teen Travel Agent: Fuck is a good word. Fuck is the property of the whole world.
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Details
Box Office
- Weltweiter Bruttoertrag
- 225.509 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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