Beckett

I thought that the filming was incredible. Great shots and great edits. The story was the typical chase and crime thriller. Compared to other recent films, I thought this story had more depth to it than say Without Remorse. I enjoyed that the plot focused on the character rather than the detailed politics. It kept it more relatable. Really a pleasure to watch and just enough details to keep you interested. There was realistic violence versus the over the top.

They took some liberties but it was a decent movie in the style of 1970's drama/thrillers. Young folks definitely won't like it but older people will feel the nostalgia.

This movie was not for John David Washington, they should have cast someone else. The acting was generally really bad, I felt nothing for the characters and I also didn't connect with the story. The Characters who are seemingly "in-love" had no chemistry between them. The camera work and editing were the biggest let down, some of the shots were out of focus....not artistically out of focus, like incompetent DP out of focus. Editing department should have cut those out. Some scenes were shot like it was a low budget student film. This movie was hard to watch because the overall quality was really poor.

As a thriller, Beckett is a dull primer on the genre, employing every trope, gimmick, and theme ever, all in one action plot so predictable as to be risible. In addition, it is so indebted to moving the plot favorably for the titular protagonist (John David Washington) that its coincidences exceed logic.

Beckett and April (Alicia Vikander-underused) are blissfully vacationing in Greece ("I think I'm having a love attack," he says-yikes for the dialogue) when their auto plows at dark into a home that just happens to be the hideout for conservatives who have kidnapped a little boy, the son of a prominent politically left candidate. Such an improbability kickstarts the plot that has the thugs tracking Beckett and nothing else.

At several points that Beckett escapes, we can be assured that he will survive because of his extraordinary good luck in doing so. Each set piece of his escapes also seems disjointed enough from the main plot that it could exist outside of this film, albeit some are well executed if not fabulous.

Because of his ability to get out of each tough spot, I have forgotten most of them; all I know is that Beckett cannot be stopped, despite multiple wounds. The people along the way who help him are not as lucky.

Washington is durable if not a bland, a stoic face that accompanied him when he was chased in Tenet as well. Vikander remains one of the best actresses of her time even if she's gone early from Beckett when she is unfortunately delivered by her lover's sleepy driving. Lena (Vicky Krieps) is a rebel who helps him along the way to seeking refuge from his pursuers in the American embassy, another wasted talent.

As for who represents what in the political part of the film, I haven't a clue except that the candidate at the rally seems to be more liberal than the organization pursuing Beckett. Netflix is the home of this disappointing thriller-even during pandemic time, I can't recommend it.

The movie was ok but nothing special. On the plus side the Greek scenery at the beginning was beautiful and wild and reminded me of lord of the rings, the acting of most of the cast and especially Washington was really solid too. Now for the not so good. The plot was really weak and almost paper thin the main idea was great but the execution not so much. Another thing that bothered me as a person who lived in Athens for 6 years is that they made it look like a distopian third world country which was weird because Athens is a really beautiful City. I get that the movie is set in a distopian political alternate reality but they made Athens look like Baghdad or something. As a final verdict I think the movie is watchable but had potential to be much more if the writing was better.