Eine ungewöhnliche romantische Komödie über einen jungen Mann, der sich in seine Arbeitskollegin verliebt, die nicht an wahre Liebe glaubt.Eine ungewöhnliche romantische Komödie über einen jungen Mann, der sich in seine Arbeitskollegin verliebt, die nicht an wahre Liebe glaubt.Eine ungewöhnliche romantische Komödie über einen jungen Mann, der sich in seine Arbeitskollegin verliebt, die nicht an wahre Liebe glaubt.
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Tom Hansen (Joseph Gordon-Levitt) is always looking for the one. Summer Finn (Zooey Deschanel) doesn't believe in love since her parents' divorce. The narration explains that "This is not a love story". The movie moves in a non-linear timeline. His sister Rachel (Chloë Grace Moretz), McKenzie (Geoffrey Arend), and Paul (Matthew Gray Gubler) are his friends. Summer is the new assistant to his boss Vance (Clark Gregg) in his greeting card workplace and he falls head over heals.
Zooey is the 'It' girl and JGL is playing the adorable leading man. Zooey is a great fantasy girlfriend. They make a fine rom-com couple or in this case, the anti-rom-com couple. The non-linear structure and the serious narration give it a fantasy feel. It's offbeat in tone and in structure. It's not dripping in realism but it is loads of fun. Music video director Marc Webb brings a different sensibility to this traditional genre.
Zooey is the 'It' girl and JGL is playing the adorable leading man. Zooey is a great fantasy girlfriend. They make a fine rom-com couple or in this case, the anti-rom-com couple. The non-linear structure and the serious narration give it a fantasy feel. It's offbeat in tone and in structure. It's not dripping in realism but it is loads of fun. Music video director Marc Webb brings a different sensibility to this traditional genre.
A light and realistic approach to an unhealthy relationship between two young people, each with their own frustrations, expectations and difficulties in communicating honestly with their partner.
Don't expect much comedy, nor much romance or wise messages, which, apart from the narrator, seem to be exclusive to women in this film. Even an 11-year-old girl is smarter than any man, which seems to be forced for comedy purposes.
Still, there is a very good message that the film addresses more than once: the importance of being honest with others and with ourselves.
Overall, it is a very enjoyable film to watch, with great music, innovative back-and-forth directing and nice colours / photography.
Don't expect much comedy, nor much romance or wise messages, which, apart from the narrator, seem to be exclusive to women in this film. Even an 11-year-old girl is smarter than any man, which seems to be forced for comedy purposes.
Still, there is a very good message that the film addresses more than once: the importance of being honest with others and with ourselves.
Overall, it is a very enjoyable film to watch, with great music, innovative back-and-forth directing and nice colours / photography.
Greetings again from the darkness. The narrator warns us upfront ... this is not a love story. Still, we are so preconditioned by Hollywood, that directive merely floated around in my head until near the end of the film when I realized it was perfectly accurate.
Joseph Gordon-Levit and Zooey Deschanel are the leads and each bring a certain quirkiness and sensitivity to their roles. Watching them grow as a couple just never quite clicks for the viewer the way it does for JGL's character. He buys in hook, line and sinker and believes his destiny for love is being fulfilled by Summer (Zooey).
Director Marc Webb throws a bit of everything at us - just to prove this is not a traditional love story. We get the fun of memory blender - flashbacks like Day 488, Day 2, Day 159 - well you get the point. That is how most of us remember anyway: non-linear. We also get a funny musical number in the park, a b & w Bergmanesque dramatization, and a leading man whose poetic musings are limited to his writing quips for a greeting card company. Oh, he also takes love advice from his 11 year old soccer-playing sister (Chloe Moretz), but wisely declines most of it from his best friend played by sexist, drunken (and funny) co-worker, Geoffrey Arend.
What I really like about the film is that it is different, yet very realistic. So often our "dream" girl is just not quite a fit in this world, yet she and the next guy are just right. Doesn't seem fair, but in reality, it is not only fair, but perfectly just. And remember, there is always another season ... maybe Autumn?
Joseph Gordon-Levit and Zooey Deschanel are the leads and each bring a certain quirkiness and sensitivity to their roles. Watching them grow as a couple just never quite clicks for the viewer the way it does for JGL's character. He buys in hook, line and sinker and believes his destiny for love is being fulfilled by Summer (Zooey).
Director Marc Webb throws a bit of everything at us - just to prove this is not a traditional love story. We get the fun of memory blender - flashbacks like Day 488, Day 2, Day 159 - well you get the point. That is how most of us remember anyway: non-linear. We also get a funny musical number in the park, a b & w Bergmanesque dramatization, and a leading man whose poetic musings are limited to his writing quips for a greeting card company. Oh, he also takes love advice from his 11 year old soccer-playing sister (Chloe Moretz), but wisely declines most of it from his best friend played by sexist, drunken (and funny) co-worker, Geoffrey Arend.
What I really like about the film is that it is different, yet very realistic. So often our "dream" girl is just not quite a fit in this world, yet she and the next guy are just right. Doesn't seem fair, but in reality, it is not only fair, but perfectly just. And remember, there is always another season ... maybe Autumn?
Bruh. SO many of the reviews are just "wahhh all women are lying TRASH!! >:(" Y'all are obviously missing the point. The point is that this is REAL. I don't know why people are saying she's a liar when she isn't. She's very upfront about what she wants because that's genuinely what she thought. But then things escalated. That's how it works sometimes. Just because we think we want something doesn't mean it'll work out that way. And people get caught up. And by the time she was too far in she realized it was too late and he was in love. That doesn't make her a liar, it makes her human. Summer could've handled it better. Hanson could've also handled it better. He knew her intentions going in, but he got caught up. Just like the rest of us. It happens. There's no villain here, just human beings. If you're just gonna watch this movie and cry about how all women are evil because you're a pathetic excuse of a human, then please exit. This movie is heartbreaking, but also a good lesson. It may not be for everyone and that's ok, but no need to blame an entire gender for something a fictional character did (even though she didn't? Still confused where the "she's a liar" thing came in...). Watch this if you've ever gotten carried away with love, and hopefully you see the beauty :)
I haven't seen a romance this touching since I was the same type of single sad sack as depicted by the hero of (500) Days of Summer.
Tom (Joseph Gordon-Levitt) has his radar up for "the girl of his dreams" when he meets Summer (Zooey Deschanel). Too bad for Tom Summer is stuck on friends-with-benefits mode. Let the tension begin.
Director Marc Webb captures the feeling of innocent, naïve love expertly. Anyone who has taken the lyrics of the Smiths too closely to heart, would be moved by the idea of the person they are crushing on sing to them: "To die by your side/is such a heavenly way to die." No wonder Tom soon falls head over heels for this girl.
As events unfold out of sequence, you know all along Tom has fallen for a time bomb of a woman, and he can't even see the countdown. When that bomb finally blows up in his face, it unfolds with powerful simplicity-- no exposition or dialog, just two juxtaposed events that capture the heartache of reality hitting a person who sees a person through the filter of deep-seated emotions that were planted at too young an age.
So many romantic films nowadays concern themselves with cute ideas; take 'He's Just Not That Into You' or 'Serendipity' for example. Even movies like 'Knocked Up' where a pot-smoking, video-gaming, narcissistic slob tries to turn his life around to try to be a father feels more contrived than real. These movies forget about human feelings.
Who cares about stock or cartoonish characters in love. The couple in (500) Days of Summer have true chemistry. There are some beautiful, subtle moments of tenderness as well as some heart- rending moments of disconnectedness between the two that never comes across as heavy-handed. The movie constantly reminds you that these are two different people with different ideas of a relationship, yet they stubbornly continue dating, and they remain lovable all the same.
An omniscient narrator sets the film up early on by noting "this is not a love story." And, in a way, it isn't. It's a story about feelings. It just so happens (500) Days of Summer captures the sensation of falling in love better than most movies.
For more of my reviews, visit indieethos.com
Tom (Joseph Gordon-Levitt) has his radar up for "the girl of his dreams" when he meets Summer (Zooey Deschanel). Too bad for Tom Summer is stuck on friends-with-benefits mode. Let the tension begin.
Director Marc Webb captures the feeling of innocent, naïve love expertly. Anyone who has taken the lyrics of the Smiths too closely to heart, would be moved by the idea of the person they are crushing on sing to them: "To die by your side/is such a heavenly way to die." No wonder Tom soon falls head over heels for this girl.
As events unfold out of sequence, you know all along Tom has fallen for a time bomb of a woman, and he can't even see the countdown. When that bomb finally blows up in his face, it unfolds with powerful simplicity-- no exposition or dialog, just two juxtaposed events that capture the heartache of reality hitting a person who sees a person through the filter of deep-seated emotions that were planted at too young an age.
So many romantic films nowadays concern themselves with cute ideas; take 'He's Just Not That Into You' or 'Serendipity' for example. Even movies like 'Knocked Up' where a pot-smoking, video-gaming, narcissistic slob tries to turn his life around to try to be a father feels more contrived than real. These movies forget about human feelings.
Who cares about stock or cartoonish characters in love. The couple in (500) Days of Summer have true chemistry. There are some beautiful, subtle moments of tenderness as well as some heart- rending moments of disconnectedness between the two that never comes across as heavy-handed. The movie constantly reminds you that these are two different people with different ideas of a relationship, yet they stubbornly continue dating, and they remain lovable all the same.
An omniscient narrator sets the film up early on by noting "this is not a love story." And, in a way, it isn't. It's a story about feelings. It just so happens (500) Days of Summer captures the sensation of falling in love better than most movies.
For more of my reviews, visit indieethos.com
Wusstest du schon
- WissenswertesJenny Beckman, the girl who is mentioned at the beginning of the movie, was a real girl who dumped one of the screenwriters, Scott Neustadter. Summer is based on this girl, and the script of the movie on their relationship.
- PatzerSummer's heart shaped birthmark on the left side of her neck is is shown twice (same footage) but is then not seen in situations where it should clearly be visible (most notably during the wedding scene where she is dancing with Tom).
- Zitate
Rachel Hansen: Look, I know you think she was the one, but I don't. Now, I think you're just remembering the good stuff. Next time you look back, I, uh, I really think you should look again.
- Crazy CreditsAt the beginning of the movie, before the title, a disclaimer states: AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to any persons living or dead is purely coincidental. ------------------------------------------------------------------- Especially you Jenny Beckman. ------------------------------------------------------------------- Bitch.
- VerbindungenEdited into #BerhentiDiKamu (2021)
- SoundtracksUs
Written and Performed by Regina Spektor
Courtesy of Sire Records
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 500 días con ella
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.391.374 $
- Eröffnungswochenende in den USA und in Kanada
- 834.501 $
- 19. Juli 2009
- Weltweiter Bruttoertrag
- 60.802.019 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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