Vier Freunde, allesamt Gymnasiallehrer, testen die Theorie, dass sie ihr Leben verbessern können, indem sie einen konstanten Blutalkoholspiegel halten.Vier Freunde, allesamt Gymnasiallehrer, testen die Theorie, dass sie ihr Leben verbessern können, indem sie einen konstanten Blutalkoholspiegel halten.Vier Freunde, allesamt Gymnasiallehrer, testen die Theorie, dass sie ihr Leben verbessern können, indem sie einen konstanten Blutalkoholspiegel halten.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 60 Gewinne & 71 Nominierungen insgesamt
Frederik Winther Rasmussen
- Malthe
- (as Frederik W. Rasmussen)
Carlos Claro Schelin
- Laura
- (as Mercedes Claro Schelin)
Cassius Aasav Browning
- Sander
- (as Cassius Browning)
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I enjoyed Thomas Vintenberg's "Another Round".
Why? Maybe because I'm an introverted guy drowining his introverted sorrow in pints of beer, wine, vodka... but not whisky. Or maybe because I'm a teacher and I can relate to being confronted to a class whose deadly silence is a severe blow to my pride. Or maybe because I'm kind of a simp when it comes to women, whether the first or the second. Or maybe because I already used alcohol to fuel some positive energy... and that it worked. Anyway I was the perfect candidate to enjoy it and I enjoyed it so much that I'm willing to do an experiment (I did one for "Festen", check the review).
Since the film is about four men and teachers (with their own issues and marital troubles): history teacher Martin (Mads Mikkelsen), P. E. teacher Tommy (Thomas Bo Larsen), philo Nikolaj (Magnus Millang) and Music Peter (Lars Ranthe) decide to prove a theory that implies a man's alcool level at 0,5g maintains or improves his social skills and creativity, that state between drunkenness and soberness. I'm willing to do a similar test and advance in that review after several drinks. This is not an endorsement of drinking, no more or less than the film but let's do it for fun. See you later.
Well, here we are, two small beers, I guess I'm there at 0,5g. How does that affect my writing I don't know. I just want to take an opportunity to say that I could really relate to the scenes that depicted every single stage of inebriation by Vintenberg. From the way, you start stumbling and looking for the right word, or just talking loudly and smiling to the way you start loosen up. There's a real portrayal of alcohol effect that takes me back to the first time I drunk, drank, whatever, when my cousin asked me to approach a girl and I was shy, it took one bottle of Malibu pineapple and the magic operated, placebo, maybe. Anyway, I could relate to the character of Mark, he's lost his appeal with his wife and girls and one glass of wine is enough to bring back the worst and anaesthetize it. Alcohol becomes the remedy to the very thoughts it catalyses, strange but true.
Having said that, I dream to be a filmmaker and one of the film I dreamed of making since 12 years involve a long sequence of guys drinking and dancing and a climactic catastrophe dancing that is almost like Madds at the end. And so for the record, I want to make it clear, if I ever make such a film, please don't accuse me to make a rip-off. I swear I had it in mind years and years before. Let's hope this will serve a purpose.
Where was I? Just had two and half glasses of wine. I guess I'm in a stage where my mind floats in total lucidity, and I already feel silly about the former paragraph... how about just making a film without caring about any accusation of plagiarism. What Vintenberg did was more than offer a platform of expression to average guys who want to be heard in a world where it's about the pleas of youngsters or women, I suspected Vintenberg was a fan of "The Deeer Hunter" when I saw "The Hunt": you know, male-bonding etc. , the drunk scenes especially when they want to literally go the distance is just like the bar scene pushed to eleven... men behaving like a children, he wife wants a fresh fish, how about fishing it... I like the way Vintenberg use the process of handheld camera to exteriorize the drunken effect like Harvey Keitel's "Rubber Sandwich" scene in "Mean Streets".
The directing, rightfully Oscar-nominated is both subjective and objective, it shows the state of mind, shows the way they look at their own entourage, whether kids laughing at their jokes or women telling them to calm down and it shows a certain reality about couples, exams, needs for existence and that found a perfect loophole with alcohol. Does the film advocate the drinking? Well given the most extreme scenario and the fact that a man wets his own bed and Marcus ends up laying on the ground, I doubt so... but what Vintenberg does is acknowledge that there's a reason for existence (remember what Homer Simpson said?) and he doesn't back up in the controversial scene where a teacher advices a student to drink before answering, it can help... I'll be back...
Now, I guess I got to the limit, my head is heavier and I'm tired. Maybe that' what consumption is about, there's an aftershock, something to bite you back that is called reality... Vintenberg draws the line between reality as it seems and the the virtual universe we fabricate to improve or please ourselves.... I was perplex about the ending, why cut the focus from the experience and leave us with the aftermath of the first booze orgy... maybe Vintenberg settles a personal record with destiny (check the trivia) and out of honesty decided to show that alcohol is a life-and-death issue whether physical or "social" death. Still the same...
However the ending that seems to embrace the energy boost of alcohol within the students and their intergenerational communion with teachers suggests a social cement, a rite of passage, as wicked as it is, it exists and that one should handle it with responsibility. It's interesting that if Marcus could get his wife to notice him with alcohol, her comeback is due to one moment where he chose to be sober... and maybe there's a certain sternness, a strength in that sate that can take you further in life... and watching the quality of the directing, I was sure there was no alcohol involved during the filming.
Think about it before calling the film an ode to alcohol? Off to bed now...
Why? Maybe because I'm an introverted guy drowining his introverted sorrow in pints of beer, wine, vodka... but not whisky. Or maybe because I'm a teacher and I can relate to being confronted to a class whose deadly silence is a severe blow to my pride. Or maybe because I'm kind of a simp when it comes to women, whether the first or the second. Or maybe because I already used alcohol to fuel some positive energy... and that it worked. Anyway I was the perfect candidate to enjoy it and I enjoyed it so much that I'm willing to do an experiment (I did one for "Festen", check the review).
Since the film is about four men and teachers (with their own issues and marital troubles): history teacher Martin (Mads Mikkelsen), P. E. teacher Tommy (Thomas Bo Larsen), philo Nikolaj (Magnus Millang) and Music Peter (Lars Ranthe) decide to prove a theory that implies a man's alcool level at 0,5g maintains or improves his social skills and creativity, that state between drunkenness and soberness. I'm willing to do a similar test and advance in that review after several drinks. This is not an endorsement of drinking, no more or less than the film but let's do it for fun. See you later.
Well, here we are, two small beers, I guess I'm there at 0,5g. How does that affect my writing I don't know. I just want to take an opportunity to say that I could really relate to the scenes that depicted every single stage of inebriation by Vintenberg. From the way, you start stumbling and looking for the right word, or just talking loudly and smiling to the way you start loosen up. There's a real portrayal of alcohol effect that takes me back to the first time I drunk, drank, whatever, when my cousin asked me to approach a girl and I was shy, it took one bottle of Malibu pineapple and the magic operated, placebo, maybe. Anyway, I could relate to the character of Mark, he's lost his appeal with his wife and girls and one glass of wine is enough to bring back the worst and anaesthetize it. Alcohol becomes the remedy to the very thoughts it catalyses, strange but true.
Having said that, I dream to be a filmmaker and one of the film I dreamed of making since 12 years involve a long sequence of guys drinking and dancing and a climactic catastrophe dancing that is almost like Madds at the end. And so for the record, I want to make it clear, if I ever make such a film, please don't accuse me to make a rip-off. I swear I had it in mind years and years before. Let's hope this will serve a purpose.
Where was I? Just had two and half glasses of wine. I guess I'm in a stage where my mind floats in total lucidity, and I already feel silly about the former paragraph... how about just making a film without caring about any accusation of plagiarism. What Vintenberg did was more than offer a platform of expression to average guys who want to be heard in a world where it's about the pleas of youngsters or women, I suspected Vintenberg was a fan of "The Deeer Hunter" when I saw "The Hunt": you know, male-bonding etc. , the drunk scenes especially when they want to literally go the distance is just like the bar scene pushed to eleven... men behaving like a children, he wife wants a fresh fish, how about fishing it... I like the way Vintenberg use the process of handheld camera to exteriorize the drunken effect like Harvey Keitel's "Rubber Sandwich" scene in "Mean Streets".
The directing, rightfully Oscar-nominated is both subjective and objective, it shows the state of mind, shows the way they look at their own entourage, whether kids laughing at their jokes or women telling them to calm down and it shows a certain reality about couples, exams, needs for existence and that found a perfect loophole with alcohol. Does the film advocate the drinking? Well given the most extreme scenario and the fact that a man wets his own bed and Marcus ends up laying on the ground, I doubt so... but what Vintenberg does is acknowledge that there's a reason for existence (remember what Homer Simpson said?) and he doesn't back up in the controversial scene where a teacher advices a student to drink before answering, it can help... I'll be back...
Now, I guess I got to the limit, my head is heavier and I'm tired. Maybe that' what consumption is about, there's an aftershock, something to bite you back that is called reality... Vintenberg draws the line between reality as it seems and the the virtual universe we fabricate to improve or please ourselves.... I was perplex about the ending, why cut the focus from the experience and leave us with the aftermath of the first booze orgy... maybe Vintenberg settles a personal record with destiny (check the trivia) and out of honesty decided to show that alcohol is a life-and-death issue whether physical or "social" death. Still the same...
However the ending that seems to embrace the energy boost of alcohol within the students and their intergenerational communion with teachers suggests a social cement, a rite of passage, as wicked as it is, it exists and that one should handle it with responsibility. It's interesting that if Marcus could get his wife to notice him with alcohol, her comeback is due to one moment where he chose to be sober... and maybe there's a certain sternness, a strength in that sate that can take you further in life... and watching the quality of the directing, I was sure there was no alcohol involved during the filming.
Think about it before calling the film an ode to alcohol? Off to bed now...
'Another Round (2020)' is a Danish film about four middle-aged teachers who, discontent with their stagnant lives, decide to experiment with maintaining a constant level of alcohol (0.05%) in their blood at all times. What starts out as intoxicating soon becomes dangerous, as their purely scientific trial threatens to devolve into all-out alcoholism. The different men handle their booze in different ways, though they all inevitably fly too close to the sun at one point or another. I've seen some accusations that the film condones substance abuse, but I don't think that's the case. Though it doesn't have an overt anti-alcohol message, it makes sure to show both the good and the bad of its focal fluid and ultimately advocates for moderation above all else. Plus, its teenage characters are supposed to be either seventeen or eighteen and the legal age for buying alcohol in Denmark is sixteen. Though I don't think it's a good idea for children to consume what's, essentially, poison, I think this flick is just honest to the society in which its characters and filmmakers live. Basically, this aspect is more of a societal and cultural issue than one specific to this feature. The film isn't a clear-cut morality tale, rather a relatively realistic examination of human emotion in all its imperfect glory. It depicts happiness, sadness, complacency, resentment, enjoyment and anxiety; it runs the gamut of emotion, both in what it depicts and it what it elicits, to craft an unbiased portrait of its subjects that resonates on a surprisingly deep level. Its bittersweet final scene, which mixes melancholy with jubilation in a bizarrely touching way, is a microcosm of its overall nuance. The movie is a touch slow in its second act, but it's typically an entertaining and engaging experience. Its performances are remarkable, too. It's as often funny as it is heartbreaking. Generally, it feels like a grounded and honest experience that manages to be life-affirming without being close to saccharine. It isn't happy, so to speak, just truthful. Truth can be beautiful. 7/10.
An intoxicating celebration of life and a sobering examination of midlife crisis that illuminates the inebriating delights & euphoric pleasures of alcohol influence with heart & humour without ever shying from the havoc it can cause when consumed in excess, Another Round (Druk) blends the elements of comedy, drama & tragedy into a vibrant, effervescent & invigorating mix, and is brilliantly spearheaded by a stellar showcase from the ever-reliable Mads Mikkelsen.
Co-written & directed by Thomas Vinterberg, the film reunites him with Mikkelsen after their memorable stint with The Hunt and the result is another instant classic. Vinterberg takes a naturalistic & humanistic approach to bring his story to life and offers a fascinating take on the role of alcohol in Danish culture (or any culture for that matter). The plot concerns four friends who test out an alcohol experiment to enliven their banal professional & personal lives, and it is compelling throughout.
But none of it would be as gripping if the bonding between the characters wasn't convincing enough and their individual arcs weren't fleshed out. Everyone plays a valuable role in the story yet the one who makes the experience truly worthwhile & rewarding is Mads Mikkelsen whose performance here ranks amongst his finest. We strongly relate to his character, are fully invested in his journey, and the magic he conjures in the last segment is destined to leave an indelible impression on the viewers, leaving them all high & in a state of pure bliss.
Overall, Another Round is beautifully anchored by Vinterberg's sensible direction & Mikkelsen's masterful rendition, and is one of the most engrossing, arresting & life-affirming films of the year. Equal parts funny, touching & heartbreaking, this Danish dramedy has enough vigour & potency to leave most viewers enraptured with its infectious spell & fleeting vibe, and the dazzling quality of the last scene not only serves as a fitting end to a joyful ride but also affirms the film's position as one of the strongest entries of 2020. Truly worth your time & money, Another Round comes highly recommended.
Co-written & directed by Thomas Vinterberg, the film reunites him with Mikkelsen after their memorable stint with The Hunt and the result is another instant classic. Vinterberg takes a naturalistic & humanistic approach to bring his story to life and offers a fascinating take on the role of alcohol in Danish culture (or any culture for that matter). The plot concerns four friends who test out an alcohol experiment to enliven their banal professional & personal lives, and it is compelling throughout.
But none of it would be as gripping if the bonding between the characters wasn't convincing enough and their individual arcs weren't fleshed out. Everyone plays a valuable role in the story yet the one who makes the experience truly worthwhile & rewarding is Mads Mikkelsen whose performance here ranks amongst his finest. We strongly relate to his character, are fully invested in his journey, and the magic he conjures in the last segment is destined to leave an indelible impression on the viewers, leaving them all high & in a state of pure bliss.
Overall, Another Round is beautifully anchored by Vinterberg's sensible direction & Mikkelsen's masterful rendition, and is one of the most engrossing, arresting & life-affirming films of the year. Equal parts funny, touching & heartbreaking, this Danish dramedy has enough vigour & potency to leave most viewers enraptured with its infectious spell & fleeting vibe, and the dazzling quality of the last scene not only serves as a fitting end to a joyful ride but also affirms the film's position as one of the strongest entries of 2020. Truly worth your time & money, Another Round comes highly recommended.
Same case.
The movie was extremely powerful for me. Also, for what it's worth, I think it wasn't about alcohol. It was more about life and how small change can cause greater consequences - good and bad alike - and how one should learn to initiate and control the change in order to have a go at serenity.
I think watching it gave me a feeling I have not had in ages. A feeling of guilt and hope together. Well, if that's not something, I don't know what is. Do yourself a favor and watch it.
The movie was extremely powerful for me. Also, for what it's worth, I think it wasn't about alcohol. It was more about life and how small change can cause greater consequences - good and bad alike - and how one should learn to initiate and control the change in order to have a go at serenity.
I think watching it gave me a feeling I have not had in ages. A feeling of guilt and hope together. Well, if that's not something, I don't know what is. Do yourself a favor and watch it.
Martin is a jaded history teacher. His relationship with his wife and family has also reached a point of staleness and his whole life seems to be one big bore. Similarly, his three best friends, teachers at the same school, have also reached a flat period in their lives. When one of them reads a theory that says that having a moderate degree of alcohol in your system at all times is a way to loosen up, they give it a go (for research purposes, of course!). It seems to work and they start upping the alcohol level. But what's the limit and what are the consequences?
Great, interesting drama. Written and directed by Thomas Vinterberg who gave us such exceptional films as Festen / The Celebration (1998), Submarino (2010) and Jagten / The Hunt (2012) the plot is quite original and challenging. Covering a topic like excessive alcohol consumption and alcoholism and (on the surface) making it seem like a good thing is quite novel and sure to be confrontational and controversial, making for an intriguing journey.
Ultimately it has to more nuanced than simply being a pro-alcohol drama, otherwise it would be pretty dull and predictable (think of The Hangover without the comedy, i.e. The Hangover II & III). It is more faceted than that, and some interesting twists and themes do develop, but saying anything more would give away the plot.
Great performance by Mads Mikkelsen (but that's a given) and good supporting cast.
Druk / Another Round deservedly won Best International Feature Film at the 2021 Oscars and Vinterberg got a nomination for Best Director.
Great, interesting drama. Written and directed by Thomas Vinterberg who gave us such exceptional films as Festen / The Celebration (1998), Submarino (2010) and Jagten / The Hunt (2012) the plot is quite original and challenging. Covering a topic like excessive alcohol consumption and alcoholism and (on the surface) making it seem like a good thing is quite novel and sure to be confrontational and controversial, making for an intriguing journey.
Ultimately it has to more nuanced than simply being a pro-alcohol drama, otherwise it would be pretty dull and predictable (think of The Hangover without the comedy, i.e. The Hangover II & III). It is more faceted than that, and some interesting twists and themes do develop, but saying anything more would give away the plot.
Great performance by Mads Mikkelsen (but that's a given) and good supporting cast.
Druk / Another Round deservedly won Best International Feature Film at the 2021 Oscars and Vinterberg got a nomination for Best Director.
Wusstest du schon
- WissenswertesInstead of having two sons, the character played by Mads Mikkelsen was originally meant to have a son and a daughter, the latter to be played by director Thomas Vinterberg's daughter Ida Maria Vinterberg. However, Ida was killed in a car crash in Belgium four days into filming, before she was planned to film her scenes. The film is dedicated to her.
- PatzerMartin's shoes change in the dance scene.
- VerbindungenFeatured in Projector @ LFF: Another Round (AKA Druk) (2020)
- SoundtracksWhat a Life
Written by Alexander Lørup Malone, Emil Goll and Joachim Christiansen
Performed by Scarlet Pleasure
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Details
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- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Another Round
- Drehorte
- Nordre Toldbod, Kopenhagen, Dänemark(harbor scene)
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Box Office
- Weltweiter Bruttoertrag
- 12.745.392 $
- Laufzeit1 Stunde 57 Minuten
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- Sound-Mix
- Seitenverhältnis
- 2.00 : 1
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