From Dusk Till Dawn

When the movie started, I was sold to a crime movie. The intro was the perfect setup for a Tarantino film. Two criminal brothers on the run trying to get to Mexico. Simple and brilliant.

The movie introduced two hot-headed brothers, so you know crap was gonna hit the fan and duels were gonna go down. It had everything I wanted: black comedy, crime, suspense, drama, thriller, even Salma Hayek.

At that point, everything was perfect... but then, the vampires appeared and the whole film had a 180 degree turn. It just didn't fit with the rest of the movie.

I'm not gonna lie, the different ways of how they killed the vampires were pretty cool and creative, but I felt like the first half of the movie was made by Tarantino and the second half was made by Rodriguez.

This movie had a lot of potential if it stuck with the first plot. I would've rated higher if they would've continued Gecko Brothers' adventure.

I have to say that this is actually a good movie although it does lose it's way towards the end. The final 15 minutes I thought were a little crappy. I prefer more realism in my vampires but having said that, I cannot fault Tarantino, his is perfect in the role as the twisted Richard Gecko, and although I don't usually like George Clooney he was surprisingly cool as Seth. There are some funny moments that you have to have a slightly twisted humour to appreciate (which I do!) and as long as you don't take it too seriously, it is an entertaining movie. If you like overacting, lots and lots of blood and Tarantino movies then go see.

George Clooney should have stuck will this kind of role. He did fine in Out of Sight and Ocean's Eleven, but he really dominated this movie with a fury that we may never see again. Almost every line he delivers is memorable and that is not all Tarantino's doing. The rest of the cast is dominated by cool cameos and veteran cult and mainstream names. The exception being Ernest Liu who does a good job of holding his own. No Tarantino film would be complete without a good soundtrack. This one, as with Desperado, features songs by Tito and Tarantula. Although I have only heard four songs by them, I consider them one of my favorites. I will never forget what my parents told me after they watched this without me. "You sure can pick 'em," my mother blurted with distain. Do not make my mistake, watch it with your parents to see them squirm.

I loved this film for many reasons. For one, the switch from a crime thriller to a horror thriller was seamless. I for one had not heard much about this film before I watched it, and I assumed the TV Times were mistaken in called this a gory horror thriller. To me, it was a simple crime thriller, the norm which is expected from Tarantino's pen. However, the switch was such a shock and so fast, that I didn't now what happened I was amazed at this revelation, since there was no word of any horror topics beforehand in the script. It was completely out of the blue, and resulted in a pleasant surprise.

And the thing that's interesting is that BOTH halves to this film, both the crime section and horror section are enjoyable. The first half has less action, but tension does mount between Keitel and Clooney, while Tarantino is in the back, paying special attention to Keitel's daughter. A great premise with an equally great script in the first half. The second section is also great because of the horrific violence and as I heard mentioned before, the unique ways on how to kill vampires.

The script is witty and full of dark humour, "I have 6 little friends and they all run faster than you.", and the intro is certainly one of the best I have seen in months. The characters are well established, with Clooney as the 'gentleman' (well, not really) crook, Tarantino as his psychotic brother (who, strangely, I found difficult not to warm to) and Keitel is the preacher who has lost his faith, the hostage who will help out later when the satanic hordes unleash themselves.

A special mention must go to Salma Hayek for that special dance. ;) While this film was never made out of blockbuster material, it is still very understated, taking a unique and perhaps surreal viewing on the horror genre, all the while using horror stereotypes. As far as graphic violence is concerned, it is on par with the likes of Evil Dead (well, perhaps not THAT bad).

For once, this is a film which doesn't give the viewer all the answers beforehand. You are in the same boat as the characters and you don't know what's in store for them. If you hadn't seen this before, without any knowledge of the movie, you'd be in for a huge surprise as I was.

An 8/10 for it's script (thanks to Tarantino) and the actors who, while not trying too hard, make this an enjoyable horror flick with a difference.

Anyone trying to do a 'serious review' of this movie needs to lighten up. George Clooney and Quentin Tarantino are the Gecko brothers, two bad, bad men on their way to Mexico. Along the way they pick up a preacher played by Harvey Keitel and his two kids. They're supposed to meet a partner at a bar called The Titty Twister, and once they get there madness ensues. From there it takes a turn that many seem to find infuriating but I personally find highly entertaining. It's humming along like a typical Tarantino picture, and then- BOOM. Out of nowhere, it becomes all too clear that these two bad, bad men are not by a longshot the baddest in *this* bar. All of this can- and *will*, given the right attitude on the part of the viewers- read as a loving high-five to 70s zombie flicks, a homage to the campy fun of those movies. The tough guy dialog continues throughout, the gore level is astounding, and we see via Kate- the preacher's daughter, played by Juliette Lewis- that sometimes a p***ed-off virgin with a crossbow can more than hold her own. On top of that, it has a hella-cool biker-bar soundtrack and Salma Hayek in a bikini. What's not to like?