City Homicide

Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.

The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).

That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.

I'm a big fan of Homicide life on the street and loved Detroit 187 and other shows like them. If you like those too you will live this. The first show almost lost me. It had really dorky music but a good story line so I watched a few more and fell in love.

This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.

The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.

I've binged my way through many American, British, and a few Australian cop shows and this is one of the best. I'm about halfway through season 2.

If I could describe City Homicide with one word, the word would be "lean." The plots are interesting and the detective work is straightforward. Some of the police work is techie, but most of it is good, old-fashioned research, door-to-door canvassing, and just plain following up leads. And the show avoids injecting unnecessary tension into the process with false leads and red herrings. There's no fat in this show-- just good police work by a capable and compatible ensemble.

There are some character back stories, but they don't shove the crime story to the back burner (as happens in many programs).

I just finished watching the last show of the series. I waited to write a review until I saw the entire run. Yes, this isn't the strongest Australian show out there, but overall it was a very good show. The entire cast was used equally with no one major "star" coming to the front. For me that is a plus. everyone had an equal part to play. One complaint, when the show ended it left everything up in the air. It could have run at least another season or two. All in all a very good show , well worth your time.

Frankly, I'm an American watching this show "second hand" via the internet, 72 minutes at a time. This means my frame of comparison is typical American cop dramas.

I really like this show.

Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.

Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.

As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.

This is also a refreshing change.

If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.

(And don't worry, you'll pick up on the accent pretty quickly...)