Eine junge Frau wird mit einem in Ungnade gefallenen Spion verwechselt, der versucht, seinen Namen zu rein zu waschen.Eine junge Frau wird mit einem in Ungnade gefallenen Spion verwechselt, der versucht, seinen Namen zu rein zu waschen.Eine junge Frau wird mit einem in Ungnade gefallenen Spion verwechselt, der versucht, seinen Namen zu rein zu waschen.
- Auszeichnungen
- 3 Nominierungen insgesamt
Jack O'Connell
- Wilmer
- (as Jack A. O'Connell)
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Although far inferior in both concept and results, "Knight and Day" has its roots in the classic screwball comedies of the 1930's. Cute, seemingly coincidental airport encounters connect an attractive blonde, Cameron Diaz, who is en route to her sister's wedding, with a handsome man of mystery, Tom Cruise, and a series of wildly improbable events ensues. An early scene aboard a near-empty airliner is perhaps the film's highlight, as Cruise does battle with unknown assailants, while a blissfully unaware Diaz primps in the restroom, intent on seducing Cruise. Perhaps if the humor and pace of this scene had been sustained, the film would have been more successful. If Cary Grant were the dashing stranger and Katharine Hepburn the unwitting accomplice, the film would have been classic.
However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.
Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.
However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.
Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.
I was sort of influenced by the somewhat bad reviews I had read about this movie, but decided to watch it anyway, because both Tom Cruise and Cameron Diaz usually make good movies. So I sat down and watched it, and I am glad that I did.
There is action all throughout the movie, from the beginning till the very end, and it is the sort of action that is in your face and keeps your adrenalin pumping without being too much over the edge. And the action scenes were well choreographed and worked well.
Also, the comedy in the movie was well used at the right times, adding a lot of flavor to the movie. This aspect gave the movie so much charm and it worked wonderfully. Both Cruise and Diaz were good with these comedy twists.
The story is pretty straight forward and easy to follow, leaving some up for you to guess and speculate about, and that was good.
As for the cast, well as always, Tom Cruise and Cameron Diaz put on magnificent work. I personally think that this is actually one of Tom Cruise's best movies. But of course, we all have our own preferences. The supporting cast also did well.
My friend said that this movie seemed like an imitation of the "Mission Impossible" movies, but I think it is in a whole other league. This one is an action-comedy while the others are pure action.
This movie is good for an evenings entertainment with lots of action and laughs. And the chemistry between Cruise and Diaz makes it worth it just for that alone. If you haven't seen this movie already, get to it!
There is action all throughout the movie, from the beginning till the very end, and it is the sort of action that is in your face and keeps your adrenalin pumping without being too much over the edge. And the action scenes were well choreographed and worked well.
Also, the comedy in the movie was well used at the right times, adding a lot of flavor to the movie. This aspect gave the movie so much charm and it worked wonderfully. Both Cruise and Diaz were good with these comedy twists.
The story is pretty straight forward and easy to follow, leaving some up for you to guess and speculate about, and that was good.
As for the cast, well as always, Tom Cruise and Cameron Diaz put on magnificent work. I personally think that this is actually one of Tom Cruise's best movies. But of course, we all have our own preferences. The supporting cast also did well.
My friend said that this movie seemed like an imitation of the "Mission Impossible" movies, but I think it is in a whole other league. This one is an action-comedy while the others are pure action.
This movie is good for an evenings entertainment with lots of action and laughs. And the chemistry between Cruise and Diaz makes it worth it just for that alone. If you haven't seen this movie already, get to it!
Knight and Day" is a comfort food movie. It's a pleasant diversion, a fun time at the cinema that doesn't ask a lot of of it's audience and offers an enjoyable ride. We've seen it all before, but it worked pretty well then, and it works pretty well now.
June Havens (Cameron Diaz) is an average perky blonde romantic comedy heroine who runs into the charming and mysterious Roy Miller (Tom Cruise) at the airport, and is sucked into a series of misadventures when Roy turns out to be a secret agent fighting rogue elements in his own agency . . . or maybe HE's the rogue agent . . . It depends on who she listens to. there's a mysterious device called the Zephyr that Roy is either protecting or trying to steal. All of this is fairly predictable, and, again, nothing new. But director James Mangold ("Copland", "Walk the Line", "3:10 to Yuma") always knows how to make a film play, and his skills haven't deserted him here. His pacing is brisk and fun, and he stages some terrific action (including one sequence from Diaz' point of view that did feel genuinely new).
Of course, this is a star vehicle, and whether you enjoy it will depend a lot on how you feel about Tom Cruise. Dismissing his personal life as utterly irrelevant, I find him to be a solid and dependable actor who does action better than almost anyone in Hollywood. And, here, he gets a rare chance to flex his comic muscles, and hie's quite funny (though too much of the best material is in the trailer). Diaz is pleasant, but tries a little too hard to be cute. And, occasionally, the film itself has the same problem.
But, overall, it's a funny little spy movie. part adventure, part romcom. Not destined for any Ten Best Lists, but enjoyable summer entertainment.
June Havens (Cameron Diaz) is an average perky blonde romantic comedy heroine who runs into the charming and mysterious Roy Miller (Tom Cruise) at the airport, and is sucked into a series of misadventures when Roy turns out to be a secret agent fighting rogue elements in his own agency . . . or maybe HE's the rogue agent . . . It depends on who she listens to. there's a mysterious device called the Zephyr that Roy is either protecting or trying to steal. All of this is fairly predictable, and, again, nothing new. But director James Mangold ("Copland", "Walk the Line", "3:10 to Yuma") always knows how to make a film play, and his skills haven't deserted him here. His pacing is brisk and fun, and he stages some terrific action (including one sequence from Diaz' point of view that did feel genuinely new).
Of course, this is a star vehicle, and whether you enjoy it will depend a lot on how you feel about Tom Cruise. Dismissing his personal life as utterly irrelevant, I find him to be a solid and dependable actor who does action better than almost anyone in Hollywood. And, here, he gets a rare chance to flex his comic muscles, and hie's quite funny (though too much of the best material is in the trailer). Diaz is pleasant, but tries a little too hard to be cute. And, occasionally, the film itself has the same problem.
But, overall, it's a funny little spy movie. part adventure, part romcom. Not destined for any Ten Best Lists, but enjoyable summer entertainment.
I've watched this movie at least three times and I like it more each time I see it. I have no idea why critics tanked it when it first came out. This movie definitely has 'staying power' and the goods.
I've come to really appreciate Tom Cruise's ability to provide some top notch comedy. It's not what he's known for, but man can he deliver some really funny scenes. Point in case, "Tropic Thunder". Cruise was absolutely hilarious in this movie. People who make their living being comedians would be hard pressed to match the level he obtains in that movie. "Edge of Tomorrow" is another. Cruise is a man who can deliver on many different levels when it comes to acting. He does just that in "Knight And Day". Cameron Diaz, who I normally don't like very much - does a very good job in this movie and her chemistry with Cruise is spot on.
This movie delivers a good script, beautiful locations, great acting and intense action. What more could you ask for? I highly recommend this film. It delivers on so many different levels. A great way to spend an evening!
I've come to really appreciate Tom Cruise's ability to provide some top notch comedy. It's not what he's known for, but man can he deliver some really funny scenes. Point in case, "Tropic Thunder". Cruise was absolutely hilarious in this movie. People who make their living being comedians would be hard pressed to match the level he obtains in that movie. "Edge of Tomorrow" is another. Cruise is a man who can deliver on many different levels when it comes to acting. He does just that in "Knight And Day". Cameron Diaz, who I normally don't like very much - does a very good job in this movie and her chemistry with Cruise is spot on.
This movie delivers a good script, beautiful locations, great acting and intense action. What more could you ask for? I highly recommend this film. It delivers on so many different levels. A great way to spend an evening!
This movie was very entertaining. It was a fun, action-packed romantic comedy. It did not do well at the box office domestically because U.S film critics were harsh, but it performed superbly in the international market. International films fans understood to not take it too seriously. Both Tom and Cameron performed well in their roles. They had some adorably funny lines to deliver. Regardless of what is in the gossip columns on these actors, they are good, great actors depending on the roles and scripts they are given. If you want to see a nice escape from reality type movie, watch this one. About 2 weeks after I purchased the three disc combo, I enjoyed the extended version as well. I appreciate that Amazon was offering that bonus, and it's a great way for them to introduce their Video On Demand services.
Wusstest du schon
- WissenswertesTom Cruise and Cameron Diaz did a majority of the stunts on their own. Cruise and Diaz are avid drivers, and have experience doing sharp turns and 180s.
- PatzerWhen June is taken to Antonio's home in Seville, Spain, the city is celebrating the festival of San Fermin. Part of that is the famous running of the bulls, which happens in Pamplona, not Seville. Pamplona is in northern Spain; Seville is in southern Spain.
- Zitate
Roy Miller: Nobody follow us or I kill myself and then her!
- Crazy CreditsThe film's title appears at the very end of the closing credits.
- Alternative VersionenAn 'Extended Cut' is available in Region 2 (UK and Europe), Region 3 (Asia) and Region 4 (Australia & NZ). It adds eight minutes of footage, mostly extended versions of existing scenes, as well as a new opening scene that better establishes June Haven's profession as a mechanic. The 'Extended Cut' was released on Video On Demand in North America, but as of January 2011, it has yet to receive a Region 1 release. (See the FAQ page for more details.)
- VerbindungenEdited into RTL Boulevard: Folge #11.70 (2010)
- SoundtracksLouie Louie
Written by Richard Berry
Performed by The Kingsmen
Courtesy of Kingsmen International Licensing, Inc.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Encuentro explosivo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 117.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 76.423.035 $
- Eröffnungswochenende in den USA und in Kanada
- 20.139.985 $
- 27. Juni 2010
- Weltweiter Bruttoertrag
- 261.989.769 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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