Helen

At first I didn't like this movie a whole lot. As other reviewers have already pointed out, it's merciless in its stereotypical portrayal of people: every character in the movie is a royal jerk except for the 2 depressed people, and it gives the impression that all doctors are cold-hearted sadists, all spouses are selfish psychos, and people in general are totally apathetic.

But hold on...

Then it suddenly dawned on me, duh, that's exactly how one views the world when one is in the throes of depression. I believe it wasn't the filmmakers' intent to make an objective film. I think they were out to show us a somewhat skewed perspective through the eyes of a depressed person. At that, it's very successful.

So yes, this is a depressing movie. It's dark. It's irritating. It makes you feel like the world is a sucky place. But if, for some bizarre reason, you want to know what it's like to be depressed, then this is the movie for you.

I can't say that I "enjoyed" it (I'm no masochist!) but I can say that it's very well made, with excellent acting, effective cinematography (good use of focus & blurring), and a fitting musical score. Just as "Peewee's Big Adventure" takes us into the mind of a manically happy person with its cartoon colours and bouncy pace, "Helen" shows us the opposite side of the coin with its darkness, bleached visuals and monotonous presentation. If you want to know what it's like to be bipolar, I suppose you could watch the 2 movies back to back.

Movies like this: "House of Sand and Fog" (or as I like to call it, "House of Sand and Why Don't We Just Slit Our Wrists and Save Ourselves the DVD Rental Fee") and "Leaving Las Vegas". All of these are excellent films. But wow, hide the sharp metal objects before viewing.

As a survivor of severe clinical depression --- yes, it can be a killer --- I had a special interest in this film. I could relate to much of it. Yet I'm not sure I would recommend it to someone in the middle of depression. It is very much a "downer." Indeed my wife's comment was "I don't want to look at it. I've been through it." Having said that it is an extremely well executed film in all regards. Someone without any history of depression might not understand it or might think it exaggerates. To someone like myself, it was all too realistic. To someone in the middle of depression, it could push them over the edge. Clinical depression is right behind heart disease and cancer as a killer except that its victims die of suicide. Certainly anything that focuses attention on it such as this movie is good. In addition to its horror, depression too often is a "closet" disease in which the victim feels hopelessly lonely as was evident here as Helen tries unsuccessfully to fake normalcy. (Been there...done that...) I believe this film can be useful to the family of anyone suffering depression because it illustrates the despair of the victim and the immense stress on family and professional life. But it could be dangerous for the actual victim. But thank you for tackling a subject that too often is taboo.

There are no heroes, no victims, no rescue teams, no spectacular recovery...and that's the beauty of this movie. Some might say that the film is too long or too dark with no switches or no sharp turns of events. This is one of those movies where you can learn from a lot. The most important knowledge coming from it is deconstructing a mith that 'love will concur all'. The other thing is all 'what not to do's' coming from distanced once who should be listened to the most. I have a strong believe that if you watch this movie carefully you will be well prepared if someone you love had to deal with such problem. Ashley Judd gave wonderful performance. Light, camera, action should be credited as the rest of the cast.

This movie was mostly a tough watch because it is something I lived with - the great and only part that deserves a view and that give to it a 3 stars is the performance of Ashley Judd and actress than than Jean and Marilyn series, didn't shine of so many movies.

Her role is just pure anguish to someone that had similar diagnoses to the ones that her character pass on the movie (Major Depression with psychotic symptoms and a light bipolar disturb). Probably her best role in any work she had done, that shows easily the anguish, sometimes semeling without cause and the masks we have to use dya thought day to be in a "normal" life.

Also it have and explanation as Judd (and multi-activist) herself had major depression thought her life that isn't something that you can "cure" overnight, you just learn to cope with it. She lived a troubled life thought her youth and entered major rehabilitation in 2006 - and now with the suicide of her mother in 2022 (yes, in many cases it is something that runs through the family).

The major flaws probably are by Sandra Nettelbeck, the german writer and director - herself a depression survivor - mostly know by "Mostly Martha" (2001) and somelighter movies. The story could be a lot better written and the choice of Goran Visnjic (lately seen in some series and in Hellraiser remake) as a lovely husband that tries to cope with the situation isn't the best, and the choice of support that only someone that passed thought that can understand what it is is a partial true - because lot's of people can understand that by empathy even didn't really lived depression.

As a whole it is something that I can only recommend to someone that wants to see what is to live with major depression (even if we don't "read" what is going inside the protagonist head) - painful to see as real as it can be.

I imagine this TV movie (it seems to be because of some black screen change in some sequences) in the hands of a most skilled writer and director what t could be with Ashely and her acting. If taken most seriously it could be a contender for best actress. Overall for her work a 6,0 out of 10,0 / C+.

A painful movie about a woman struggling with severe clinical depression.

Ashley Judd has a knack for giving powerhouse performances in movies no one's ever heard of (did you ever see her in "Bug?"), and she disappears utterly into the character of "Helen," who herself descends into hell when her illness makes an appearance after lying dormant for many years. Let me be clear -- this movie is one long sustained note of agony, and it is not pleasant to sit through. But it's fascinating in its own way, and the thought of it haunted me for days after I'd seen it.

The filmmaker clearly had a very personal and painful relationship with her subject (she lost her childhood friend to clinical depression), and one might think this would make her incapable of retaining the objectivity needed to prevent a film like this from turning into melodrama, but one would be wrong for thinking that.

Grade: A-