IMDb-BEWERTUNG
6,8/10
19.040
IHRE BEWERTUNG
Auf einer Geburtstagsfeier 1968 in New York verlassen ein Überraschungsgast und ein betrunkenes Spiel sieben schwule Freunde, die mit unausgesprochenen Gefühlen und verschütteten Wahrheiten ... Alles lesenAuf einer Geburtstagsfeier 1968 in New York verlassen ein Überraschungsgast und ein betrunkenes Spiel sieben schwule Freunde, die mit unausgesprochenen Gefühlen und verschütteten Wahrheiten rechnen.Auf einer Geburtstagsfeier 1968 in New York verlassen ein Überraschungsgast und ein betrunkenes Spiel sieben schwule Freunde, die mit unausgesprochenen Gefühlen und verschütteten Wahrheiten rechnen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Robin de Jesus
- Emory
- (as Robin de Jesús)
Empfohlene Bewertungen
While the actors were all very convincing in their roles, and the art direction was satisfying, I still don't think I got the point of this film. So, regrets and arguments abound amongst a group of gay friends, how is this the fodder of film? Maybe I just don't get "slice of life" scripts. It kind of left me feeling empty.
I read the screenplay which was published in book form decades ago-maybe in the mid-seventies-and recall finding it depressing.
Just finished watching this new Netflix film and must comment on the terrific casting and production-the clothing and set design were as "spot on" as possible, but more importantly the acting was superb. Each character was distinct and believable. The setting was close and intimate, but not claustrophobic. In revisiting this drama decades after first reading the screenplay, I would describe it as sad, rather than depressing.
Fortunately the LGBT community finds much more visibility and acceptance today. This production clearly depicts self-loathing, repression and invisibility felt by some in the sixties. A good period piece with some light moments, but still very sad.
Just finished watching this new Netflix film and must comment on the terrific casting and production-the clothing and set design were as "spot on" as possible, but more importantly the acting was superb. Each character was distinct and believable. The setting was close and intimate, but not claustrophobic. In revisiting this drama decades after first reading the screenplay, I would describe it as sad, rather than depressing.
Fortunately the LGBT community finds much more visibility and acceptance today. This production clearly depicts self-loathing, repression and invisibility felt by some in the sixties. A good period piece with some light moments, but still very sad.
As a young gay man coming out before Stonewall, I saw the original movie and was blown away with the intensity and truth in this film. It was a pivotal movie that showed me the self hate that we all had during that time, and how that hate manifested in our relationships with self and others.
This revision of that film with a 2020 cast was every bit as powerful and poignant, with an excellent direction by Joe Mantelo. Thank God they did not try to modernize the film and kept the original 1968 time. Jim Parsons is just an amazing actor as is Zachary Quinto who captured Michal and Harold with intensity and focus. The whole cast was amazing.
In some ways the play has a certain dated feel but that does not distract it enhances. The Gay men's community has been a work in progress and Mark Crowley wrote this decades before liberation, AIDS, gay marriage, wrote this when being gay was a crime. Thank God we don't have to embrace the self loathing we did back then. This still is a difficult film for me to watch, very confronting, but definitely a gem of a production.Awards are waiting I am certain!
This revision of that film with a 2020 cast was every bit as powerful and poignant, with an excellent direction by Joe Mantelo. Thank God they did not try to modernize the film and kept the original 1968 time. Jim Parsons is just an amazing actor as is Zachary Quinto who captured Michal and Harold with intensity and focus. The whole cast was amazing.
In some ways the play has a certain dated feel but that does not distract it enhances. The Gay men's community has been a work in progress and Mark Crowley wrote this decades before liberation, AIDS, gay marriage, wrote this when being gay was a crime. Thank God we don't have to embrace the self loathing we did back then. This still is a difficult film for me to watch, very confronting, but definitely a gem of a production.Awards are waiting I am certain!
I really enjoyed this film. If I'm honest it was my most anticipated film for September and let me tell you it was worth the wait.
The film is split in 2 let's say with the first hour of build up and character inductions and right on the hour mark the real events finally begin and I laughed so hard, Emory is by far my favourite character and Hank came a close second.
I love that the film tackled a number of things like depression, discrimination and the horrible truth of what it was like to be gay in the late 1960's.
Jim parsons gives an outstanding performance as he always comes through but the acting that stood out for me was Zachery's, his presence filled each scene he was in and he really played this character so well from the body language, emotion and dialogue.
The drama and comedy blend in so well together. I will absolutely return to this film over and over again.
I'm sure some might find this film "outdated", too depressing and pessimistic. But it must be taken into consideration that it depicts gay life and identity in 60s. If it had depicted them from a very 21st-century point of view, it would probably have betrayed the authenticity of the period. Here, the characters are trying to come to terms with their identity, to find their place in a society that mostly rejects and bashes them, and remain a closed group of friends despite their personal differences. It touches upon issues like beauty, aging, depression, self-rejection, self-hatred,relationships (romantic and friendly), religion, race as they all relate to gay identity. Nine characters all representing different aspects of gay identity, when brought together, present a comprehensive and multi-faceted understanding of being a gay man in the 60s. The acting is good and the roles really fit the actors playing them. (Matt Bomer is such an eye candy, I wanna see him more in movies!!!) The dialogue of often witty and sassy. I must admit that while the overall sassiness was quite fun for the first half of the movie, in the second half, where things get pretty serious and dramatic, it felt a bit cruel.
I have also seen the 1970 Friedkin version. What new elements does the 2020 one offer? It has scenes ourside Michael's house. The film opens with little scenes depicting each of the characters in their lives and contributing to character development from the start. During the phone call game, the film also has flashback scenes, which make the past memories somewhat more concrete. It also has a few sexually explicit scenes. Other than that, the story and dialogue are pretty much the same.
Lastly, we must not expect all queer stories to tell empowering, optimistic stories. Yes, this film is very dark and depressing, but it is just another prespective on life and individual experience. No queer character represents or talks on behalf of the whole queer community, nor do the characters in this film. They mostly manage to feel real within themselves, which is more important.
Wusstest du schon
- WissenswertesTuc Watkins and Andrew Rannells are a couple in real life.
- PatzerWhen Michael takes the Valium he lifts his bottle to his mouth with his left hand but lowers it with his right.
- VerbindungenFeatured in The Boys in the Band: Etwas Persönliches (2020)
- SoundtracksHold on I'm Coming
Written by Isaac Hayes and David Porter
Performed by Erma Franklin
Courtesy of Brunswick Record Corporation
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- Các Chàng Trai Trong Hội
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- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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