IMDb-BEWERTUNG
7,0/10
9362
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA transfer student attempts to take over the most violent high school in the country, whose students form factions and battle each other for power.A transfer student attempts to take over the most violent high school in the country, whose students form factions and battle each other for power.A transfer student attempts to take over the most violent high school in the country, whose students form factions and battle each other for power.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Suzunosuke Tanaka
- Chûta Tamura
- (as Suzunosuke)
Yusuke Kamiji
- Shôji Tsutsumoto
- (as Kamiji Yûsuke)
Yûsuke Izaki
- Manabu Mikami
- (as Izaki Yûzuke [FLAME])
Hisato Izaki
- Takeshi Mikami
- (as Izaki Hisato [FLAME])
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This is fully based on style. It's an exploration of what it means, in a certain moment in time, in a certain culture (arguably global...), to be cool.
Everything here is designed to look cool. In fact, whenever we hear about wanting to 'rule' the school, what's in fact at stake is being the coolest there. The fighting is a fundamental issue of that coolness, the best fighters gain admiration, not for their physical skill but for the coolness with what they get out of the situations - even when Genji is defeated after fighting dozens at the same time, he falls in a cool way. To underline this, we come to understand that in fact the strongest guy in the school was in fact away from the main disputes all the way, probably because he is not cool, in the notion of the cool guys (he is cool in his uncool way).
This is a thin notion, which probably will appeal to a teen mind (with 24 i'm not quite sure yet if i've ever been a teen). This film gets away with that single thin notion because it is able to support it visually. The director knows a few things about framing and pace, even though he doesn't take many risks (or none at all) in how he shoots the fights.
In a way, this is no different, in root, of series like Rambo, the filmography of Chuck Norris or the urban hip-hop acting pose. Different moments in time, and different places on earth, and an important element: this film doesn't take itself seriously, as the others do. This is all staged, and that's clear to us, and it's OK. The comedy bits exist to underline this. Also the parody of the Yakuza, as inferior guys who get beaten up by the school kids.
My opinion: 3/5
http://www.7eyes.wordpress.com
Everything here is designed to look cool. In fact, whenever we hear about wanting to 'rule' the school, what's in fact at stake is being the coolest there. The fighting is a fundamental issue of that coolness, the best fighters gain admiration, not for their physical skill but for the coolness with what they get out of the situations - even when Genji is defeated after fighting dozens at the same time, he falls in a cool way. To underline this, we come to understand that in fact the strongest guy in the school was in fact away from the main disputes all the way, probably because he is not cool, in the notion of the cool guys (he is cool in his uncool way).
This is a thin notion, which probably will appeal to a teen mind (with 24 i'm not quite sure yet if i've ever been a teen). This film gets away with that single thin notion because it is able to support it visually. The director knows a few things about framing and pace, even though he doesn't take many risks (or none at all) in how he shoots the fights.
In a way, this is no different, in root, of series like Rambo, the filmography of Chuck Norris or the urban hip-hop acting pose. Different moments in time, and different places on earth, and an important element: this film doesn't take itself seriously, as the others do. This is all staged, and that's clear to us, and it's OK. The comedy bits exist to underline this. Also the parody of the Yakuza, as inferior guys who get beaten up by the school kids.
My opinion: 3/5
http://www.7eyes.wordpress.com
Crows Zero is a manga adaptation about factions of students fighting for control of a Japanese high school. Not exactly a new idea, as every other anime and manga is about that very subject. But that's not what made Crows so uninteresting to me, I've previously enjoyed many movies and shows with similar plots. My issues with the movie were that I never felt any connection to the characters, and couldn't care less about what happened to them. Add that to the unremarkable fight scenes, and you've got a recipe for "meh". I did appreciate the sporadic humor, but that quickly (and unfortunately) faded away as the movie progressed.
Die-hard fans of the manga may want to check this out, but I can't recommend that anyone else go out of their way to see it. If you want to see high school students beating each other to a pulp, there are much better (and more exciting) options.
Die-hard fans of the manga may want to check this out, but I can't recommend that anyone else go out of their way to see it. If you want to see high school students beating each other to a pulp, there are much better (and more exciting) options.
Crows Zero is often cited as one of Miike's most commercial films. While this is hardly true (think Koshonin or One Missed Call) it certainly is one of Miike's slickest films gaining such international attention to date. The film has a solid budget, minimal weirdness and even a pretty linear and well-developed storyline. But it is still Miike alright. screen cap of Crows Zero
Setting for the film is a notorious high school where the scum of Japan gathers to gain control over their rivals. Gangs are started and wars are fought without any of the teachers interfering. While this by itself may sound like a streak of Miike weirdness it's actually not an uncommon theme in Japanese entertainment. The film itself is based on a manga, for those who haven't read it the film could best be described as a mix of Blue Spring, Volcano High and Cromartie High.
Helping the setting is a typical Japanese J-Rock punk look and sound that gives each of the characters it's unique style. The weird dressing sense and crazy hairdos are lifted straight from a manga universe and, while a little silly, add a lot to the coolness of the gangs. Needless to say, there's a lot of posing and looking mean to be admired.
The story is pretty simple as newcomer Genji is out to prove himself to his father and is willing to take on the top chief of the school. He impresses from the start and is able to work his way slowly to the top, where he will face Tamao to gain ultimate control of the school. There are no twists and turns so you know what to expect from the movie when it comes down to storyline development. screen cap of Crows Zero
Visually the film looks splendid, but indeed a lot slicker than earlier Miike films. There is not too much room for visual silliness anymore (although there is that bowling scene), though Miike makes excellent use of the budget he most obviously received. The action scenes in particular look stunning, with perfect use of fast forward and slow motion to increase the impact of the punches. The visual timing is spot on, aided by some very solid editing work. It's reassuring to see that Miike should not be limited to working with small budgets only.
The soundtrack is a little less satisfying. Though I can live with the J-Rock sound in a film like this, the time spent on concerts and the like is a little too long. The R&B intermezzos are probably even worse and make the film a little too smooth in some scenes. A film like this could've done without them and probably would've benefited from it too.
Acting is strong all round, with Shun Oguri showing off a lot of his abilities. Supporting roles are strong too, giving the film that little extra flair. And I'm always pleased to see Kenichi Endo liven things up a bit. Most importantly, the actors succeed in keeping a lighter tone throughout the scenes without hurting the gritty feel of the film.
Crows Zero is not Miike's best film, though it will probably become one of his more popular ones. While the exterior of the film is a little slicker than usual there is still enough Miike weirdness left and some really bone crunching fights to behold. The film never slacks and even gives the viewer a nice look into the whole gang structure in between the fights, making it a little more than just another butt-kicking action flick.
Miike is near perfect in setting the atmosphere for this film, only the music can be a little too much sometimes. Apart from that, I still prefer Miike as a loose gun director, but I can hardly criticize a film like this just because of that. A fun ride, intense where it needs to be and solid in all other areas. 4.0*/5.0*
Setting for the film is a notorious high school where the scum of Japan gathers to gain control over their rivals. Gangs are started and wars are fought without any of the teachers interfering. While this by itself may sound like a streak of Miike weirdness it's actually not an uncommon theme in Japanese entertainment. The film itself is based on a manga, for those who haven't read it the film could best be described as a mix of Blue Spring, Volcano High and Cromartie High.
Helping the setting is a typical Japanese J-Rock punk look and sound that gives each of the characters it's unique style. The weird dressing sense and crazy hairdos are lifted straight from a manga universe and, while a little silly, add a lot to the coolness of the gangs. Needless to say, there's a lot of posing and looking mean to be admired.
The story is pretty simple as newcomer Genji is out to prove himself to his father and is willing to take on the top chief of the school. He impresses from the start and is able to work his way slowly to the top, where he will face Tamao to gain ultimate control of the school. There are no twists and turns so you know what to expect from the movie when it comes down to storyline development. screen cap of Crows Zero
Visually the film looks splendid, but indeed a lot slicker than earlier Miike films. There is not too much room for visual silliness anymore (although there is that bowling scene), though Miike makes excellent use of the budget he most obviously received. The action scenes in particular look stunning, with perfect use of fast forward and slow motion to increase the impact of the punches. The visual timing is spot on, aided by some very solid editing work. It's reassuring to see that Miike should not be limited to working with small budgets only.
The soundtrack is a little less satisfying. Though I can live with the J-Rock sound in a film like this, the time spent on concerts and the like is a little too long. The R&B intermezzos are probably even worse and make the film a little too smooth in some scenes. A film like this could've done without them and probably would've benefited from it too.
Acting is strong all round, with Shun Oguri showing off a lot of his abilities. Supporting roles are strong too, giving the film that little extra flair. And I'm always pleased to see Kenichi Endo liven things up a bit. Most importantly, the actors succeed in keeping a lighter tone throughout the scenes without hurting the gritty feel of the film.
Crows Zero is not Miike's best film, though it will probably become one of his more popular ones. While the exterior of the film is a little slicker than usual there is still enough Miike weirdness left and some really bone crunching fights to behold. The film never slacks and even gives the viewer a nice look into the whole gang structure in between the fights, making it a little more than just another butt-kicking action flick.
Miike is near perfect in setting the atmosphere for this film, only the music can be a little too much sometimes. Apart from that, I still prefer Miike as a loose gun director, but I can hardly criticize a film like this just because of that. A fun ride, intense where it needs to be and solid in all other areas. 4.0*/5.0*
This is the kind of movie where even though there are some noticeable shortcomings, they don't feel like they matter as much as they would in most other movies. Crows Zero kind of feels like a cross between a yakuza movie and a high school movie, and there's a decent amount of action in there for good measure. It takes place at a high school where classes don't seem to exist, and teachers I think are only visible in the first 10-15 minutes of the film. The school is just a battleground, really, with various factions and ambitious gang leaders (largely teenagers) all battling to "control" it.
It's a little strange how it begins sort of comedic and then decides it wants to be serious (albeit in a very heightened way) in the second half. There are probably a few too many characters to keep track of, but at the same time, considering the size of the cast and the pacing, the way they're all balanced is decent. It probably helps that most characters are straightforward, and like a lot of yakuza movies, they're all after essentially the same thing.
It's got a few action scenes throughout, and a pretty big one at the end that's a highlight. The wet, greyish mud a whole heap of people fight in reminded me of the opening action scene in The Raid 2 (2014). Like most times one film reminds me of another - and neither is the kind that EVERYONE has seen - it left me to wonder whether it's intentional, or just by brain methodically finding connections that aren't really there.
It's a little strange how it begins sort of comedic and then decides it wants to be serious (albeit in a very heightened way) in the second half. There are probably a few too many characters to keep track of, but at the same time, considering the size of the cast and the pacing, the way they're all balanced is decent. It probably helps that most characters are straightforward, and like a lot of yakuza movies, they're all after essentially the same thing.
It's got a few action scenes throughout, and a pretty big one at the end that's a highlight. The wet, greyish mud a whole heap of people fight in reminded me of the opening action scene in The Raid 2 (2014). Like most times one film reminds me of another - and neither is the kind that EVERYONE has seen - it left me to wonder whether it's intentional, or just by brain methodically finding connections that aren't really there.
Being an adaptation of a Japanese comic book, Crows Zero offers some of the most entertaining fight scenes I've seen in awhile and the soundtrack is awesome. However, just because this film begs not to be taken seriously, doesn't mean I can ignore the shortcomings. There is a Yakuza angle that is never really explored or tied in coherently. The number of loose, underdeveloped subplots is astonishing. Last but not least, the English voice-overs are atrocious; I'd much rather just have subtitles. Everythign else sums up a fun time at the movies. You'll be dropped dead center in one of the toughest schools in the country, Suzuran, which is over run with gangs and violence.
The film is reason enough for Western fans of the Japanese medium, such as anime, manga, and video games to rejoice and I am pretty sure fans of the comic won't have reason to complain either. For its male target audience, it is sure to be a hit. Also, if you watch this film and enjoy it there is also a sequel out in the works which I will cover in the coming weeks
The film is reason enough for Western fans of the Japanese medium, such as anime, manga, and video games to rejoice and I am pretty sure fans of the comic won't have reason to complain either. For its male target audience, it is sure to be a hit. Also, if you watch this film and enjoy it there is also a sequel out in the works which I will cover in the coming weeks
Wusstest du schon
- WissenswertesThe band that perform this movie's theme song is The Street Beats. Hiroshi Takahashi, the author of the manga Crows where this movie is based on is actually The Street Beat's fan.
- VerbindungenFollowed by Kurôzu zero II (2009)
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Details
Box Office
- Weltweiter Bruttoertrag
- 22.036.607 $
- Laufzeit
- 2 Std. 10 Min.(130 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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