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Im Westen nichts Neues

  • 2022
  • 16
  • 2 Std. 28 Min.
IMDb-BEWERTUNG
7,8/10
277.589
IHRE BEWERTUNG
BELIEBTHEIT
922
83
Felix Kammerer in Im Westen nichts Neues (2022)
A young German soldier's terrifying experiences and distress on the western front during World War I.
trailer wiedergeben2:19
4 Videos
99+ Fotos
EpicPeriod DramaTragedyWar EpicDramaHistoryWar

Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.

  • Regie
    • Edward Berger
  • Drehbuch
    • Edward Berger
    • Lesley Paterson
    • Ian Stokell
  • Hauptbesetzung
    • Felix Kammerer
    • Albrecht Schuch
    • Aaron Hilmer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    277.589
    IHRE BEWERTUNG
    BELIEBTHEIT
    922
    83
    • Regie
      • Edward Berger
    • Drehbuch
      • Edward Berger
      • Lesley Paterson
      • Ian Stokell
    • Hauptbesetzung
      • Felix Kammerer
      • Albrecht Schuch
      • Aaron Hilmer
    • 881Benutzerrezensionen
    • 218Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 4 Oscars gewonnen
      • 59 Gewinne & 89 Nominierungen insgesamt

    Videos4

    Official Trailer
    Trailer 2:19
    Official Trailer
    Official Teaser
    Trailer 1:59
    Official Teaser
    Official Teaser
    Trailer 1:59
    Official Teaser
    Oscars 2023 Best Picture Nominees
    Clip 1:31
    Oscars 2023 Best Picture Nominees
    Shot for Shot: All Quiet on the Western Front
    Clip 1:01
    Shot for Shot: All Quiet on the Western Front

    Fotos177

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    Topbesetzung57

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    Felix Kammerer
    Felix Kammerer
    • Paul Bäumer
    Albrecht Schuch
    Albrecht Schuch
    • Stanislaus Katczinsky
    Aaron Hilmer
    • Albert Kropp
    Moritz Klaus
    • Franz Müller
    Adrian Grünewald
    • Ludwig Behm
    Edin Hasanovic
    Edin Hasanovic
    • Tjaden Stackfleet
    Daniel Brühl
    Daniel Brühl
    • Matthias Erzberger
    Thibault de Montalembert
    • General Ferdinand Foch
    Devid Striesow
    Devid Striesow
    • General Friedrichs
    Andreas Döhler
    Andreas Döhler
    • Leutnant Hoppe
    Sebastian Hülk
    Sebastian Hülk
    • Major Von Brixdorf
    Luc Feit
    Luc Feit
    • Stabsarzt
    Michael Wittenborn
    Michael Wittenborn
    • Rektor
    Michael Stange
    • Musterungsoffizier
    Sascha Nathan
    • Graf Von Oberndorff
    Tobias Langhoff
    • Generalmajor Von Winterfeldt
    Anton von Lucke
    Anton von Lucke
    • Hauptmann Von Helldorf
    Michael Pitthan
    Michael Pitthan
    • Kapitän Ernst Von Vanselow
    • Regie
      • Edward Berger
    • Drehbuch
      • Edward Berger
      • Lesley Paterson
      • Ian Stokell
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen881

    7,8277.5K
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    Empfohlene Bewertungen

    9lutz_87

    Never felt war so intense before

    I'm really a Film Nerd and I've watched many famous and less famous war movies, too. Until this Evening, the beach-sequene and the final of Saving Private Ryan was one of the most intense experiences I've seen on the big screen.

    But what Berger and his teams show here is still incredible & and the most horryfying depiction of war I've ever seen before.

    The violence makes you feel sick, there were really some moments I thought I have to leave the cinema. Shooting, Explosions, blood, cold, wetness, Tanks, flamethrowers and inhuman suffering. Meaningless suffering.

    Yes, theire are some flaws in the Story, but Overall it works out fine. Music, acting and production design are phenomenal!

    But the violience, I still can't believe it. Go watch - afterwards you'll definetley be pacifist.

    8/10.
    9Lomax343

    Powerful and bloody.

    This is not strictly-speaking an adaption of Erich Maria Remarque's classic. A few minor incidents from the novel are included, but Remarque's biggest contribution to this film is the title. Given the ending of the film (as opposed to the book) the title is somewhat misleading, but it's such a classic that the film-makers' decision is quite understandable.

    This is a brutal and uncompromising study of the realities of war. The fact the the war depicted took place more than a hundred years ago doesn't make it any less relevant. It could be shown in Ukraine today, and soldiers on both sides would understand.

    Nor is the film's anti-war message terribly new. It is, however, a message that needs to be repeated over and over again, until (maybe) enough people take it seriously.

    The battle scenes are appallingly visceral - possibly the best of their type since the opening of Saving Private Ryan.

    The history of any war is written by the winners, but that doesn't stop them being a tragedy for the poor grunts on the losing side as well.
    8adibshahriar

    One of the best war movies of recent time

    Never expected a netflix movie to shake me to my core but this film kept me frozen in my seat even after a few minutes into the ending credits. It made me think about war and what it does to people. Just as the book had done. But this time due to the superb acting, marvelous cinematography and flawless direction that feeling will stay with me for a long time. They took a great desicion by using an all German cast which made it feel ever more real. And the way they made me feel connected to the charecters. I mourned each one of them and kept praying for the movie to be war soon ,so they could get a happy ending.
    7tobydale

    I wasn't as moved as I expected to be

    Just got off watching this Netflix version of the classic.

    I vaguely remember the 1979 version with Ernest Borgnine (7/10) and I certainly remember watching the original 1930 film. Both powerful in their own ways. The 1930 film is the best of the three - with first class black & white photography, and all done in that particular way of German story telling. In 1930, the events were very recent - just 13 years previous. Every male over age 30 in German cinemas would have had direct experience. It must have been awful for those audiences to watch the apocalyptic battlefield scenes - still some of the most graphic and numbing ever filmed. My rating 8/10.

    So how does this one from Netflix in 2022 stand up then? Well sadly, not that tall.

    It's bleak, graphic, actually depressing. An assault on the senses. Sure - it really conveys the impression of the horrors and desperation of trench warfare. But that's all. Maybe that's all it's supposed to do? Maybe that's, as a matter of fact all there was: mayhem and horror? There's nothing to redeem it. Again - that's the point: there's nothing good or glorius about war. Only the opposite.

    The men who went to war then, as now, are not all evil men bent on barbarism and terror. All Quiet on the Western Front (all versions) shows us that those who go to war are just normal people - people like you and me. Good people go to war. Normal people. They end up having to see terrible things, do terrible things, to kill or be killed. That's the stark reality. This film certainly shows us that, but there is no upside, no redemption. There are little glimpses of humanity in the friendships, but that's all.
    9W011y4m5

    Bleak meaningful meaninglessness.

    I'm truly conflicted: "All Quiet on The Western Front" is a surprisingly stark & cold film upon first watch, capturing the futility of war, loss of youth & corruption of innocence with an unsettling lack of emotion throughout.

    It's something I couldn't help but notice as I tuned in; usually in historical war films (like Sam Mendes' "1917" for instance, following events through the eyes of the opposing British side), we're accustomed to typically witnessing soldier's actions depicted as valiant & honourable, with a palpable sense of pride & patriotism embedded throughout - in pieces which are made to catalogue their innumerable brave achievements conducted by every-day folk (who, through no fault of their own, found themselves in the trenches), in spite of insurmountable odds comprehensively stacked against them... But here, there's no dignity in anything that transpires; obstacles aren't admirably overcome, the ensemble don't conduct themselves in a way which is befitting of their station, worthy of respect & none of the characters win any semblance of what could honestly be described as "glory"... They're just young, impressionable fools - drunk on propaganda - who have mindlessly partaken in the unwarranted military occupation of foreign land, where they are obviously not welcome by the inhabitants. Due to this, there's a void of relatability & moreover, all the team of participants can dream of - once they arrive at the front - or endeavour to guarantee for themselves is survival, not greatness.

    However, despite this inability to sympathise being an irksome grievance of mine, in the production's defense, I suppose that's actually intentional & rather the whole point (?), since it's meant to tell the story through the perspective of the vanquished, not the conquerors, reflecting how naive recruits (who'd been fatally misled, in conscripting themselves & their families in the first place) were gradually numbed to their feelings by the constant mental & physical anguish inflicted upon them in a continuous onslaught of pointless offensives (instigated by their generals), once reality had firmly bitten & they'd been collectively disabused of this fantasy - but unfortunately, that noticeable detachment from any of the characters featured results in a somewhat muted response (as a viewer) when they're incessantly chewed up & spat out by the gratuitous violence - that's shot in a hauntingly raw, ominous way - they're repeatedly (& needlessly) thrust in to by the callous, cowardly officers, who arrogantly orchestrate the entire miserable situation that needn't last a single day longer.

    Again, I suppose that only reaffirms the statement the creators are trying to make, wilfully juxtaposing intense sequences of suffering & pain with little sentimentality & ambivalence; the film chronicles how Germany treated (or more accurately, mistreated) its own people, offering up generations of its future citizens on the battlefield as sacrificial lambs, massacred at the altar of a poisonous, nationalistic ideology which had taken root within the governing population; boys - barely men, even some who weren't yet - were essentially reduced to nothing but disposable, unimportant objects, thoughtlessly discarded & simply replaced in a sadistic game & quest for absolute power (no matter the personal cost or price paid in blood) - an incalculable loss which (even by the time the armistice came in to effect) still wasn't enough to satiate the tyrannical desires of the few, controlling the many... And the movie does therefore (to its credit) accurately reflect that exact point in its portrayal of the poor cannon fodder by representing them as exactly that, & additionally lenses the apathy of the superiors (who give the indefensible orders) through a perspective of rightful, scornful contempt.

    Hence, I can understand the creative intentions (depicting the utter, irredeemable meaninglessness; the wanton, senseless destruction) & the grim inhumanity of it all... Yet after seeing such horrors & heinous cruelties, I guess I felt like I wanted a purpose to everything I'd sat through by the time the credits started rolling - & thought I'd been cheated by the fact that there wasn't one. On the other hand, like I acknowledge earlier, I assume that's not accidental - & rather the understandably cynical, bitter & despondent conclusion the narrative decidedly wants the audience to come to by the time it reaches its unsatisfactory denouement; there is no discernible reason that could ever hope to justify the carnage we observe - the savagery that unfolds is simply slaughter for the sheer sake of it & the trauma experienced by all those affected was utterly preventable, had the invaders put aside their vanity & pride & sought to preserve peace which could've so effortlessly been maintained.

    Plus, it does also show one massive miscalculation on the side of the victors; forcing the Germans in to reluctant submission & backing them in to signing an agreement with terms they couldn't accept would ultimately entrench resentful animosity that would act as a spark to light the fire of the 2nd World War, only a few decades later etc. Foreshadowing what was to come before anyone could predict the oncoming calamity. Due to this, irrespective of what I think (or more aptly, how little it evoked within me), I must concede that it remains a success, regardless - because the project undoubtedly achieved its goal in a commendably brutal & unflinching manner - & I can't plausibly surmise any alternative which would've resulted in something better.

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    • Wissenswertes
      Erich Maria Remarque's book was inspired by his own experiences as a German soldier in World War I. Remarque fought in the trenches and the novel is notable for its realistic depiction of the horrors of battle, and the trouble soldiers face during and even after the fighting.
    • Patzer
      By the end, Germany's delegation to Rethondes appears indignant as the terms and conditions of armistice are quoted by Mathias Erzberger, namely forfeiting submarines, planes, weapons and so on; what is read there was not in the November 11, 1918 capitulation act but was imposed upon Germany next year in the Treaty of Versailles.
    • Zitate

      Matthias Erzberger: All that's left separating us from an armistice is false pride.

    • Verbindungen
      Featured in Business Now: Folge vom 19. Oktober 2022 (2022)
    • Soundtracks
      Ebben? Ne andrò lontana ('La Wally', Act 1)
      Written by Alfredo Catalani and Luigi Illica

      Performed by Maria Luigia Borsi

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    Details

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    • Erscheinungsdatum
      • 28. Oktober 2022 (Deutschland)
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      • Vereinigtes Königreich
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      • Official Netflix
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      • Deutsch
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    • Laufzeit
      2 Stunden 28 Minuten
    • Farbe
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      • Dolby Atmos
    • Seitenverhältnis
      • 2.39 : 1

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