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Im Westen nichts Neues

  • 2022
  • 16
  • 2 Std. 28 Min.
IMDb-BEWERTUNG
7,8/10
278.798
IHRE BEWERTUNG
BELIEBTHEIT
855
54
Felix Kammerer in Im Westen nichts Neues (2022)
A young German soldier's terrifying experiences and distress on the western front during World War I.
trailer wiedergeben2:19
4 Videos
99+ Fotos
Eine TragödieEpischKrieg, epischZeitraum: DramaDramaGeschichteKrieg

Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.Die grauenvollen Erlebnisse und das Elend eines jungen deutschen Soldaten an der Westfront während des Ersten Weltkrieges.

  • Regie
    • Edward Berger
  • Drehbuch
    • Edward Berger
    • Lesley Paterson
    • Ian Stokell
  • Hauptbesetzung
    • Felix Kammerer
    • Albrecht Schuch
    • Aaron Hilmer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    278.798
    IHRE BEWERTUNG
    BELIEBTHEIT
    855
    54
    • Regie
      • Edward Berger
    • Drehbuch
      • Edward Berger
      • Lesley Paterson
      • Ian Stokell
    • Hauptbesetzung
      • Felix Kammerer
      • Albrecht Schuch
      • Aaron Hilmer
    • 883Benutzerrezensionen
    • 218Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 4 Oscars gewonnen
      • 59 Gewinne & 89 Nominierungen insgesamt

    Videos4

    Official Trailer
    Trailer 2:19
    Official Trailer
    Official Teaser
    Trailer 1:59
    Official Teaser
    Official Teaser
    Trailer 1:59
    Official Teaser
    Oscars 2023 Best Picture Nominees
    Clip 1:31
    Oscars 2023 Best Picture Nominees
    Shot for Shot: All Quiet on the Western Front
    Clip 1:01
    Shot for Shot: All Quiet on the Western Front

    Fotos178

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    Felix Kammerer
    Felix Kammerer
    • Paul Bäumer
    Albrecht Schuch
    Albrecht Schuch
    • Stanislaus Katczinsky
    Aaron Hilmer
    • Albert Kropp
    Moritz Klaus
    • Franz Müller
    Adrian Grünewald
    • Ludwig Behm
    Edin Hasanovic
    Edin Hasanovic
    • Tjaden Stackfleet
    Daniel Brühl
    Daniel Brühl
    • Matthias Erzberger
    Thibault de Montalembert
    • General Ferdinand Foch
    Devid Striesow
    Devid Striesow
    • General Friedrichs
    Andreas Döhler
    Andreas Döhler
    • Leutnant Hoppe
    Sebastian Hülk
    Sebastian Hülk
    • Major Von Brixdorf
    Luc Feit
    Luc Feit
    • Stabsarzt
    Michael Wittenborn
    Michael Wittenborn
    • Rektor
    Michael Stange
    • Musterungsoffizier
    Sascha Nathan
    • Graf Von Oberndorff
    Tobias Langhoff
    • Generalmajor Von Winterfeldt
    Anton von Lucke
    Anton von Lucke
    • Hauptmann Von Helldorf
    Michael Pitthan
    Michael Pitthan
    • Kapitän Ernst Von Vanselow
    • Regie
      • Edward Berger
    • Drehbuch
      • Edward Berger
      • Lesley Paterson
      • Ian Stokell
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen883

    7,8278.7K
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    Empfohlene Bewertungen

    9svenstahmann

    Wow! This is a MUST see (but don't watch it when you want to feel comfortable)

    Oh dear. I still feel bad. But not because the film is bad. Because it shows how incredibly bad that time was. Especially for the young men who were forced to go to war. I'm from Osnabrück - the city where Erich Maria Remarque was born - and when they named the city in the film... my body is still shaking. The actors were amazing. I dont like german films so much, but this is different. The camera, the sound. Its perfect (except one role - otherwise it would be a 10 for me). I even didn't touch my snacks in the cinema. You really have to see this movie. Because it shows the cruel time in a way that perhaps no film has ever done before. However, if you want to spend a nice evening in a good mood, don't watch it. Because it really pulls you down. But it's all worth it. Thanks for this history lesson!
    8adibshahriar

    One of the best war movies of recent time

    Never expected a netflix movie to shake me to my core but this film kept me frozen in my seat even after a few minutes into the ending credits. It made me think about war and what it does to people. Just as the book had done. But this time due to the superb acting, marvelous cinematography and flawless direction that feeling will stay with me for a long time. They took a great desicion by using an all German cast which made it feel ever more real. And the way they made me feel connected to the charecters. I mourned each one of them and kept praying for the movie to be war soon ,so they could get a happy ending.
    8terrencepatrix

    Rough brutal material

    This movie did something I didn't expect from a World War movie...it makes you feel empathetic for the Germans. To an extent.

    I'm no war buff so I'll leave the realism to the experts but what this movie does is show you the first World War from the view point of people who've never experienced or even conceived of war and bloodshed on this scale. It starts off with new recruits full of patriotism for their country expecting to be sent on a grand adventure only to have those expectations quickly shattered. Turns out war isn't fun, and not even initially due to the actual fighting. Just training and constantly being screamed at and controlled while marching your days away is brutal. Remember, while vehicles existed, they weren't common use at this period of time...these soldiers had to walk, walk, and walk some more to get to where the war effort was taking place. And even if they had vehicles most of those places didn't have roads yet to drive them on. Then there's the constant lack of food and water, rough sleeping conditions, being exposed to the elements. Just GETTING to the war is brutal. That's a good 3rd of the movie right there.

    Then close to the half way point, after a few minor skirmishes, we see the war front and the trenches and get to see what that's like. Well...it's terrible! You pop up out of a trench and boom...you're shot. And that's just life in between charges. There was no strategy to the charges either, they relied on waves of bodies to gain even 100 meters, hoping to out pace the bullets constantly coming your way. Millions of young men died in this fashion, their bodies littering the field.

    The most brutal part of the film is the weapons of war never before seen. Tanks, flame throwers, planes dropping bombs. Men screaming in pure terror while the bullet proof tanks drive over them, while flames fill their trenches, or planes blow them up while they flee.

    And the odd thing is since we're seeing it from the eyes of the young German soldiers, who are truly clueless as to why they're really even fighting, you do empathize and feel sorry for them. You find yourself even rooting for them. This movie humanizes them but importantly shows the politicians who are truly to blame for the atrocities. The powerful men behind the scenes, bloated from being overfed on rich foods, hundreds of miles away from the pain and suffering they cause.

    I have no idea how accurate this movie is but it's a pretty straight forward piece showing just how awful, terrifying, and destructive this period of time was. I really enjoyed it and recommend it to any fans of this genre.
    9Lomax343

    Powerful and bloody.

    This is not strictly-speaking an adaption of Erich Maria Remarque's classic. A few minor incidents from the novel are included, but Remarque's biggest contribution to this film is the title. Given the ending of the film (as opposed to the book) the title is somewhat misleading, but it's such a classic that the film-makers' decision is quite understandable.

    This is a brutal and uncompromising study of the realities of war. The fact the the war depicted took place more than a hundred years ago doesn't make it any less relevant. It could be shown in Ukraine today, and soldiers on both sides would understand.

    Nor is the film's anti-war message terribly new. It is, however, a message that needs to be repeated over and over again, until (maybe) enough people take it seriously.

    The battle scenes are appallingly visceral - possibly the best of their type since the opening of Saving Private Ryan.

    The history of any war is written by the winners, but that doesn't stop them being a tragedy for the poor grunts on the losing side as well.
    9W011y4m5

    Bleak meaningful meaninglessness.

    I'm truly conflicted: "All Quiet on The Western Front" is a surprisingly stark & cold film upon first watch, capturing the futility of war, loss of youth & corruption of innocence with an unsettling lack of emotion throughout.

    It's something I couldn't help but notice as I tuned in; usually in historical war films (like Sam Mendes' "1917" for instance, following events through the eyes of the opposing British side), we're accustomed to typically witnessing soldier's actions depicted as valiant & honourable, with a palpable sense of pride & patriotism embedded throughout - in pieces which are made to catalogue their innumerable brave achievements conducted by every-day folk (who, through no fault of their own, found themselves in the trenches), in spite of insurmountable odds comprehensively stacked against them... But here, there's no dignity in anything that transpires; obstacles aren't admirably overcome, the ensemble don't conduct themselves in a way which is befitting of their station, worthy of respect & none of the characters win any semblance of what could honestly be described as "glory"... They're just young, impressionable fools - drunk on propaganda - who have mindlessly partaken in the unwarranted military occupation of foreign land, where they are obviously not welcome by the inhabitants. Due to this, there's a void of relatability & moreover, all the team of participants can dream of - once they arrive at the front - or endeavour to guarantee for themselves is survival, not greatness.

    However, despite this inability to sympathise being an irksome grievance of mine, in the production's defense, I suppose that's actually intentional & rather the whole point (?), since it's meant to tell the story through the perspective of the vanquished, not the conquerors, reflecting how naive recruits (who'd been fatally misled, in conscripting themselves & their families in the first place) were gradually numbed to their feelings by the constant mental & physical anguish inflicted upon them in a continuous onslaught of pointless offensives (instigated by their generals), once reality had firmly bitten & they'd been collectively disabused of this fantasy - but unfortunately, that noticeable detachment from any of the characters featured results in a somewhat muted response (as a viewer) when they're incessantly chewed up & spat out by the gratuitous violence - that's shot in a hauntingly raw, ominous way - they're repeatedly (& needlessly) thrust in to by the callous, cowardly officers, who arrogantly orchestrate the entire miserable situation that needn't last a single day longer.

    Again, I suppose that only reaffirms the statement the creators are trying to make, wilfully juxtaposing intense sequences of suffering & pain with little sentimentality & ambivalence; the film chronicles how Germany treated (or more accurately, mistreated) its own people, offering up generations of its future citizens on the battlefield as sacrificial lambs, massacred at the altar of a poisonous, nationalistic ideology which had taken root within the governing population; boys - barely men, even some who weren't yet - were essentially reduced to nothing but disposable, unimportant objects, thoughtlessly discarded & simply replaced in a sadistic game & quest for absolute power (no matter the personal cost or price paid in blood) - an incalculable loss which (even by the time the armistice came in to effect) still wasn't enough to satiate the tyrannical desires of the few, controlling the many... And the movie does therefore (to its credit) accurately reflect that exact point in its portrayal of the poor cannon fodder by representing them as exactly that, & additionally lenses the apathy of the superiors (who give the indefensible orders) through a perspective of rightful, scornful contempt.

    Hence, I can understand the creative intentions (depicting the utter, irredeemable meaninglessness; the wanton, senseless destruction) & the grim inhumanity of it all... Yet after seeing such horrors & heinous cruelties, I guess I felt like I wanted a purpose to everything I'd sat through by the time the credits started rolling - & thought I'd been cheated by the fact that there wasn't one. On the other hand, like I acknowledge earlier, I assume that's not accidental - & rather the understandably cynical, bitter & despondent conclusion the narrative decidedly wants the audience to come to by the time it reaches its unsatisfactory denouement; there is no discernible reason that could ever hope to justify the carnage we observe - the savagery that unfolds is simply slaughter for the sheer sake of it & the trauma experienced by all those affected was utterly preventable, had the invaders put aside their vanity & pride & sought to preserve peace which could've so effortlessly been maintained.

    Plus, it does also show one massive miscalculation on the side of the victors; forcing the Germans in to reluctant submission & backing them in to signing an agreement with terms they couldn't accept would ultimately entrench resentful animosity that would act as a spark to light the fire of the 2nd World War, only a few decades later etc. Foreshadowing what was to come before anyone could predict the oncoming calamity. Due to this, irrespective of what I think (or more aptly, how little it evoked within me), I must concede that it remains a success, regardless - because the project undoubtedly achieved its goal in a commendably brutal & unflinching manner - & I can't plausibly surmise any alternative which would've resulted in something better.

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    • Wissenswertes
      Erich Maria Remarque's book was inspired by his own experiences as a German soldier in World War I. Remarque fought in the trenches and the novel is notable for its realistic depiction of the horrors of battle, and the trouble soldiers face during and even after the fighting.
    • Patzer
      By the end, Germany's delegation to Rethondes appears indignant as the terms and conditions of armistice are quoted by Mathias Erzberger, namely forfeiting submarines, planes, weapons and so on; what is read there was not in the November 11, 1918 capitulation act but was imposed upon Germany next year in the Treaty of Versailles.
    • Zitate

      Matthias Erzberger: All that's left separating us from an armistice is false pride.

    • Verbindungen
      Featured in Business Now: Folge vom 19. Oktober 2022 (2022)
    • Soundtracks
      Ebben? Ne andrò lontana ('La Wally', Act 1)
      Written by Alfredo Catalani and Luigi Illica

      Performed by Maria Luigia Borsi

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    Details

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    • Erscheinungsdatum
      • 28. Oktober 2022 (Deutschland)
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      2 Stunden 28 Minuten
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    • Seitenverhältnis
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