Meeting You, Meeting Me

It's a moden version of things happen for a reason. Two random people, both at different stages of their lives, meet by chance. Despite their age difference, different lifestyle, different professions....the impact on each other's perspectives, changes them. Many relatable moments. Lina Suh captured the essence of life's new chapter triggered by unexpected meeting. Great protrayal of things happen for a reason. Simple but yet the deep dialogue exchanges between the two characters in the heart of Los Angeles finishes with the importance life's lesson.

Annika Foster delivered a true portrayal of a typical Gen Z alongside, Sam Yim with her understated performance of a responsible professional. Well scripted from beginning to end.

Meeting You, Meeting Me" is a beautiful reminder of how much we can grow through the relationships we form-even the brief, unexpected, or painful ones. The film shows how genuine connection and mutual understanding can be powerful enough to heal, comfort, and transform us.

I especially recommend this film to anyone who, like me, feels that connecting with people online has become easier than forming real friendships in person. As adults, it often feels harder to find meaningful bonds like the ones we had as children. That's why the friendship portrayed in this film felt so precious-authentic, rare, and deeply nourishing. It left me feeling both moved and hopeful, and reminded me that it's worth continuing to seek out those kinds of connections in life.

Meeting You, Meeting me is a touching film about two women(American and South Korean) coming from opposing sides of life who can see each other's blind spots, but have the discomfort of facing from them. In an era where people are obsessed with their own echo chambers, it is a poignant reminder that different views can solve issues we never knew that we had.

Meeting You, Meeting Me has done a fantastic job peeling the layers of complex and guarded characters only to reveal none of us know ourselves nearly as much as we might think and may need others to point out aspects for us to even begin to tackle them.

Through her own film, has Lina Suh found Suh Lina?

Have you ever made a brand-new friend in just one day? That's the premise of this wonderful and thought provoking film, where two strangers' life paths collide at just the moment when they both most needed a friend.

Savanna and Simone come from very different backgrounds and are on very different life trajectories but, with 12 hours to kill before Savanna's flight to an exotic destination, they have some time to kill and quickly discover an unexpected bond in the confusing complexity of their current life situations.

The embryonic friendship begins as a blank slate and this allows both characters to confront each other with a searing honesty that we could all do with sometimes.

The writing is sharp and realistic and, like any true relationship worth fighting for, there are some tests to get through as these two unexpected kindred spirits peel away the layers of each other's past & present.

And it turns out that Sav & Simone have some profound lessons for each other. The two not only meet and bond, they also change each other's perspective on life, and perhaps even set each other free a little.

Intriguingly, the film was shot before and after lockdown and the extra production time allowed for the beginning and ending of the film to be re-written - in a way that adds a powerful resonance to the story as the years pass by, and a longer testament to the friendship emerges.

This film will stay with you long after you have watched it. Highly recommended.

In an era increasingly dominated by spectacle, Meeting You, Meeting Me offers a refreshing return to cinema's quieter virtues. Directed with restraint and remarkable sensitivity, the film unfolds as a contemplative exploration of human connection-anchored by breathtaking cinematography and performances of unusual emotional depth.

Visually, the film is a masterclass in atmospheric storytelling. The cinematography, rich in texture and tone, does more than frame the action-it elevates it. Each shot is carefully composed, using natural light and deliberate stillness to draw the viewer inward. The camera lingers not for indulgence, but for resonance, allowing the weight of a moment to settle without rush. There is an elegance here that recalls the work of Terrence Malick, yet it feels wholly its own.

The performances are equally compelling. The lead actors navigate their roles with profound subtlety, revealing layers of vulnerability through glances, silences, and gesture rather than exposition. Their characters evolve not through dramatic transformation, but through the slow accumulation of feeling-an approach that demands patience and rewards it richly.