Dieser Baltimore-Set-Film mit zusammenhängenden Erzählbögen beschäftigt sich mit den Herausforderungen, menschliches Verhalten zu lesen oder falsch zu lesen.Dieser Baltimore-Set-Film mit zusammenhängenden Erzählbögen beschäftigt sich mit den Herausforderungen, menschliches Verhalten zu lesen oder falsch zu lesen.Dieser Baltimore-Set-Film mit zusammenhängenden Erzählbögen beschäftigt sich mit den Herausforderungen, menschliches Verhalten zu lesen oder falsch zu lesen.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Crying 20-Something
- (as Kristen Faye Hunter)
- Sorority Girl
- (as Zoë Jarman)
- Sous Chef
- (as Renee Scott)
- Army Recruit
- (as Carmen Perez)
- African Woman
- (as Délé)
Empfohlene Bewertungen
But to me this movie kind of shows now modern relationships work or don't work. If anything is a falter in this story it is that it trys to hard to show too many stories.
Sure there is X likes Y but Y likes Z but Z is married to A. Which is always entertaining.
Then there is the Ben Affleck / Jeniffer Aniston couple that may sum up most of the "couples" I know.
The whole mentioning of "new dating rules" is kind of cool to see that cell phones, emails, myspace and speeddating have replaced and re-written the rules for dating...and in some way made it harder not easier. Some people says this movie is full of stereotypes. In my opinion it covers just about all the realities in dating...especially dating in fast paced big city life.
What I liked though is the movie balanced "The Bad Guy" with "Bad Girl" Showing that there are breakups faulted by both sides. And there are regretful feelings for both Women and Men.
I would say rent it, hopefully you are not watching it alone.
Now, from the tone of the last part of that sentence you may well have come to the conclusion that this is just another standard romantic comedy chick-flick, and, on paper, it should be. But it's not. The script is very similar in tone and feel to "When Harry met Sally" with "supposed" regular people introducing each chapter of the film, the insights are decent and the dialogue contains a lot of honesty that I think many people can relate to. The cast are all first rate with special attention going to Ben Affleck, who has so needed a good role in front of the camera for ages, and Jennifer Aniston as the couple who can't move forward, also good are Bradley Cooper and Jennifer Connolly in their respective roles. The big star turns for me though are Ginnifer Goodwin and Justin Long as the hapless dater and the hapless dating coach, who are really good. For Long it's another step up the Hollywood ranks (pretty much the direction he's been heading since "Dodgeball") and for Goodwin it is a star-making turn that should do for her what "knocked-up" did for Heigl.
The film of course has a number of elements and outcomes that are extremely predictable (it IS a romantic comedy) but there's enough other stuff in there, and definite surprises at the end, to make it more than just the sum of its parts. It's charming, clever and, when viewed with a pantomime-style audience that I saw it with, a lot of fun, and I'm a guy! A cross between "When Harry met Sally" and "Friends" that doesn't try and jump on the gross-out comedy bandwagon.
Good stuff
How dare they play "Somewhere Only We Know" by Keane near the end. That pushed it over the edge for me. Tears, UGH!!! I don't like rom coms and I'll never fall in love!!!! But every damn Jennifer Aniston movie rates a 7 with me! STOP IT JENNIFER!!!!!
I think the reason some people, er, men, didn't like it was because it portrays some men as lying cheats, others as terrified of intimacy, and some as weirdos. In short, the basic variety any woman runs into on Match.com. Then there were a couple of stand-up guy characters. Were parts of the plot formulaic? Sure. It's a movie. There were a few surprises, however.
All of the female characters were likable, which is a switch from standard Hollywood sexism. The acting was above average and I was pleasantly surprised by Scarlett Johannson's performance. I only didn't like Ginnifer Goodwin's slapstick-style performance as a desperate dater. A little subtlety would have made her character more poignant and more believable.
The film really does contain a lot of good advice for people in the dating scene, both men and women.
Wusstest du schon
- WissenswertesJennifer Connelly plays a character whose father died of cancer. In real life, her actual father was dying of cancer at the time, and passed before this film was released.
- PatzerBeth's cousin says it's too bad that cousins cannot marry. In the state of Maryland, where this is set, first cousins can get married.
- Zitate
Gigi: Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
- VerbindungenEdited into Loose Women: Folge #13.105 (2009)
- SoundtracksI Got A Woman
Written by Ray Charles and Renald Richard (as Renald J. Richard)
Performed by Elvis Presley
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- A él no le gustas tanto
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 93.953.653 $
- Eröffnungswochenende in den USA und in Kanada
- 27.785.487 $
- 8. Feb. 2009
- Weltweiter Bruttoertrag
- 178.866.158 $
- Laufzeit
- 2 Std. 9 Min.(129 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1