The Darkness

I normally don't leave reviews but felt compelled to write one after watching this series.

The topic itself is an important one. However the execution of the series is only for effect without any background.

The plot starts interesting but quickly gets worse. The last episode is just plain ridiculous to the point where I could hardly bare the stupidity of the plot.. There are gross inconsistencies in the story, the dialog is minimal and the contents just get worse. I watched it with friends and we all felt cheated of a good story in the end. Do not watch it. This is a complete waste of time.

Some absolutely great parts here - the photography, the field locations, Reykjavik looks beautiful. There are also some weak red-herrings in the plot. Also, some real acting talent is available but Doug Henshall from "Shetland" is completely wasted in a nothing and pointless role. But it's all squandered on a poor and poorly stitched-together narrative that felt rushed to a conclusion. Too many plot lines went nowhere, too many ideas thrown in (misogyny, indigenous and migrant bigotry), character motivations were poorly articulated and the lead actress had a cryptically explained personality and background too say the least.

Really disappointing.

Caught this while I was in Australia - it aired there (no US release yet?) - and I genuinely wasn't prepared for how good it is. Thought it'd be your standard moody crime drama with pretty backdrops. Instead, it's quietly gripping, sharp, and way more emotionally layered than it lets on at first.

It takes its time. It doesn't spoon-feed. The tone is icy but grounded, and the tension builds in this really restrained, almost hypnotic way. The lead performance is excellent - minimal, but you feel everything. Visually it's beautiful too. Cold, clean, controlled.

If I had one gripe, maybe a few of the supporting characters could've been fleshed out a little more - but the central story is strong enough to carry the whole thing.

Out of curiosity, I went and read the book afterward. Huge mistake. It's all internal monologue and emotional exposition - just endless moping. Hulda in the book is... not great. Kind of aimless. On-screen, though, she's magnetic. Everything the book tries to say, the show shows instead. The adaptation is tighter, smarter, way more alive.

Don't let it slip past you.

Also, all the trolls hating on it for not being whatever they think it should be (more Nordic?) should probably go back to Iceland.

We watched other Icelandic crime series before so we had high expectations, especially seeing Douglas Henshall's name amongst the actors, but we were soon disappointed. The conversations were absurd at points, serious plotholes, unexplored themes. The acting was terrible, especially Lena Olin. It was theatrical and ridiculous. The only actor who was almost good was Jack Bannon. We really wanted to believe that it could get better as we watch but no; it got worse and worse, to the point where we could not watch the last 20 minutes. Everything was cringe. It is sad that this story was butchered, it could have been good if it was done differently.

Everyone who reviewed this series so far has a valid point and, taken their individual pint of view, is accurate in his or her review. Not much to add here other than, for me, it was a huge disappointment. Only the addition of Jack Bannon, kept me from watching the series to it's torturous end.

What really got to me was the incredibly bad depiction of the Icelandic police force. If taken at face value, every policeman and policewoman is either an utter moron or too lazy to work. Everything in this series related to police work, police procedures and internal police management is so wrong, one questions the sanity of the person who wrote the script.

This could have been an excellent psychological twister-thriller, if the writer(s) wouldn't have assumed that the general viewing audience is comprised of morons as well.

3 Stars for the otherwise good, not great, performances of the lead actors and, of course, Jack Bannon.